Museum of Tomorrow and articulations of tectonic expression and scenographic condition

Museum of Tomorrow and articulations of tectonic expression and scenographic condition

This article departs from an analysis of the new global museum architecture, chosen as the research focus due to their underlying symbolic content. The research seeks to confront, adopting a qualitative approach, the concept of "tectonics" to the use of scenography elements in Contemporary...

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Main Authors: Braga, Diogo Ubaldo, Castro, Maria Luiza Almeida Cunha de, Rezende, Marco Antônio Penido de, Mello, João Luiz van Ham
Format: Online
Language:por
Published: Universidade Estadual de Campinas 2020
Online Access:https://periodicos.sbu.unicamp.br/ojs/index.php/parc/article/view/8655866
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record_format ojs
institution Universidade Estadual de Campinas
collection OJS
language por
format Online
author Braga, Diogo Ubaldo
Castro, Maria Luiza Almeida Cunha de
Rezende, Marco Antônio Penido de
Mello, João Luiz van Ham
spellingShingle Braga, Diogo Ubaldo
Castro, Maria Luiza Almeida Cunha de
Rezende, Marco Antônio Penido de
Mello, João Luiz van Ham
Museum of Tomorrow and articulations of tectonic expression and scenographic condition
author_facet Braga, Diogo Ubaldo
Castro, Maria Luiza Almeida Cunha de
Rezende, Marco Antônio Penido de
Mello, João Luiz van Ham
author_sort Braga, Diogo Ubaldo
title Museum of Tomorrow and articulations of tectonic expression and scenographic condition
title_short Museum of Tomorrow and articulations of tectonic expression and scenographic condition
title_full Museum of Tomorrow and articulations of tectonic expression and scenographic condition
title_fullStr Museum of Tomorrow and articulations of tectonic expression and scenographic condition
title_full_unstemmed Museum of Tomorrow and articulations of tectonic expression and scenographic condition
title_sort museum of tomorrow and articulations of tectonic expression and scenographic condition
description This article departs from an analysis of the new global museum architecture, chosen as the research focus due to their underlying symbolic content. The research seeks to confront, adopting a qualitative approach, the concept of "tectonics" to the use of scenography elements in Contemporary museum architecture.  It also incorporates considerations on the use of these Buildings. The idea of tectonics originates from the relationship that the material, constructive, and the tactile dimension of architecture establishes with its plastic expression. This discussion was brought up in the mid-nineteenth, and it has recently reemerged through reflections such as those of Kenneth Frampton and Gevork Hartoonian. Under the light of concepts proposed by these authors, Venturi, Izenour, Brown's criticism of tardo-modern architecture, and considerations about the scenography condition of architecture, the research proposes an investigation about the Museu do Amanhã (Museum of Tomorrow), in Rio de Janeiro, Brazil.  The purpose is to question whether the mere tectonic expression of the building is capable of exempting it from any intention of spectacle and scenography. Although it is part of a strategy that attempts to create a brand image for the city, the Museum highlights a constructive and structural solution in which the relations of load and support are expressed in coherence with the form. Therefore, it states the possibilities of articulation between tectonic expression and scenography, materiality, and image. Keywords: Tectonics; Scenography; Architecture; Museum; Globalization.
publisher Universidade Estadual de Campinas
publishDate 2020
url https://periodicos.sbu.unicamp.br/ojs/index.php/parc/article/view/8655866
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spelling oai:ojs.periodicos.sbu.unicamp.br:article-86558662020-07-17T20:36:21Z Museum of Tomorrow and articulations of tectonic expression and scenographic condition Museu do Amanhã e articulações da expressão tectônica e condição cenográfica Braga, Diogo Ubaldo Castro, Maria Luiza Almeida Cunha de Rezende, Marco Antônio Penido de Mello, João Luiz van Ham Tectônica Cenografia Arquitetura Museu Globalização Tectonics Scenography Architecture Museum Globalization This article departs from an analysis of the new global museum architecture, chosen as the research focus due to their underlying symbolic content. The research seeks to confront, adopting a qualitative approach, the concept of "tectonics" to the use of scenography elements in Contemporary museum architecture.  It also incorporates considerations on the use of these Buildings. The idea of tectonics originates from the relationship that the material, constructive, and the tactile dimension of architecture establishes with its plastic expression. This discussion was brought up in the mid-nineteenth, and it has recently reemerged through reflections such as those of Kenneth Frampton and Gevork Hartoonian. Under the light of concepts proposed by these authors, Venturi, Izenour, Brown's criticism of tardo-modern architecture, and considerations about the scenography condition of architecture, the research proposes an investigation about the Museu do Amanhã (Museum of Tomorrow), in Rio de Janeiro, Brazil.  The purpose is to question whether the mere tectonic expression of the building is capable of exempting it from any intention of spectacle and scenography. Although it is part of a strategy that attempts to create a brand image for the city, the Museum highlights a constructive and structural solution in which the relations of load and support are expressed in coherence with the form. Therefore, it states the possibilities of articulation between tectonic expression and scenography, materiality, and image. Keywords: Tectonics; Scenography; Architecture; Museum; Globalization. Este artigo parte de uma análise da arquitetura dos novos museus globais, escolhidos como objeto de pesquisa devido a seu conteúdo simbólico subjacente. Adotando uma abordagem qualitativa, a investigação procura confrontar o conceito de “tectônica” a questionamentos relativos à utilização de elementos cenográficos na arquitetura museal contemporânea, incorporando ainda considerações sobre o uso destas edificações. A ideia de tectônica parte da relação que a dimensão material, construtiva e tátil da arquitetura estabelece com sua expressão plástica, uma questão que foi colocada em pauta em meados do século XIX e recentemente reemergiu por meio de reflexões tais como as de Kenneth Frampton e Gevork Hartoonian. Sob a luz de conceitos propostos por estes autores, da crítica à arquitetura tardo moderna, a partir de Venturi, Brown e Izenour e de considerações sobre a condição cenográfica da arquitetura – propõe-se uma investigação sobre o Museu do Amanhã, Rio de Janeiro. O objetivo é questionar se a mera expressão tectônica do edifício é capaz de isentá-lo de qualquer intenção de espetáculo e cenografia. Embora nitidamente inserido dentro de uma dinâmica de competição de cidades, a partir da criação de uma imagem de marca, o Museu destaca uma solução construtiva e estrutural em que as relações de carga e apoio se expressam em coerência com a forma. Reafirma-se desta forma as possibilidades de articulação entre expressão tectônica e cenografia, materialidade e imagem.   Universidade Estadual de Campinas 2020-07-14 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Text Texto application/pdf https://periodicos.sbu.unicamp.br/ojs/index.php/parc/article/view/8655866 10.20396/parc.v11i0.8655866 PARC Pesquisa em Arquitetura e Construção; Vol. 11 (2020): Continuous publication; e020012 PARC Pesquisa em Arquitetura e Construção; Vol. 11 (2020): Publicação contínua; e020012 PARC Pesquisa em Arquitetura e Construção; v. 11 (2020): Publicação contínua; e020012 1980-6809 por https://periodicos.sbu.unicamp.br/ojs/index.php/parc/article/view/8655866/22685 Rio de Janeiro; Contemporary. Rio de Janeiro; Contemporâneo Copyright (c) 2020 PARC Pesquisa em Arquitetura e Construção

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