The eye, the lens, and the sphere. A self-portrait by Armando Salas Portugal
Amid the walls of Luis Barragán’s rooftop terrace, Armando Salas Portugal took a picture of himself looking through the lens of his camera into a crystal sphere that alters all the components of the image. A picture of a photographer taking his own picture, as in this case, reveals the avantgarde at...
Zapisane w:
1. autor: | Jácome Moreno, Cristóbal Andrés |
---|---|
Format: | Online |
Język: | spa |
Wydane: |
Facultad de Arquitectura, Universidad Nacional Autónoma de México
2011
|
Dostęp online: | https://www.revistas.unam.mx/index.php/bitacora/article/view/25165 |
Etykiety: |
Dodaj etykietę
Nie ma etykietki, Dołącz pierwszą etykiete!
|
Podobne zapisy
-
Visual constructions: crossed views from architect and photographer Luis Barragán versus Armando Salas Portugal, José Antonio Coderch versus Frances Català-Roca
od: Rueda Velázquez, Claudia, i wsp.
Wydane: (2019) -
ROOM PORTRAITS
od: Aden, Menno
Wydane: (2015) -
Fragments of a portrait: the narrated city
od: Hernández Ríos, Melissa, i wsp.
Wydane: (2017) -
Armando Oyarzún Kong
od: Eliash, Humberto
Wydane: (2006) -
The built space’s symbolic sphere: Notes to an epistemic discussion
od: Fuentes Farías, Francisco Javier
Wydane: (2018)