Modern Museum versus Contemporary Museum The Crisis of Typologies to a Paradigm Shift

Modern Museum versus Contemporary Museum The Crisis of Typologies to a Paradigm Shift

In this article I expose a reflection on how the loss of values has resulted the dissolution of the Museum´s typology, generating a “Contemporary Museum” which, compared to the Modern Museum, is a global museum that does not have a specific place, it is an uprooting museum, untied even of his functi...

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Main Author: Baldellou Plaza, Ángela
Format: Online
Language:spa
Published: Facultad de Arquitectura, Universidad Nacional Autónoma de México 2016
Online Access:https://www.revistas.unam.mx/index.php/bitacora/article/view/56120
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spelling oai:ojs.pkp.sfu.ca:article-561202021-01-21T18:03:10Z Modern Museum versus Contemporary Museum The Crisis of Typologies to a Paradigm Shift Museo moderno frente a Museo contemporáneo La crisis de las tipologías ante un cambio de paradigma Baldellou Plaza, Ángela paradigma tipología museo moderno crisis contemporáneo In this article I expose a reflection on how the loss of values has resulted the dissolution of the Museum´s typology, generating a “Contemporary Museum” which, compared to the Modern Museum, is a global museum that does not have a specific place, it is an uprooting museum, untied even of his function.The conceptual origin of this Contemporary Museum based on a “social”, participatory and regenerating idea of the institution has degenerated, mostly, into a surface simplification summarized in “Logotype Museums”, as architectural survival answer according to a new social paradigm. En este artículo expongo una reflexión sobre cómo la pérdida de valores ha derivado en la disolución de la tipología de Museo generando un “Museo contemporáneo” que, frente al Museo moderno, es un museo global que no pertenece a ningún lugar concreto, un museo del desarraigo, desligado inclusode su función. Su origen conceptual basado en una idea “social” participativa y regeneradora ha degenerado, mayoritariamente, hacia una simplificación superficial que se resume en museos-logotipo como respuesta de supervivencia arquitectónica adaptada a un nuevo paradigma social. Facultad de Arquitectura, Universidad Nacional Autónoma de México 2016-06-10 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Investigación application/pdf application/xml https://www.revistas.unam.mx/index.php/bitacora/article/view/56120 10.22201/fa.14058901p.2014.28.56120 Bitacora Arquitectura; No. 28 (2014): Architecture, City and Darkness; 102-111 Bitácora Arquitectura; Núm. 28 (2014): Arquitectura, Ciudad y Oscuridad; 102-111 2594-0856 1405-8901 10.22201/fa.14058901p.2014.28 spa https://www.revistas.unam.mx/index.php/bitacora/article/view/56120/49772 https://www.revistas.unam.mx/index.php/bitacora/article/view/56120/59569 Derechos de autor 2016 Universidad Nacional Autónoma de México
institution Universidad Nacional Autónoma de México
collection OJS
language spa
format Online
author Baldellou Plaza, Ángela
spellingShingle Baldellou Plaza, Ángela
Modern Museum versus Contemporary Museum The Crisis of Typologies to a Paradigm Shift
author_facet Baldellou Plaza, Ángela
author_sort Baldellou Plaza, Ángela
title Modern Museum versus Contemporary Museum The Crisis of Typologies to a Paradigm Shift
title_short Modern Museum versus Contemporary Museum The Crisis of Typologies to a Paradigm Shift
title_full Modern Museum versus Contemporary Museum The Crisis of Typologies to a Paradigm Shift
title_fullStr Modern Museum versus Contemporary Museum The Crisis of Typologies to a Paradigm Shift
title_full_unstemmed Modern Museum versus Contemporary Museum The Crisis of Typologies to a Paradigm Shift
title_sort modern museum versus contemporary museum the crisis of typologies to a paradigm shift
description In this article I expose a reflection on how the loss of values has resulted the dissolution of the Museum´s typology, generating a “Contemporary Museum” which, compared to the Modern Museum, is a global museum that does not have a specific place, it is an uprooting museum, untied even of his function.The conceptual origin of this Contemporary Museum based on a “social”, participatory and regenerating idea of the institution has degenerated, mostly, into a surface simplification summarized in “Logotype Museums”, as architectural survival answer according to a new social paradigm.
publisher Facultad de Arquitectura, Universidad Nacional Autónoma de México
publishDate 2016
url https://www.revistas.unam.mx/index.php/bitacora/article/view/56120
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