Architectural interventions in the historic center of Belem: the contemporary projectual pratice
The discussion about the contemporary architectural production as the intervention in the built patrimony is a subject that needs to be further explored in Brazilian universities and is the target of much controversy between professionals. Considering the demand of our urban centers, that daily impo...
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Universidade Estadual de Campinas
2015
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Dostęp online: | https://periodicos.sbu.unicamp.br/ojs/index.php/parc/article/view/8640703 |
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Universidade Estadual de Campinas |
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Online |
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Forte, Márcia Teixeira Filgueira Sanjad, Thais Bastos Caminha |
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Forte, Márcia Teixeira Filgueira Sanjad, Thais Bastos Caminha Architectural interventions in the historic center of Belem: the contemporary projectual pratice |
author_facet |
Forte, Márcia Teixeira Filgueira Sanjad, Thais Bastos Caminha |
author_sort |
Forte, Márcia Teixeira Filgueira |
title |
Architectural interventions in the historic center of Belem: the contemporary projectual pratice |
title_short |
Architectural interventions in the historic center of Belem: the contemporary projectual pratice |
title_full |
Architectural interventions in the historic center of Belem: the contemporary projectual pratice |
title_fullStr |
Architectural interventions in the historic center of Belem: the contemporary projectual pratice |
title_full_unstemmed |
Architectural interventions in the historic center of Belem: the contemporary projectual pratice |
title_sort |
architectural interventions in the historic center of belem: the contemporary projectual pratice |
description |
The discussion about the contemporary architectural production as the intervention in the built patrimony is a subject that needs to be further explored in Brazilian universities and is the target of much controversy between professionals. Considering the demand of our urban centers, that daily imposes the challenge of design in memory spaces, this article aims to discuss the contemporary design practice in this context and establishes as a universe of discourse the Historical Center of Belem. The choice of objects of analysis is based on aspects that promote a broader discussion, by involving three tumbled buildings, with intervention projects developed after the establishment of protection laws and representing transforming proposals on the local scene. These buildings were: the Ver-o-Peso, a representative of the cultural identity of Belem; the Sesc Boulevard, a building which is part of the front skyline of the city; Bechara Mattar building, that breaks ostensibly with the tipology of the primitive nucleus of Historical Center. It’s noteworthy in this reflection the observation of design parameters of architects, of reference elements used, of the difficulties encountered, of the influence of theoretical and academic discussions for the design process. It is intended to extend the discussion on the “freedom” of designing in historic areas and stimulate a sensitive professional view, in favor of contemporary attitudes conscious of the preexistences value. |
publisher |
Universidade Estadual de Campinas |
publishDate |
2015 |
url |
https://periodicos.sbu.unicamp.br/ojs/index.php/parc/article/view/8640703 |
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1709640956091826176 |
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oai:ojs.periodicos.sbu.unicamp.br:article-86407032016-07-22T09:22:47Z Architectural interventions in the historic center of Belem: the contemporary projectual pratice Intervenções arquitetônicas no centro histórico de Belém: a prática projetual contemporânea Forte, Márcia Teixeira Filgueira Sanjad, Thais Bastos Caminha Patrimônio arquitetônico. Construir no construído. Centro Histórico de Belém. Intervenção. Prática projetual. Architectural heritage. Build in the built. Historical Center of Belem. Intervention. Design pratice The discussion about the contemporary architectural production as the intervention in the built patrimony is a subject that needs to be further explored in Brazilian universities and is the target of much controversy between professionals. Considering the demand of our urban centers, that daily imposes the challenge of design in memory spaces, this article aims to discuss the contemporary design practice in this context and establishes as a universe of discourse the Historical Center of Belem. The choice of objects of analysis is based on aspects that promote a broader discussion, by involving three tumbled buildings, with intervention projects developed after the establishment of protection laws and representing transforming proposals on the local scene. These buildings were: the Ver-o-Peso, a representative of the cultural identity of Belem; the Sesc Boulevard, a building which is part of the front skyline of the city; Bechara Mattar building, that breaks ostensibly with the tipology of the primitive nucleus of Historical Center. It’s noteworthy in this reflection the observation of design parameters of architects, of reference elements used, of the difficulties encountered, of the influence of theoretical and academic discussions for the design process. It is intended to extend the discussion on the “freedom” of designing in historic areas and stimulate a sensitive professional view, in favor of contemporary attitudes conscious of the preexistences value. A discussão acerca da produção arquitetônica contemporânea como intervenção no patrimônio construído é tema que precisa ser mais abordado nas universidades brasileiras, e alvo de muita polêmica entre os profissionais. Considerando que a demanda de nossos centros urbanos impõe cotidianamente o desafio de projetar em espaços de memória, este artigo tem como objetivo discutir a prática projetual contemporânea dentro desse contexto, e estabelece como universo o Centro Histórico de Belém. A escolha dos objetos de análise se fundamentou em alguns aspectos primordiais a uma discussão mais ampla, por envolver três edificações tombadas, com projetos desenvolvidos após a legislação de proteção e que representam propostas transformadoras no cenário local: o Ver-o-Peso, representante da identidade cultural da capital; o Sesc Boulevard, que faz parte do skyline frontal da cidade; e o edifício Bechara Mattar, que rompe de forma ostensiva com a tipologia do núcleo primitivo do Centro Histórico. Merece destaque nessa reflexão a observação dos parâmetros que vieram a subsidiar a tomada de decisões dos arquitetos, dos elementos de referência utilizados, das dificuldades encontradas, e da influência das discussões teórico-acadêmicas no processo projetual. Busca-se ampliar o debate acerca da “liberdade” projetual em áreas históricas e estimular um olhar profissional mais sensível, em prol de atitudes contemporâneas conscientes do valor das preexistências. Universidade Estadual de Campinas 2015-09-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Case study Pesquisa Histórica application/pdf https://periodicos.sbu.unicamp.br/ojs/index.php/parc/article/view/8640703 10.20396/parc.v6i3.8640703 PARC Pesquisa em Arquitetura e Construção; Vol. 6 No. 3 (2015): The continuing challenges of urban management; 188-204 PARC Pesquisa em Arquitetura e Construção; Vol. 6 Núm. 3 (2015): A permanência de desafios da gestão urbana; 188-204 PARC Pesquisa em Arquitetura e Construção; v. 6 n. 3 (2015): A permanência de desafios da gestão urbana; 188-204 1980-6809 por https://periodicos.sbu.unicamp.br/ojs/index.php/parc/article/view/8640703/11572 Copyright (c) 2018 PARC Pesquisa em Arquitetura e Construção |