Digital graphic as an instrument of research in urban-architectonic historiography

Since Vitruvio, the history of architecture alternated literary description and graphic representation. This balance present in Renaissance treaties, changed in the XIX century, when theory was rendered to professional practice in the Ecole des Beaux Arts...

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Glavni avtor:	Segre, Roberto
Format:	Online
Jezik:	spa
Izdano:	Universidad Nacional de Mar del Plata. Facultad de Arquitectura, Urbanismo y Diseño 2009
Online dostop:	https://revistasfaud.mdp.edu.ar/registros/article/view/249
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id	oai:ojs.pkp.sfu.ca:article-249
record_format	ojs
spelling	oai:ojs.pkp.sfu.ca:article-2492020-04-18T00:05:58Z Digital graphic as an instrument of research in urban-architectonic historiography La gráfica digital como instrumento de investigación en la historiografía urbano-arquitectónica Segre, Roberto historiagrafía teoría de la arquitectura arquitectura moderna gráfica digital historiography architectural theory modern architecture digital representation Since Vitruvio, the history of architecture alternated literary description and graphic representation. This balance present in Renaissance treaties, changed in the XIX century, when theory was rendered to professional practice in the Ecole des Beaux Arts. A division occurred between theoretic studies and graphic architectonic analysis carried out by Augusto Choisy and Banister Fletcher. In the XX century architecture books and the use of photography strengthened descriptive images. During the second half of the century the presence of ideology and philosophy radicalized written text, as it happens with Manfredo Tafuri. Nevertheless, Bruno Zevi was the highest exponent in the search of a balance between literary interpretation and graphic reading. With the appearance of the digital graphic, words were able to be removed in the interpretative reading of architecture. Desde Vitruvio, la historia de la arquitectura alternó la descripción literaria y la representación gráfica. Este equilibrio, presente en los tratados renacentistas, cambió en el siglo XIX, cuando la teoría se puso en función de la práctica profesional en la Ecole des Beaux Arts. Ocurrió una división entre los estudios teóricos y los análisis arquitectónicos gráficos realizados por Augusto Choisy y Banister Fletcher. En el siglo XX los libros de arquitectura y el uso de la fotografía fortalecieron las imágenes descriptivas. En la segunda mitad del siglo la presencia de la ideología y la filosofía radicalizaron el texto escrito, como ocurre con Manfredo Tafuri. Sin embargo, Bruno Zevi fue el mayor exponente de la búsqueda de un equilibrio entre la interpretación literaria y la lectura gráfica. Con el surgimiento de la gráfica digital, pudieron obviarse las palabras en la lectura interpretativa de la arquitectura. Universidad Nacional de Mar del Plata. Facultad de Arquitectura, Urbanismo y Diseño 2009-12-10 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo evaluado por pares application/pdf https://revistasfaud.mdp.edu.ar/registros/article/view/249 Registros. Revista de Investigación Histórica; Núm. 6 (2009): Las dimensiones de lo urbano desde principios del siglo XX hasta los años 70; 25-37 2250-8112 spa https://revistasfaud.mdp.edu.ar/registros/article/view/249/182 Derechos de autor 2009 Registros. Revista de Investigación Histórica
institution	Universidad Nacional de Mar del Plata
collection	OJS
language	spa
format	Online
author	Segre, Roberto
spellingShingle	Segre, Roberto Digital graphic as an instrument of research in urban-architectonic historiography
author_facet	Segre, Roberto
author_sort	Segre, Roberto
title	Digital graphic as an instrument of research in urban-architectonic historiography
title_short	Digital graphic as an instrument of research in urban-architectonic historiography
title_full	Digital graphic as an instrument of research in urban-architectonic historiography
title_fullStr	Digital graphic as an instrument of research in urban-architectonic historiography
title_full_unstemmed	Digital graphic as an instrument of research in urban-architectonic historiography
title_sort	digital graphic as an instrument of research in urban-architectonic historiography
description	Since Vitruvio, the history of architecture alternated literary description and graphic representation. This balance present in Renaissance treaties, changed in the XIX century, when theory was rendered to professional practice in the Ecole des Beaux Arts. A division occurred between theoretic studies and graphic architectonic analysis carried out by Augusto Choisy and Banister Fletcher. In the XX century architecture books and the use of photography strengthened descriptive images. During the second half of the century the presence of ideology and philosophy radicalized written text, as it happens with Manfredo Tafuri. Nevertheless, Bruno Zevi was the highest exponent in the search of a balance between literary interpretation and graphic reading. With the appearance of the digital graphic, words were able to be removed in the interpretative reading of architecture.
publisher	Universidad Nacional de Mar del Plata. Facultad de Arquitectura, Urbanismo y Diseño
publishDate	2009
url	https://revistasfaud.mdp.edu.ar/registros/article/view/249
work_keys_str_mv	AT segreroberto digitalgraphicasaninstrumentofresearchinurbanarchitectonichistoriography AT segreroberto lagraficadigitalcomoinstrumentodeinvestigacionenlahistoriografiaurbanoarquitectonica
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Digital graphic as an instrument of research in urban-architectonic historiography

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