Modern Museum versus Contemporary Museum The Crisis of Typologies to a Paradigm Shift
In this article I expose a reflection on how the loss of values has resulted the dissolution of the Museum´s typology, generating a “Contemporary Museum” which, compared to the Modern Museum, is a global museum that does not have a specific place, it is an uprooting museum, untied even of his functi...
সংরক্ষণ করুন:
| প্রধান লেখক: | |
|---|---|
| বিন্যাস: | Online |
| ভাষা: | spa |
| প্রকাশিত: |
Facultad de Arquitectura, Universidad Nacional Autónoma de México
2016
|
| অনলাইন ব্যবহার করুন: | https://www.revistas.unam.mx/index.php/bitacora/article/view/56120 |
| ট্যাগগুলো: |
ট্যাগ যুক্ত করুন
কোনো ট্যাগ নেই, প্রথমজন হিসাবে ট্যাগ করুন!
|
| id |
oai:ojs.pkp.sfu.ca:article-56120 |
|---|---|
| record_format |
ojs |
| spelling |
oai:ojs.pkp.sfu.ca:article-561202021-01-21T18:03:10Z Modern Museum versus Contemporary Museum The Crisis of Typologies to a Paradigm Shift Museo moderno frente a Museo contemporáneo La crisis de las tipologías ante un cambio de paradigma Baldellou Plaza, Ángela paradigma tipología museo moderno crisis contemporáneo In this article I expose a reflection on how the loss of values has resulted the dissolution of the Museum´s typology, generating a “Contemporary Museum” which, compared to the Modern Museum, is a global museum that does not have a specific place, it is an uprooting museum, untied even of his function.The conceptual origin of this Contemporary Museum based on a “social”, participatory and regenerating idea of the institution has degenerated, mostly, into a surface simplification summarized in “Logotype Museums”, as architectural survival answer according to a new social paradigm. En este artículo expongo una reflexión sobre cómo la pérdida de valores ha derivado en la disolución de la tipología de Museo generando un “Museo contemporáneo” que, frente al Museo moderno, es un museo global que no pertenece a ningún lugar concreto, un museo del desarraigo, desligado inclusode su función. Su origen conceptual basado en una idea “social” participativa y regeneradora ha degenerado, mayoritariamente, hacia una simplificación superficial que se resume en museos-logotipo como respuesta de supervivencia arquitectónica adaptada a un nuevo paradigma social. Facultad de Arquitectura, Universidad Nacional Autónoma de México 2016-06-10 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Investigación application/pdf application/xml https://www.revistas.unam.mx/index.php/bitacora/article/view/56120 10.22201/fa.14058901p.2014.28.56120 Bitacora Arquitectura; No. 28 (2014): Architecture, City and Darkness; 102-111 Bitácora Arquitectura; Núm. 28 (2014): Arquitectura, Ciudad y Oscuridad; 102-111 2594-0856 1405-8901 10.22201/fa.14058901p.2014.28 spa https://www.revistas.unam.mx/index.php/bitacora/article/view/56120/49772 https://www.revistas.unam.mx/index.php/bitacora/article/view/56120/59569 Derechos de autor 2016 Universidad Nacional Autónoma de México |
| institution |
Universidad Nacional Autónoma de México |
| collection |
OJS |
| language |
spa |
| format |
Online |
| author |
Baldellou Plaza, Ángela |
| spellingShingle |
Baldellou Plaza, Ángela Modern Museum versus Contemporary Museum The Crisis of Typologies to a Paradigm Shift |
| author_facet |
Baldellou Plaza, Ángela |
| author_sort |
Baldellou Plaza, Ángela |
| title |
Modern Museum versus Contemporary Museum The Crisis of Typologies to a Paradigm Shift |
| title_short |
Modern Museum versus Contemporary Museum The Crisis of Typologies to a Paradigm Shift |
| title_full |
Modern Museum versus Contemporary Museum The Crisis of Typologies to a Paradigm Shift |
| title_fullStr |
Modern Museum versus Contemporary Museum The Crisis of Typologies to a Paradigm Shift |
| title_full_unstemmed |
Modern Museum versus Contemporary Museum The Crisis of Typologies to a Paradigm Shift |
| title_sort |
modern museum versus contemporary museum the crisis of typologies to a paradigm shift |
| description |
In this article I expose a reflection on how the loss of values has resulted the dissolution of the Museum´s typology, generating a “Contemporary Museum” which, compared to the Modern Museum, is a global museum that does not have a specific place, it is an uprooting museum, untied even of his function.The conceptual origin of this Contemporary Museum based on a “social”, participatory and regenerating idea of the institution has degenerated, mostly, into a surface simplification summarized in “Logotype Museums”, as architectural survival answer according to a new social paradigm. |
| publisher |
Facultad de Arquitectura, Universidad Nacional Autónoma de México |
| publishDate |
2016 |
| url |
https://www.revistas.unam.mx/index.php/bitacora/article/view/56120 |
| work_keys_str_mv |
AT baldellouplazaangela modernmuseumversuscontemporarymuseumthecrisisoftypologiestoaparadigmshift AT baldellouplazaangela museomodernofrenteamuseocontemporaneolacrisisdelastipologiasanteuncambiodeparadigma |
| _version_ |
1817362135717511168 |