Belém with metropole physionomy: David Lopes and architectural production in the 40s

Belém with metropole physionomy: David Lopes and architectural production in the 40s

The study investigates the architectural production in Belém of the 1940s. It was the emergence of the first modernist constructions whereby verticalization of 15 de Agosto Avenue and the rising of the neocolonial language, inspired in the concept of national identity, both of these languages living...

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Main Authors: Miranda, Cybelle Salvador, Maneschy, Beatriz Martins
格式: Online
语言:por
出版: Universidade Estadual de Campinas 2021
在线阅读:https://periodicos.sbu.unicamp.br/ojs/index.php/parc/article/view/8657329
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spelling oai:ojs.periodicos.sbu.unicamp.br:article-86573292021-05-10T15:41:52Z Belém with metropole physionomy: David Lopes and architectural production in the 40s Belém com fisionomia de metrópole: David Lopes e a produção arquitetônica nos anos 40 Miranda, Cybelle Salvador Maneschy, Beatriz Martins Architectural culture Luso-Brazilian relations David Lopes Belém PA Cultura arquitetônica Relações luso-brasileiras David Lopes Belém-PA The study investigates the architectural production in Belém of the 1940s. It was the emergence of the first modernist constructions whereby verticalization of 15 de Agosto Avenue and the rising of the neocolonial language, inspired in the concept of national identity, both of these languages living along with the eclectic edifications. In order to notice the transatlantic cultural exchanges expressed in architecture, this analysis was based on the Portuguese architect’s production, David Ferreira de Oliveira Lopes (1911-1987), a remarkable professional. He worked in Belém in the given decade. Models were adopted so that these architectures could be versed under the perspective of the commissioning clientele and the influences between Portugal and Brazil. This perspective guided the architecture not only as of space’s design, nor as to the layout of living or being, but as one of the Fine Arts. For this purpose, prizes were awarded to the best architecture projects in the town, in the so-called Salões Oficiais de Belas Artes do Estado do Pará, and David Lopes himself was honoured with several of these prizes. Studying those architect’s projects allow us to understand the process by which traditionalism joined the aspiration of modernization of the Amazon metropole. Este estudo teve como objetivo principal a investigação da produção arquitetônica na Belém dos anos 1940, no período em que as primeiras construções modernistas surgiam em forma da verticalização da Avenida 15 de agosto e a linguagem neocolonial, inspirada do conceito de identidade nacional, despontava, ambas convivendo com as edificações ecléticas. Para isto, realizou-se esta análise à luz da produção do Arquiteto português David Ferreira de Oliveira Lopes (1911-1987), premiado profissional atuante nesta década na cidade, de forma a notar os trânsitos culturais transatlânticos expressos na Arquitetura. Foram adotados modelos para que estas arquiteturas pudessem ser compreendidas sob a perspectiva da modernização da cidade e das influências entre Portugal e Brasil. Perspectiva essa que norteava a Arquitetura não somente como o desenho do espaço, do habitar e do frequentar, mas como uma das Belas Artes, não à toa eram realizadas premiações aos melhores projetos de arquitetura da cidade, nos chamados Salões Oficiais de Belas Artes do Estado do Pará, tendo sido o próprio David Lopes homenageado com diversas destas premiações. Trazer à luz as obras e projetos deste arquiteto permite entender o longo processo em que o tradicionalismo se conjugou aos anseios de modernização na produção da metrópole da Amazônia durante o século XX. Universidade Estadual de Campinas 2021-07-15 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Text Texto application/pdf https://periodicos.sbu.unicamp.br/ojs/index.php/parc/article/view/8657329 10.20396/parc.v12i00.8657329 PARC Pesquisa em Arquitetura e Construção; Vol. 12 (2021): Continous publication; e021018 PARC Pesquisa em Arquitetura e Construção; Vol. 12 (2021): Publicação contínua; e021018 PARC Pesquisa em Arquitetura e Construção; v. 12 (2021): Publicação contínua; e021018 1980-6809 por https://periodicos.sbu.unicamp.br/ojs/index.php/parc/article/view/8657329/27037 Belem; Modernism Belém; Modernismo Copyright (c) 2021 PARC Pesquisa em Arquitetura e Construção https://creativecommons.org/licenses/by/4.0
institution Universidade Estadual de Campinas
collection OJS
language por
format Online
author Miranda, Cybelle Salvador
Maneschy, Beatriz Martins
spellingShingle Miranda, Cybelle Salvador
Maneschy, Beatriz Martins
Belém with metropole physionomy: David Lopes and architectural production in the 40s
author_facet Miranda, Cybelle Salvador
Maneschy, Beatriz Martins
author_sort Miranda, Cybelle Salvador
title Belém with metropole physionomy: David Lopes and architectural production in the 40s
title_short Belém with metropole physionomy: David Lopes and architectural production in the 40s
title_full Belém with metropole physionomy: David Lopes and architectural production in the 40s
title_fullStr Belém with metropole physionomy: David Lopes and architectural production in the 40s
title_full_unstemmed Belém with metropole physionomy: David Lopes and architectural production in the 40s
title_sort belém with metropole physionomy: david lopes and architectural production in the 40s
description The study investigates the architectural production in Belém of the 1940s. It was the emergence of the first modernist constructions whereby verticalization of 15 de Agosto Avenue and the rising of the neocolonial language, inspired in the concept of national identity, both of these languages living along with the eclectic edifications. In order to notice the transatlantic cultural exchanges expressed in architecture, this analysis was based on the Portuguese architect’s production, David Ferreira de Oliveira Lopes (1911-1987), a remarkable professional. He worked in Belém in the given decade. Models were adopted so that these architectures could be versed under the perspective of the commissioning clientele and the influences between Portugal and Brazil. This perspective guided the architecture not only as of space’s design, nor as to the layout of living or being, but as one of the Fine Arts. For this purpose, prizes were awarded to the best architecture projects in the town, in the so-called Salões Oficiais de Belas Artes do Estado do Pará, and David Lopes himself was honoured with several of these prizes. Studying those architect’s projects allow us to understand the process by which traditionalism joined the aspiration of modernization of the Amazon metropole.
publisher Universidade Estadual de Campinas
publishDate 2021
url https://periodicos.sbu.unicamp.br/ojs/index.php/parc/article/view/8657329
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