Digital graphic as an instrument of research in urban-architectonic historiography
Since Vitruvio, the history of architecture alternated literary description and graphic representation. This balance present in Renaissance treaties, changed in the XIX century, when theory was rendered to professional practice in the Ecole des Beaux Arts...
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Universidad Nacional de Mar del Plata. Facultad de Arquitectura, Urbanismo y Diseño
2009
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oai:ojs.pkp.sfu.ca:article-2492020-04-18T00:05:58Z Digital graphic as an instrument of research in urban-architectonic historiography La gráfica digital como instrumento de investigación en la historiografía urbano-arquitectónica Segre, Roberto historiagrafía teoría de la arquitectura arquitectura moderna gráfica digital historiography architectural theory modern architecture digital representation Since Vitruvio, the history of architecture alternated literary description and graphic representation. This balance present in Renaissance treaties, changed in the XIX century, when theory was rendered to professional practice in the Ecole des Beaux Arts. A division occurred between theoretic studies and graphic architectonic analysis carried out by Augusto Choisy and Banister Fletcher. In the XX century architecture books and the use of photography strengthened descriptive images. During the second half of the century the presence of ideology and philosophy radicalized written text, as it happens with Manfredo Tafuri. Nevertheless, Bruno Zevi was the highest exponent in the search of a balance between literary interpretation and graphic reading. With the appearance of the digital graphic, words were able to be removed in the interpretative reading of architecture. Desde Vitruvio, la historia de la arquitectura alternó la descripción literaria y la representación gráfica. Este equilibrio, presente en los tratados renacentistas, cambió en el siglo XIX, cuando la teoría se puso en función de la práctica profesional en la Ecole des Beaux Arts. Ocurrió una división entre los estudios teóricos y los análisis arquitectónicos gráficos realizados por Augusto Choisy y Banister Fletcher. En el siglo XX los libros de arquitectura y el uso de la fotografía fortalecieron las imágenes descriptivas. En la segunda mitad del siglo la presencia de la ideología y la filosofía radicalizaron el texto escrito, como ocurre con Manfredo Tafuri. Sin embargo, Bruno Zevi fue el mayor exponente de la búsqueda de un equilibrio entre la interpretación literaria y la lectura gráfica. Con el surgimiento de la gráfica digital, pudieron obviarse las palabras en la lectura interpretativa de la arquitectura. Universidad Nacional de Mar del Plata. Facultad de Arquitectura, Urbanismo y Diseño 2009-12-10 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo evaluado por pares application/pdf https://revistasfaud.mdp.edu.ar/registros/article/view/249 Registros. Revista de Investigación Histórica; Núm. 6 (2009): Las dimensiones de lo urbano desde principios del siglo XX hasta los años 70; 25-37 2250-8112 spa https://revistasfaud.mdp.edu.ar/registros/article/view/249/182 Derechos de autor 2009 Registros. Revista de Investigación Histórica |
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Universidad Nacional de Mar del Plata |
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OJS |
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spa |
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Online |
| author |
Segre, Roberto |
| spellingShingle |
Segre, Roberto Digital graphic as an instrument of research in urban-architectonic historiography |
| author_facet |
Segre, Roberto |
| author_sort |
Segre, Roberto |
| title |
Digital graphic as an instrument of research in urban-architectonic historiography |
| title_short |
Digital graphic as an instrument of research in urban-architectonic historiography |
| title_full |
Digital graphic as an instrument of research in urban-architectonic historiography |
| title_fullStr |
Digital graphic as an instrument of research in urban-architectonic historiography |
| title_full_unstemmed |
Digital graphic as an instrument of research in urban-architectonic historiography |
| title_sort |
digital graphic as an instrument of research in urban-architectonic historiography |
| description |
Since Vitruvio, the history of architecture alternated literary description and graphic representation. This balance present in Renaissance treaties, changed in the XIX century, when theory was rendered to professional practice in the Ecole des Beaux Arts. A division occurred between theoretic studies and graphic architectonic analysis carried out by Augusto Choisy and Banister Fletcher. In the XX century architecture books and the use of photography strengthened descriptive images. During the second half of the century the presence of ideology and philosophy radicalized written text, as it happens with Manfredo Tafuri. Nevertheless, Bruno Zevi was the highest exponent in the search of a balance between literary interpretation and graphic reading. With the appearance of the digital graphic, words were able to be removed in the interpretative reading of architecture. |
| publisher |
Universidad Nacional de Mar del Plata. Facultad de Arquitectura, Urbanismo y Diseño |
| publishDate |
2009 |
| url |
https://revistasfaud.mdp.edu.ar/registros/article/view/249 |
| work_keys_str_mv |
AT segreroberto digitalgraphicasaninstrumentofresearchinurbanarchitectonichistoriography AT segreroberto lagraficadigitalcomoinstrumentodeinvestigacionenlahistoriografiaurbanoarquitectonica |
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