House X, by Peter Eisenman. From the Aesthetics of Production to the Aesthetics of Reception

Peter Eisenman´s work takes a radical turn in its philosophical positionswith the House X project (1975), in which he goes from an project-centered design strategy, to another in which the meaning and participation of the subject in the reading of the building are integrated in the conception of the...

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Hovedforfatter: del Castillo Sánchez, Óscar
Format: Online
Sprog:spa
Udgivet: Facultad de Arquitectura, Universidad Nacional Autónoma de México 2016
Online adgang:https://www.revistas.unam.mx/index.php/bitacora/article/view/56200
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spelling oai:ojs.pkp.sfu.ca:article-562002021-01-25T23:44:37Z House X, by Peter Eisenman. From the Aesthetics of Production to the Aesthetics of Reception House X, por Peter Eisenman: de la estética de la producción a la estética de la recepción del Castillo Sánchez, Óscar arquitectura Eisenman House X filosofía estética de la producción estética de la recepción interpretación Terragni Peter Eisenman´s work takes a radical turn in its philosophical positionswith the House X project (1975), in which he goes from an project-centered design strategy, to another in which the meaning and participation of the subject in the reading of the building are integrated in the conception of the work. This is correlative of a parallel evolution in the realm of philosophy, with the abandonment of Structuralism and the rise of Deconstruction. La obra del arquitecto Peter Eisenman da un giro radical en sus planteamientosfilosóficos a partir del proyecto House X (1975), donde se pasa de una estrategia proyectual centrada en el objeto, a una donde el significado y la participación del sujeto en la lectura del edificio son integrados en la concepción de la obra. Esto es correlativo de una evolución paralela en el ámbito de la filosofía, con el abandono del estructuralismo y el surgimiento de la deconstrucción. Facultad de Arquitectura, Universidad Nacional Autónoma de México 2016-08-26 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Investigación application/pdf application/xml https://www.revistas.unam.mx/index.php/bitacora/article/view/56200 10.22201/fa.14058901p.2016.32.56200 Bitacora Arquitectura; No. 32 (2016): Domestic Living; 114-123 Bitácora Arquitectura; Núm. 32 (2016): El Habitar Doméstico; 114-123 2594-0856 1405-8901 10.22201/fa.14058901p.2016.32 spa https://www.revistas.unam.mx/index.php/bitacora/article/view/56200/49812 https://www.revistas.unam.mx/index.php/bitacora/article/view/56200/59651 Derechos de autor 2016 Universidad Nacional Autónoma de México
institution Universidad Nacional Autónoma de México
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language spa
format Online
author del Castillo Sánchez, Óscar
spellingShingle del Castillo Sánchez, Óscar
House X, by Peter Eisenman. From the Aesthetics of Production to the Aesthetics of Reception
author_facet del Castillo Sánchez, Óscar
author_sort del Castillo Sánchez, Óscar
title House X, by Peter Eisenman. From the Aesthetics of Production to the Aesthetics of Reception
title_short House X, by Peter Eisenman. From the Aesthetics of Production to the Aesthetics of Reception
title_full House X, by Peter Eisenman. From the Aesthetics of Production to the Aesthetics of Reception
title_fullStr House X, by Peter Eisenman. From the Aesthetics of Production to the Aesthetics of Reception
title_full_unstemmed House X, by Peter Eisenman. From the Aesthetics of Production to the Aesthetics of Reception
title_sort house x, by peter eisenman. from the aesthetics of production to the aesthetics of reception
description Peter Eisenman´s work takes a radical turn in its philosophical positionswith the House X project (1975), in which he goes from an project-centered design strategy, to another in which the meaning and participation of the subject in the reading of the building are integrated in the conception of the work. This is correlative of a parallel evolution in the realm of philosophy, with the abandonment of Structuralism and the rise of Deconstruction.
publisher Facultad de Arquitectura, Universidad Nacional Autónoma de México
publishDate 2016
url https://www.revistas.unam.mx/index.php/bitacora/article/view/56200
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