Spectators involved in the work of contemporary art
The interest of this article aims to describe the art after avant-garde understanding from different parameters to which regulated the art object as an art of representation. Nowadays art has become the environment real and it has expanded into social and communicative actions involving the viewer i...
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Universidad Católica de Pereira
2012
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oai:editorial.ucp.edu.co:article-5302016-08-23T16:41:58Z Spectators involved in the work of contemporary art Espectadores inmersos en la 85 obra de arte contemporánea Isaza Echeverry, María Isabel Contemporary art, viewer, artist, Kcho, game, party, symbol, Kcho. Arte contemporáneo, espectador, artista, juego, fiesta, símbolo, Kcho. The interest of this article aims to describe the art after avant-garde understanding from different parameters to which regulated the art object as an art of representation. Nowadays art has become the environment real and it has expanded into social and communicative actions involving the viewer in new forms of participation and action. To analyze the changing role of the viewer it was taken as main reference the concepts of game, party and symbol of Hans-Georg Gadamer as categories that help us to understand, to theorize and to approach to contemporary art. These three concepts show that contemporary art demands an active and participatory audience able to immerse themselves in the aesthetic creation. El interés del presente artículo se orienta a describir el arte después de la vanguardia entendido bajo parámetros diferentes a los que regularon el objeto arte como un arte de la representación. El arte de hoy ha vuelto real el entorno y se ha expandido hacia pretensiones sociales y comunicativas que involucran al espectador en nuevas formas de participación y acción. Para el análisis del nuevo papel del espectador se tomó como principal referente los conceptos de juego, fiesta y símbolo de Hans-Georg Gadamer como categorías que nos permiten comprender, teorizar y acercarnos a la obra contemporánea. Estos tres conceptos evidencian que el arte contemporáneo reclama un espectador activo y participativo capaz de sumergirse en la creación estética. Universidad Católica de Pereira Universidad Católica de Pereira Universidad Católica de Pereira 2012-11-20 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://biblioteca.ucp.edu.co/OJS/index.php/arquetipo/article/view/530 10.31908/22159444.530 Arquetipo; Núm. 3 (May. - Oct. 2011); 85 - 94 2215-9444 spa https://biblioteca.ucp.edu.co/OJS/index.php/arquetipo/article/view/530/495 Copyright (c) 2017 Arquetipo https://creativecommons.org/licenses/by-nc/4.0 |
| institution |
Universidad Católica de Pereira |
| collection |
OJS |
| language |
spa |
| format |
Online |
| author |
Isaza Echeverry, María Isabel |
| spellingShingle |
Isaza Echeverry, María Isabel Spectators involved in the work of contemporary art |
| author_facet |
Isaza Echeverry, María Isabel |
| author_sort |
Isaza Echeverry, María Isabel |
| title |
Spectators involved in the work of contemporary art |
| title_short |
Spectators involved in the work of contemporary art |
| title_full |
Spectators involved in the work of contemporary art |
| title_fullStr |
Spectators involved in the work of contemporary art |
| title_full_unstemmed |
Spectators involved in the work of contemporary art |
| title_sort |
spectators involved in the work of contemporary art |
| description |
The interest of this article aims to describe the art after avant-garde understanding from different parameters to which regulated the art object as an art of representation. Nowadays art has become the environment real and it has expanded into social and communicative actions involving the viewer in new forms of participation and action. To analyze the changing role of the viewer it was taken as main reference the concepts of game, party and symbol of Hans-Georg Gadamer as categories that help us to understand, to theorize and to approach to contemporary art. These three concepts show that contemporary art demands an active and participatory audience able to immerse themselves in the aesthetic creation. |
| publisher |
Universidad Católica de Pereira |
| publishDate |
2012 |
| url |
https://biblioteca.ucp.edu.co/OJS/index.php/arquetipo/article/view/530 |
| work_keys_str_mv |
AT isazaecheverrymariaisabel spectatorsinvolvedintheworkofcontemporaryart AT isazaecheverrymariaisabel espectadoresinmersosenla85obradeartecontemporanea |
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