The eye, the lens, and the sphere. A self-portrait by Armando Salas Portugal
Amid the walls of Luis Barragán’s rooftop terrace, Armando Salas Portugal took a picture of himself looking through the lens of his camera into a crystal sphere that alters all the components of the image. A picture of a photographer taking his own picture, as in this case, reveals the avantgarde at...
Saved in:
Main Author: | Jácome Moreno, Cristóbal Andrés |
---|---|
Format: | Online |
Language: | spa |
Published: |
Facultad de Arquitectura, Universidad Nacional Autónoma de México
2011
|
Online Access: | https://www.revistas.unam.mx/index.php/bitacora/article/view/25165 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Visual constructions: crossed views from architect and photographer Luis Barragán versus Armando Salas Portugal, José Antonio Coderch versus Frances Català-Roca
by: Rueda Velázquez, Claudia, et al.
Published: (2019) -
ROOM PORTRAITS
by: Aden, Menno
Published: (2015) -
Fragments of a portrait: the narrated city
by: Hernández Ríos, Melissa, et al.
Published: (2017) -
Armando Oyarzún Kong
by: Eliash, Humberto
Published: (2006) -
The built space’s symbolic sphere: Notes to an epistemic discussion
by: Fuentes Farías, Francisco Javier
Published: (2018)