Representing the atmosphere of the place Arne Jacobsen’s cemeteries

Through the study of the watercolors that the Danish architect Arne Jacobsen (1902–1971) created to illustrate his architectonic designs, this article presents an analysis through several projects in which his talent as a draftsman and his passion for nature and gardens converge. The article explore...

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Hoofdauteur: Ferrer Forés, Jaime
Formaat: Online
Taal:spa
Gepubliceerd in: Facultad de Arquitectura, Universidad Nacional Autónoma de México 2017
Online toegang:https://www.revistas.unam.mx/index.php/bitacora/article/view/58088
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spelling oai:ojs.pkp.sfu.ca:article-580882021-01-26T00:01:36Z Representing the atmosphere of the place Arne Jacobsen’s cemeteries Representar la atmósfera del lugar Los cementerios de Arne Jacobsen Ferrer Forés, Jaime Arne Jacobsen cementerio paisaje Alvar Aalto Through the study of the watercolors that the Danish architect Arne Jacobsen (1902–1971) created to illustrate his architectonic designs, this article presents an analysis through several projects in which his talent as a draftsman and his passion for nature and gardens converge. The article explores the dialogue between nature and architecture, as one can find in his watercolors one of the most important clues to understand the Danish architect’s sensibility: his aesthetic appreciation of nature and his constant and patient exploration for the construction of the landscape of architecture. His work evokes the tradition of Nordic romanticism, Erik Gunnar Asplund’s influence, and the classical architectures that he studied in the extensive travels he did during his career. A través de las acuarelas que el arquitecto danés Arne Jacobsen (1902-1971) realizara para ilustrar sus proyectos arquitectónicos, se propone un recorrido por varios proyectos donde confluye su temprano talento por el dibujo y su pasión por la naturaleza y el jardín. El artículo indaga en el diálogoentre naturaleza y arquitectura, pues en sus acuarelas se ilustra una de las claves más significativas de la sensibilidad del arquitecto danés: su apreciación estética de la naturaleza y su incesante y paciente búsqueda en la construcción del paisaje de la arquitectura. La obra de Jacobsen evoca la tradición delromanticismo nórdico y la influencia de Erik Gunnar Asplund y las arquitecturas clásicas que recorrerá en los numerosos viajes que realizará durante su trayectoria profesional. Facultad de Arquitectura, Universidad Nacional Autónoma de México 2017-01-12 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Investigación application/pdf application/xml https://www.revistas.unam.mx/index.php/bitacora/article/view/58088 10.22201/fa.14058901p.2016.34.58088 Bitacora Arquitectura; No. 34 (2016): Space and Graphics; 42-50 Bitácora Arquitectura; Núm. 34 (2016): Espacio y Gráfica; 42-50 2594-0856 1405-8901 10.22201/fa.14058901p.2016.34 spa https://www.revistas.unam.mx/index.php/bitacora/article/view/58088/51422 https://www.revistas.unam.mx/index.php/bitacora/article/view/58088/59464 Derechos de autor 2017 Universidad Nacional Autónoma de México
institution Universidad Nacional Autónoma de México
collection OJS
language spa
format Online
author Ferrer Forés, Jaime
spellingShingle Ferrer Forés, Jaime
Representing the atmosphere of the place Arne Jacobsen’s cemeteries
author_facet Ferrer Forés, Jaime
author_sort Ferrer Forés, Jaime
title Representing the atmosphere of the place Arne Jacobsen’s cemeteries
title_short Representing the atmosphere of the place Arne Jacobsen’s cemeteries
title_full Representing the atmosphere of the place Arne Jacobsen’s cemeteries
title_fullStr Representing the atmosphere of the place Arne Jacobsen’s cemeteries
title_full_unstemmed Representing the atmosphere of the place Arne Jacobsen’s cemeteries
title_sort representing the atmosphere of the place arne jacobsen’s cemeteries
description Through the study of the watercolors that the Danish architect Arne Jacobsen (1902–1971) created to illustrate his architectonic designs, this article presents an analysis through several projects in which his talent as a draftsman and his passion for nature and gardens converge. The article explores the dialogue between nature and architecture, as one can find in his watercolors one of the most important clues to understand the Danish architect’s sensibility: his aesthetic appreciation of nature and his constant and patient exploration for the construction of the landscape of architecture. His work evokes the tradition of Nordic romanticism, Erik Gunnar Asplund’s influence, and the classical architectures that he studied in the extensive travels he did during his career.
publisher Facultad de Arquitectura, Universidad Nacional Autónoma de México
publishDate 2017
url https://www.revistas.unam.mx/index.php/bitacora/article/view/58088
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