The eye, the lens, and the sphere. A self-portrait by Armando Salas Portugal
Amid the walls of Luis Barragán’s rooftop terrace, Armando Salas Portugal took a picture of himself looking through the lens of his camera into a crystal sphere that alters all the components of the image. A picture of a photographer taking his own picture, as in this case, reveals the avantgarde at...
Guardat en:
Autor principal: | Jácome Moreno, Cristóbal Andrés |
---|---|
Format: | Online |
Idioma: | spa |
Publicat: |
Facultad de Arquitectura, Universidad Nacional Autónoma de México
2011
|
Accés en línia: | https://www.revistas.unam.mx/index.php/bitacora/article/view/25165 |
Etiquetes: |
Afegir etiqueta
Sense etiquetes, Sigues el primer a etiquetar aquest registre!
|
Ítems similars
-
Visual constructions: crossed views from architect and photographer Luis Barragán versus Armando Salas Portugal, José Antonio Coderch versus Frances Català-Roca
per: Rueda Velázquez, Claudia, et al.
Publicat: (2019) -
ROOM PORTRAITS
per: Aden, Menno
Publicat: (2015) -
Fragments of a portrait: the narrated city
per: Hernández Ríos, Melissa, et al.
Publicat: (2017) -
Armando Oyarzún Kong
per: Eliash, Humberto
Publicat: (2006) -
The built space’s symbolic sphere: Notes to an epistemic discussion
per: Fuentes Farías, Francisco Javier
Publicat: (2018)