Editorial 29
We live in a world where sight is pondered, possible only thanks to light, over the other senses. In the most natural way, the world is presented to us bathed in subtle changes of light nuances. Daylight gives us shelter as it provides heat and energy. Light means life.Light means progress, moderni...
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Facultad de Arquitectura, Universidad Nacional Autónoma de México
2016
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| Mynediad Ar-lein: | https://www.revistas.unam.mx/index.php/bitacora/article/view/56269 |
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oai:ojs.pkp.sfu.ca:article-562692021-01-21T18:14:54Z Editorial 29 Editorial 29 López Uribe, Cristina Editorial We live in a world where sight is pondered, possible only thanks to light, over the other senses. In the most natural way, the world is presented to us bathed in subtle changes of light nuances. Daylight gives us shelter as it provides heat and energy. Light means life.Light means progress, modernity, subduing darkness, night, the magical and the unknown. However, the magical, now hand-in-hand with the woderful and sublime, is found in the night lighting shows. A cultural image of the modern city without the night lighting of its billboards or its automobiles running by is unimaginable. Lighting has brightened up our lives, lives embedded in the monotony of a metropolis, it has returned a certain amount of illusion and fascination for the magic-like things. The current night urban experience is based on a lighting show.For the future of our disciplines, it must be taken into account that light, natural and artificial, and its different shades, allows us to see the same object from different perspectives. This means that an object created in space is simultaneously, as many others, as the various forms in which light is imprinted upon it. This experience provokes in us a wide range of emotions that continuously modify our material world: our subjects of study are never static and unchangeable. Vivimos en un mundo que privilegia la vista –posible sólo gracias a la luz– sobre los otros sentidos. De forma natural, el mundo se nos presenta bañado de sutiles cambios de matices de luz; ésta nos cobija durante el día al estar acompañada de calor y energía: la luz significa vida.La luz significa progreso y modernidad, significa haber conquistado la noche y la oscuridad, lo mágico y lo desconocido. Sin embargo, en la actualidad la magia, ahora de la mano de lo sublime y lo asombroso, está en los espectáculos de luz nocturnos. Es inconcebible una imagen cultural de la ciudad moderna que no incluya la luz de sus anuncios espectaculares y de sus vehículos en movimiento. Al vivir dentro de la monotonía de la vida en las metrópolis, la iluminación nos ha permitido un escape que nos devuelve la ilusión y la fascinación por las cosas que parecen mágicas. La experiencia urbana nocturna actual es un espectáculo de iluminación.Para el futuro de nuestras disciplinas debemos tomar en cuenta que la luz, tanto natural como artificial, y sus distintas tonalidades, nos permite ver un mismo objeto desde diferentes puntos de vista. Es decir, un objeto de creación en el espacio es simultáneamente tantos como las distintas formas en que la luz incide en él. Esta experiencia produce en nosotros una multitud de emociones que van modificando continuamente nuestro mundo material: nuestros objetos de estudio jamás son estáticos e inmutables. Facultad de Arquitectura, Universidad Nacional Autónoma de México 2016-07-29 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf application/pdf application/xml https://www.revistas.unam.mx/index.php/bitacora/article/view/56269 10.22201/fa.14058901p.2015.29.56269 Bitacora Arquitectura; No. 29 (2015): Architecture, City and Light; 2-3 Bitácora Arquitectura; Núm. 29 (2015): Arquitectura, ciudad y luz; 2-3 2594-0856 1405-8901 10.22201/fa.14058901p.2015.29 spa eng https://www.revistas.unam.mx/index.php/bitacora/article/view/56269/49899 https://www.revistas.unam.mx/index.php/bitacora/article/view/56269/59255 https://www.revistas.unam.mx/index.php/bitacora/article/view/56269/59692 Derechos de autor 2016 Universidad Nacional Autónoma de México |
| institution |
Universidad Nacional Autónoma de México |
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OJS |
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spa eng |
| format |
Online |
| author |
López Uribe, Cristina |
| spellingShingle |
López Uribe, Cristina Editorial 29 |
| author_facet |
López Uribe, Cristina |
| author_sort |
López Uribe, Cristina |
| title |
Editorial 29 |
| title_short |
Editorial 29 |
| title_full |
Editorial 29 |
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Editorial 29 |
| title_full_unstemmed |
Editorial 29 |
| title_sort |
editorial 29 |
| description |
We live in a world where sight is pondered, possible only thanks to light, over the other senses. In the most natural way, the world is presented to us bathed in subtle changes of light nuances. Daylight gives us shelter as it provides heat and energy. Light means life.Light means progress, modernity, subduing darkness, night, the magical and the unknown. However, the magical, now hand-in-hand with the woderful and sublime, is found in the night lighting shows. A cultural image of the modern city without the night lighting of its billboards or its automobiles running by is unimaginable. Lighting has brightened up our lives, lives embedded in the monotony of a metropolis, it has returned a certain amount of illusion and fascination for the magic-like things. The current night urban experience is based on a lighting show.For the future of our disciplines, it must be taken into account that light, natural and artificial, and its different shades, allows us to see the same object from different perspectives. This means that an object created in space is simultaneously, as many others, as the various forms in which light is imprinted upon it. This experience provokes in us a wide range of emotions that continuously modify our material world: our subjects of study are never static and unchangeable. |
| publisher |
Facultad de Arquitectura, Universidad Nacional Autónoma de México |
| publishDate |
2016 |
| url |
https://www.revistas.unam.mx/index.php/bitacora/article/view/56269 |
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