House X, by Peter Eisenman. From the Aesthetics of Production to the Aesthetics of Reception
Peter Eisenman´s work takes a radical turn in its philosophical positionswith the House X project (1975), in which he goes from an project-centered design strategy, to another in which the meaning and participation of the subject in the reading of the building are integrated in the conception of the...
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Facultad de Arquitectura, Universidad Nacional Autónoma de México
2016
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oai:ojs.pkp.sfu.ca:article-562002021-01-25T23:44:37Z House X, by Peter Eisenman. From the Aesthetics of Production to the Aesthetics of Reception House X, por Peter Eisenman: de la estética de la producción a la estética de la recepción del Castillo Sánchez, Óscar arquitectura Eisenman House X filosofía estética de la producción estética de la recepción interpretación Terragni Peter Eisenman´s work takes a radical turn in its philosophical positionswith the House X project (1975), in which he goes from an project-centered design strategy, to another in which the meaning and participation of the subject in the reading of the building are integrated in the conception of the work. This is correlative of a parallel evolution in the realm of philosophy, with the abandonment of Structuralism and the rise of Deconstruction. La obra del arquitecto Peter Eisenman da un giro radical en sus planteamientosfilosóficos a partir del proyecto House X (1975), donde se pasa de una estrategia proyectual centrada en el objeto, a una donde el significado y la participación del sujeto en la lectura del edificio son integrados en la concepción de la obra. Esto es correlativo de una evolución paralela en el ámbito de la filosofía, con el abandono del estructuralismo y el surgimiento de la deconstrucción. Facultad de Arquitectura, Universidad Nacional Autónoma de México 2016-08-26 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Investigación application/pdf application/xml https://www.revistas.unam.mx/index.php/bitacora/article/view/56200 10.22201/fa.14058901p.2016.32.56200 Bitacora Arquitectura; No. 32 (2016): Domestic Living; 114-123 Bitácora Arquitectura; Núm. 32 (2016): El Habitar Doméstico; 114-123 2594-0856 1405-8901 10.22201/fa.14058901p.2016.32 spa https://www.revistas.unam.mx/index.php/bitacora/article/view/56200/49812 https://www.revistas.unam.mx/index.php/bitacora/article/view/56200/59651 Derechos de autor 2016 Universidad Nacional Autónoma de México |
| institution |
Universidad Nacional Autónoma de México |
| collection |
OJS |
| language |
spa |
| format |
Online |
| author |
del Castillo Sánchez, Óscar |
| spellingShingle |
del Castillo Sánchez, Óscar House X, by Peter Eisenman. From the Aesthetics of Production to the Aesthetics of Reception |
| author_facet |
del Castillo Sánchez, Óscar |
| author_sort |
del Castillo Sánchez, Óscar |
| title |
House X, by Peter Eisenman. From the Aesthetics of Production to the Aesthetics of Reception |
| title_short |
House X, by Peter Eisenman. From the Aesthetics of Production to the Aesthetics of Reception |
| title_full |
House X, by Peter Eisenman. From the Aesthetics of Production to the Aesthetics of Reception |
| title_fullStr |
House X, by Peter Eisenman. From the Aesthetics of Production to the Aesthetics of Reception |
| title_full_unstemmed |
House X, by Peter Eisenman. From the Aesthetics of Production to the Aesthetics of Reception |
| title_sort |
house x, by peter eisenman. from the aesthetics of production to the aesthetics of reception |
| description |
Peter Eisenman´s work takes a radical turn in its philosophical positionswith the House X project (1975), in which he goes from an project-centered design strategy, to another in which the meaning and participation of the subject in the reading of the building are integrated in the conception of the work. This is correlative of a parallel evolution in the realm of philosophy, with the abandonment of Structuralism and the rise of Deconstruction. |
| publisher |
Facultad de Arquitectura, Universidad Nacional Autónoma de México |
| publishDate |
2016 |
| url |
https://www.revistas.unam.mx/index.php/bitacora/article/view/56200 |
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