The “corral de comedias” at Tecali de Herrera, Mexico

Conceived as vernacular theatres during the Spanish Golden Age, the “corrales de comedias” (much like London’s Globe Theatre though rectangular in plan) represent the transition from street performances into fixed constructions built solely for theatrical representations. Mexico City was the first i...

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Главный автор: Terán Bonilla, José Antonio
Формат: Online
Язык:spa
Опубликовано: Facultad de Arquitectura, Universidad Nacional Autónoma de México 2011
Online-ссылка:https://www.revistas.unam.mx/index.php/bitacora/article/view/25191
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spelling oai:ojs.pkp.sfu.ca:article-251912018-10-17T18:32:56Z The “corral de comedias” at Tecali de Herrera, Mexico El corral de comedias en Tecali de Herrera Terán Bonilla, José Antonio Conceived as vernacular theatres during the Spanish Golden Age, the “corrales de comedias” (much like London’s Globe Theatre though rectangular in plan) represent the transition from street performances into fixed constructions built solely for theatrical representations. Mexico City was the first in New Spain to build its own “corral”, in 1597. The one at Tecali de Herrera was located on one of the plots next to the main plaza. For many years forgotten, it was not until 1979 that the governor of the state of Puebla became interested in it and started restoration works. An absolut lack of attention had only deepened its already profound state of deterioration and not much remained of the original building; therefore, a great amount of research was needed to discover the original layout. From this research, along with the plan, the materials used, and the balustrades, it is possible to assume that the “corral” was built at the end of the Eighteenth Century or at the beginning of the Nineteenth. According to locals the “corral de comedias” was abandoned at the time of the Mexican Revolution, for the structure of the roof was used by battalions as wood fire and for cooking. Restoration work finished in 1980, and the theatre was renamed as Teatro Gregorio de Gante. Today, the “corral” has once again fallen into oblivion, rendering it almost useless. Once again, its restoration has become of primary importance, for it is the only building in the country that, although horseshoe shaped, holds many formal aspects of the more traditional, rectangular “corrales”, such as its small scale, wooden roofs, and the simple design of stage, circle and aisles. En la parte central del estado de Puebla se localiza el poblado de Tecali de Herrera, famoso, entre otras razones, por su convento franciscano del siglo XVI, por su parroquia y por las cercanas canteras de alabastro. El pueblo además posee un corral de comedias, inmueble único en su género. Para entender su importancia nos remontaremos a los orígenes de este tipo de construcciones. En España, durante la Edad Media, las obras teatrales se realizaban al aire libre en las plazas de ciudades y pueblos. A principios del siglo XVI empezaron a representarse en espacios abiertos de ciudades y pueblos. A principios del siglo XVI empezaron a representarse en espacios abiertos delimitados por casas. Un tablado a manera de escenario se colocaba en la fachada de alguna de las casas, mientras que los espectadores se situaban en los balcones de las otras o en la misma plaza. Facultad de Arquitectura, Universidad Nacional Autónoma de México 2011-05-16 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://www.revistas.unam.mx/index.php/bitacora/article/view/25191 10.22201/fa.14058901p.2010.20.25191 Bitacora Arquitectura; No. 20 (2010): Bitácora 20; 72-74 Bitácora Arquitectura; Núm. 20 (2010): Bitácora 20; 72-74 2594-0856 1405-8901 10.22201/fa.14058901p.2010.20 spa https://www.revistas.unam.mx/index.php/bitacora/article/view/25191/23679 Derechos de autor 2011 Universidad Nacional Autónoma de México
institution Universidad Nacional Autónoma de México
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language spa
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author Terán Bonilla, José Antonio
spellingShingle Terán Bonilla, José Antonio
The “corral de comedias” at Tecali de Herrera, Mexico
author_facet Terán Bonilla, José Antonio
author_sort Terán Bonilla, José Antonio
title The “corral de comedias” at Tecali de Herrera, Mexico
title_short The “corral de comedias” at Tecali de Herrera, Mexico
title_full The “corral de comedias” at Tecali de Herrera, Mexico
title_fullStr The “corral de comedias” at Tecali de Herrera, Mexico
title_full_unstemmed The “corral de comedias” at Tecali de Herrera, Mexico
title_sort “corral de comedias” at tecali de herrera, mexico
description Conceived as vernacular theatres during the Spanish Golden Age, the “corrales de comedias” (much like London’s Globe Theatre though rectangular in plan) represent the transition from street performances into fixed constructions built solely for theatrical representations. Mexico City was the first in New Spain to build its own “corral”, in 1597. The one at Tecali de Herrera was located on one of the plots next to the main plaza. For many years forgotten, it was not until 1979 that the governor of the state of Puebla became interested in it and started restoration works. An absolut lack of attention had only deepened its already profound state of deterioration and not much remained of the original building; therefore, a great amount of research was needed to discover the original layout. From this research, along with the plan, the materials used, and the balustrades, it is possible to assume that the “corral” was built at the end of the Eighteenth Century or at the beginning of the Nineteenth. According to locals the “corral de comedias” was abandoned at the time of the Mexican Revolution, for the structure of the roof was used by battalions as wood fire and for cooking. Restoration work finished in 1980, and the theatre was renamed as Teatro Gregorio de Gante. Today, the “corral” has once again fallen into oblivion, rendering it almost useless. Once again, its restoration has become of primary importance, for it is the only building in the country that, although horseshoe shaped, holds many formal aspects of the more traditional, rectangular “corrales”, such as its small scale, wooden roofs, and the simple design of stage, circle and aisles.
publisher Facultad de Arquitectura, Universidad Nacional Autónoma de México
publishDate 2011
url https://www.revistas.unam.mx/index.php/bitacora/article/view/25191
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