Unusual roofs in the work of Antonio Bonet
Much of the work of Antonio Bonet is characterized by series of sculptural roofs that he used as a compositional element. In La Ricarda House (1949-1962) Bonet designed a simple module that works as a unit but that when joined with others acquires new uses and more complex properties. In this paper...
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Facultad de Arquitectura, Universidad Nacional Autónoma de México
2017
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| Online Erişim: | https://www.revistas.unam.mx/index.php/bitacora/article/view/58092 |
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oai:ojs.pkp.sfu.ca:article-580922021-01-26T00:01:36Z Unusual roofs in the work of Antonio Bonet Cubiertas peculiares en la obra de Antonio Bonet Domingo Magaña, José Ramón Ródenas García, Juan Fernando Antonio Bonet surrealismo cascarones de concreto bóvedas tabicadas cúpulas paraboloides hiperbólicos Much of the work of Antonio Bonet is characterized by series of sculptural roofs that he used as a compositional element. In La Ricarda House (1949-1962) Bonet designed a simple module that works as a unit but that when joined with others acquires new uses and more complex properties. In this paper we analyze the exceptions to this ruleto show peculiar, and sculptural, roofs designed with a single gesture and defined by an intimate relationship between their construction and formal expression. Buena parte de la obra de Antonio Bonet se caracteriza por laseriación de cubiertas escultóricas como recurso compositivo.En la casa La Ricarda (1949-1962), Bonet propone un móduloelemental que funciona individualmente, pero que al unirseadquiere funciones nuevas y propiedades más complejas. Eneste trabajo analizamos excepciones a esta regla para mostrarcubiertas peculiares, también escultóricas, resueltas con unsolo trazo, caracterizadas por la íntima relación entre contenidoconstructivo y expresión formal. Facultad de Arquitectura, Universidad Nacional Autónoma de México 2017-01-12 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Investigación application/pdf application/xml https://www.revistas.unam.mx/index.php/bitacora/article/view/58092 10.22201/fa.14058901p.2016.34.58092 Bitacora Arquitectura; No. 34 (2016): Space and Graphics; 62-73 Bitácora Arquitectura; Núm. 34 (2016): Espacio y Gráfica; 62-73 2594-0856 1405-8901 10.22201/fa.14058901p.2016.34 spa https://www.revistas.unam.mx/index.php/bitacora/article/view/58092/51425 https://www.revistas.unam.mx/index.php/bitacora/article/view/58092/59466 Derechos de autor 2017 Universidad Nacional Autónoma de México |
| institution |
Universidad Nacional Autónoma de México |
| collection |
OJS |
| language |
spa |
| format |
Online |
| author |
Domingo Magaña, José Ramón Ródenas García, Juan Fernando |
| spellingShingle |
Domingo Magaña, José Ramón Ródenas García, Juan Fernando Unusual roofs in the work of Antonio Bonet |
| author_facet |
Domingo Magaña, José Ramón Ródenas García, Juan Fernando |
| author_sort |
Domingo Magaña, José Ramón |
| title |
Unusual roofs in the work of Antonio Bonet |
| title_short |
Unusual roofs in the work of Antonio Bonet |
| title_full |
Unusual roofs in the work of Antonio Bonet |
| title_fullStr |
Unusual roofs in the work of Antonio Bonet |
| title_full_unstemmed |
Unusual roofs in the work of Antonio Bonet |
| title_sort |
unusual roofs in the work of antonio bonet |
| description |
Much of the work of Antonio Bonet is characterized by series of sculptural roofs that he used as a compositional element. In La Ricarda House (1949-1962) Bonet designed a simple module that works as a unit but that when joined with others acquires new uses and more complex properties. In this paper we analyze the exceptions to this ruleto show peculiar, and sculptural, roofs designed with a single gesture and defined by an intimate relationship between their construction and formal expression. |
| publisher |
Facultad de Arquitectura, Universidad Nacional Autónoma de México |
| publishDate |
2017 |
| url |
https://www.revistas.unam.mx/index.php/bitacora/article/view/58092 |
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