Art and Nature in Enrico Tedeschi: Distinctive perspectives on architecture education in Argentina

Italian architect Enrico Tedeschi was one of the key protagonists in the teaching of architecture in Argentina in the period between the local rise of modern culture and its fall. Although his greatest influence was located in the provinces of Tucumán, Córdoba, San Juan and Mendoza, his theoretical...

पूर्ण विवरण

में बचाया:
ग्रंथसूची विवरण
मुख्य लेखक: Alvite, Silvia Mariel
स्वरूप: Online
भाषा:spa
प्रकाशित: Universidad Nacional de Mar del Plata. Facultad de Arquitectura, Urbanismo y Diseño 2020
ऑनलाइन पहुंच:https://revistasfaud.mdp.edu.ar/registros/article/view/391
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spelling oai:ojs.pkp.sfu.ca:article-3912020-12-19T15:24:53Z Art and Nature in Enrico Tedeschi: Distinctive perspectives on architecture education in Argentina Arte y naturaleza en Enrico Tedeschi: Perspectivas distintivas en la enseñanza de la arquitectura en Argentina Alvite, Silvia Mariel Enrico Tedeschi arte naturaleza enseñanza de la arquitectura Enrico Tedeschi art nature achitecture teaching Italian architect Enrico Tedeschi was one of the key protagonists in the teaching of architecture in Argentina in the period between the local rise of modern culture and its fall. Although his greatest influence was located in the provinces of Tucumán, Córdoba, San Juan and Mendoza, his theoretical work spread widely throughout the country and even outside. The objective of this article is to review a little-observed aspect in the evolution of his theoretical thinking on architectural project that follows from interpreting that, coinciding with the most important years of his work, his interests took a turn from the field of art to that of nature. El arquitecto italiano Enrico Tedeschi fue uno de los protagonistas clave en la enseñanza de la arquitectura en Argentina en el período transcurrido entre el auge local de la cultura moderna y su caída. Si bien su mayor influencia estuvo situada en las provincias de Tucumán, Córdoba, San Juan y Mendoza, su obra teórica alcanzó gran difusión en todo el país y fuera de él. El objetivo de este artículo es revisar un aspecto poco observado en la evolución de su pensamiento teórico sobre el proyecto arquitectónico, el cual se desprende de interpretar que, en coincidencia con los años de mayor trascendencia de su labor, sus intereses dieron un giro desde el campo de los saberes del arte a los de la naturaleza. ark:/s22508112/scal137xc Universidad Nacional de Mar del Plata. Facultad de Arquitectura, Urbanismo y Diseño 2020-06-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo evaluado por pares Texto application/pdf https://revistasfaud.mdp.edu.ar/registros/article/view/391 Registros. Revista de Investigación Histórica; Vol. 16 Núm. 1 (2020): Encrucijadas en la enseñanza de la arquitectura en América Latina durante la segunda mitad del siglo XX; 84-99 2250-8112 spa https://revistasfaud.mdp.edu.ar/registros/article/view/391/298 Derechos de autor 2020 Registros. Revista de Investigación Histórica
institution Universidad Nacional de Mar del Plata
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language spa
format Online
author Alvite, Silvia Mariel
spellingShingle Alvite, Silvia Mariel
Art and Nature in Enrico Tedeschi: Distinctive perspectives on architecture education in Argentina
author_facet Alvite, Silvia Mariel
author_sort Alvite, Silvia Mariel
title Art and Nature in Enrico Tedeschi: Distinctive perspectives on architecture education in Argentina
title_short Art and Nature in Enrico Tedeschi: Distinctive perspectives on architecture education in Argentina
title_full Art and Nature in Enrico Tedeschi: Distinctive perspectives on architecture education in Argentina
title_fullStr Art and Nature in Enrico Tedeschi: Distinctive perspectives on architecture education in Argentina
title_full_unstemmed Art and Nature in Enrico Tedeschi: Distinctive perspectives on architecture education in Argentina
title_sort art and nature in enrico tedeschi: distinctive perspectives on architecture education in argentina
description Italian architect Enrico Tedeschi was one of the key protagonists in the teaching of architecture in Argentina in the period between the local rise of modern culture and its fall. Although his greatest influence was located in the provinces of Tucumán, Córdoba, San Juan and Mendoza, his theoretical work spread widely throughout the country and even outside. The objective of this article is to review a little-observed aspect in the evolution of his theoretical thinking on architectural project that follows from interpreting that, coinciding with the most important years of his work, his interests took a turn from the field of art to that of nature.
publisher Universidad Nacional de Mar del Plata. Facultad de Arquitectura, Urbanismo y Diseño
publishDate 2020
url https://revistasfaud.mdp.edu.ar/registros/article/view/391
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