Un Construction, Form and Space in the Annex of the National Museum of Fine Arts, Buenos Aires 1960.: El anexo del Museo Nacional de Bellas Artes de César Jannello, Buenos Aires 1960.

The Annex of the National Museum of Fine Arts was designed for the 1960 Sesquicentenerio Fair in the city of Buenos Aires by architect César Jannello with the participation of architects Jorge Gómez Alais and Rubén Fraile. This work explores the project strategies and architectural resources put int...

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Päätekijä:	Ibarra, Tomás
Aineistotyyppi:	Online
Kieli:	spa
Julkaistu:	Facultad de Arquitectura, Urbanismo y Diseño 2020
Linkit:	https://revistas.unc.edu.ar/index.php/pensu/article/view/30055
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spelling	oai:ojs.pkp.sfu.ca:article-300552020-12-17T18:35:45Z Un Construction, Form and Space in the Annex of the National Museum of Fine Arts, Buenos Aires 1960.: El anexo del Museo Nacional de Bellas Artes de César Jannello, Buenos Aires 1960. Un pabellón concreto.: El anexo del Museo Nacional de Bellas Artes de César Jannello, Buenos Aires 1960. Ibarra, Tomás construction form space concrete art temporary architectures construcción forma espacio arte concreto arquitecturas temporarias The Annex of the National Museum of Fine Arts was designed for the 1960 Sesquicentenerio Fair in the city of Buenos Aires by architect César Jannello with the participation of architects Jorge Gómez Alais and Rubén Fraile. This work explores the project strategies and architectural resources put into play in its design by reviewing the concepts of construction, form and space. The first two are approached from the avant-garde proposals of Russian literary formalism, the contents taught by some teachers of the VKhUTEMAS and the theoretical developments of Jannello himself. The idea of a dynamic space in the exhibition hall on the first floor of the Annex can be observed from the concepts promoted by the Hungarian László Moholy-Nagy, whose theoretical approaches published in his work 'The New Vision' had an influence on the development of the Concrete Movement and on the teaching of architecture in Argentina since the mid-50s. From the analysis of the case study under these optics, we intend to verify the scope of such theoretical approaches in Jannello's thinking in general and in temporary architecture as laboratories of technological and formal innovation in particular. El Anexo del Museo Nacional de Bellas Artes fue proyectado por César Jannello para la Feria del Sesquicentenerio de 1960 en la ciudad de Buenos Aires con la participación de los arquitectos Jorge Gómez Alais y Rubén Fraile. Este trabajo explora las estrategias proyectuales y recursos arquitectónicos puestos en juego en su diseño revisando la trayectoria previa del autor en torno a sus vínculos con diferentes grupos de artistas y arquitectos de la época y a los temas de construcción, forma y espacio, incluidos por Jannello en los programas de la asignatura Visión. Dichos temas forman parte del debate disciplinar de la década del 50 desde algunos artículos publicados en la revista nueva visión y en los libros sobre Max Bill y Mies van der Rohe editados por la editorial homónima y la editorial Infinito respectivamente. En el análisis de la obra también adquieren importancia nociones del artista húngaro László Moholy-Nagy condensadas en el libro The New Vision publicado en EE.UU. en 1946. Se pretende verificar el alcance de tales planteos teóricos en el método de diseño de Jannello para esta obra, entendida como un laboratorio de innovación tecnológica y formal, fraguada en el cenáculo del Arte Concreto desde referentes compartidos. Facultad de Arquitectura, Urbanismo y Diseño 2020-12-17 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/pensu/article/view/30055 PENSUM; Vol. 6 Núm. 6 (2020); 136-151 2469-0724 spa https://revistas.unc.edu.ar/index.php/pensu/article/view/30055/32143 https://revistas.unc.edu.ar/index.php/pensu/article/view/30055/32144 Derechos de autor 2020 Tomás Ibarra https://creativecommons.org/licenses/by-sa/4.0
institution	Universidad Nacional de Córdoba
collection	OJS
language	spa
format	Online
author	Ibarra, Tomás
spellingShingle	Ibarra, Tomás Un Construction, Form and Space in the Annex of the National Museum of Fine Arts, Buenos Aires 1960.: El anexo del Museo Nacional de Bellas Artes de César Jannello, Buenos Aires 1960.
author_facet	Ibarra, Tomás
author_sort	Ibarra, Tomás
title	Un Construction, Form and Space in the Annex of the National Museum of Fine Arts, Buenos Aires 1960.: El anexo del Museo Nacional de Bellas Artes de César Jannello, Buenos Aires 1960.
title_short	Un Construction, Form and Space in the Annex of the National Museum of Fine Arts, Buenos Aires 1960.: El anexo del Museo Nacional de Bellas Artes de César Jannello, Buenos Aires 1960.
title_full	Un Construction, Form and Space in the Annex of the National Museum of Fine Arts, Buenos Aires 1960.: El anexo del Museo Nacional de Bellas Artes de César Jannello, Buenos Aires 1960.
title_fullStr	Un Construction, Form and Space in the Annex of the National Museum of Fine Arts, Buenos Aires 1960.: El anexo del Museo Nacional de Bellas Artes de César Jannello, Buenos Aires 1960.
title_full_unstemmed	Un Construction, Form and Space in the Annex of the National Museum of Fine Arts, Buenos Aires 1960.: El anexo del Museo Nacional de Bellas Artes de César Jannello, Buenos Aires 1960.
title_sort	un construction, form and space in the annex of the national museum of fine arts, buenos aires 1960.: el anexo del museo nacional de bellas artes de césar jannello, buenos aires 1960.
description	The Annex of the National Museum of Fine Arts was designed for the 1960 Sesquicentenerio Fair in the city of Buenos Aires by architect César Jannello with the participation of architects Jorge Gómez Alais and Rubén Fraile. This work explores the project strategies and architectural resources put into play in its design by reviewing the concepts of construction, form and space. The first two are approached from the avant-garde proposals of Russian literary formalism, the contents taught by some teachers of the VKhUTEMAS and the theoretical developments of Jannello himself. The idea of a dynamic space in the exhibition hall on the first floor of the Annex can be observed from the concepts promoted by the Hungarian László Moholy-Nagy, whose theoretical approaches published in his work 'The New Vision' had an influence on the development of the Concrete Movement and on the teaching of architecture in Argentina since the mid-50s. From the analysis of the case study under these optics, we intend to verify the scope of such theoretical approaches in Jannello's thinking in general and in temporary architecture as laboratories of technological and formal innovation in particular.
publisher	Facultad de Arquitectura, Urbanismo y Diseño
publishDate	2020
url	https://revistas.unc.edu.ar/index.php/pensu/article/view/30055
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Un Construction, Form and Space in the Annex of the National Museum of Fine Arts, Buenos Aires 1960.: El anexo del Museo Nacional de Bellas Artes de César Jannello, Buenos Aires 1960.

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