The art-historical and revolutionary ethos
This article intends to handle the birth the Modern Movement of architecture developed in Europe in the first half of the XX century as a reaction product of many of the renewed cultural activity gestated the Industrial Revolution in the XIX century. The reflection seeks to make sense of the collect...
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Universidad Católica de Pereira
2012
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oai:editorial.ucp.edu.co:article-5292016-08-23T16:41:58Z The art-historical and revolutionary ethos La vanguardia ahistórica y el ethos revolucionario Mejía Amézquita, Valentina Modernity, western architecture, architectural rationalism, vanguard, Le Corbusier4 Modernidad, arquitectura occidental, racionalismo arquitectónico, vanguardia, Le Corbusier This article intends to handle the birth the Modern Movement of architecture developed in Europe in the first half of the XX century as a reaction product of many of the renewed cultural activity gestated the Industrial Revolution in the XIX century. The reflection seeks to make sense of the collective reading of the progress of science and technology at the service of man manifests now in some cultural products that sought to liberate the aesthetic exhaustion European architecture had been lost in the historicist eclecticism characteristic of the classicism of the last two centuries, thus consolidating its new commitment of world Este artículo pretende ocuparse del nacimiento del Movimiento Moderno de la Arquitectura desarrollado en Europa en la primera mitad del siglo XX como una de las tantas reacciones producto de la renovada actividad cultural y de la Revolución Industrial gestadas en el siglo XIX. La reflexión busca dar sentido a la lectura colectiva de los avances de la ciencia y la tecnología al servicio del hombre manifiestos ahora en unos productos culturales que pretendían liberarse del agotamiento estético que había sufrido la arquitectura europea sumida en los eclecticismos historicistas propios del clasicismo 9 de los dos últimos siglos , para, así, consolidar su nueva apuesta de mundo. Universidad Católica de Pereira Universidad Católica de Pereira Universidad Católica de Pereira 2012-11-20 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://biblioteca.ucp.edu.co/OJS/index.php/arquetipo/article/view/529 10.31908/22159444.529 Arquetipo; Núm. 3 (May. - Oct. 2011); 71 - 84 2215-9444 spa https://biblioteca.ucp.edu.co/OJS/index.php/arquetipo/article/view/529/494 Copyright (c) 2017 Arquetipo https://creativecommons.org/licenses/by-nc/4.0 |
institution |
Universidad Católica de Pereira |
collection |
OJS |
language |
spa |
format |
Online |
author |
Mejía Amézquita, Valentina |
spellingShingle |
Mejía Amézquita, Valentina The art-historical and revolutionary ethos |
author_facet |
Mejía Amézquita, Valentina |
author_sort |
Mejía Amézquita, Valentina |
title |
The art-historical and revolutionary ethos |
title_short |
The art-historical and revolutionary ethos |
title_full |
The art-historical and revolutionary ethos |
title_fullStr |
The art-historical and revolutionary ethos |
title_full_unstemmed |
The art-historical and revolutionary ethos |
title_sort |
art-historical and revolutionary ethos |
description |
This article intends to handle the birth the Modern Movement of architecture developed in Europe in the first half of the XX century as a reaction product of many of the renewed cultural activity gestated the Industrial Revolution in the XIX century. The reflection seeks to make sense of the collective reading of the progress of science and technology at the service of man manifests now in some cultural products that sought to liberate the aesthetic exhaustion European architecture had been lost in the historicist eclecticism characteristic of the classicism of the last two centuries, thus consolidating its new commitment of world |
publisher |
Universidad Católica de Pereira |
publishDate |
2012 |
url |
https://biblioteca.ucp.edu.co/OJS/index.php/arquetipo/article/view/529 |
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