House X, by Peter Eisenman. From the Aesthetics of Production to the Aesthetics of Reception
Peter Eisenman´s work takes a radical turn in its philosophical positionswith the House X project (1975), in which he goes from an project-centered design strategy, to another in which the meaning and participation of the subject in the reading of the building are integrated in the conception of the...
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| フォーマット: | Online |
| 言語: | spa |
| 出版事項: |
Facultad de Arquitectura, Universidad Nacional Autónoma de México
2016
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| オンライン･アクセス: | https://www.revistas.unam.mx/index.php/bitacora/article/view/56200 |
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| 要約: | Peter Eisenman´s work takes a radical turn in its philosophical positionswith the House X project (1975), in which he goes from an project-centered design strategy, to another in which the meaning and participation of the subject in the reading of the building are integrated in the conception of the work. This is correlative of a parallel evolution in the realm of philosophy, with the abandonment of Structuralism and the rise of Deconstruction. |
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