Editorial
Theatres and concert halls are ever-awaiting spaces, always prepared for stage action, and always ready to create a whole world. The performance itself —as well as the actor-spectator relationship they shelter—, barely exists while the execution is taking place, and only remain in the collective mem...
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| 第一著者: | |
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| フォーマット: | Online |
| 言語: | spa |
| 出版事項: |
Facultad de Arquitectura, Universidad Nacional Autónoma de México
2011
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| オンライン･アクセス: | https://www.revistas.unam.mx/index.php/bitacora/article/view/25164 |
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