Quotidian [T]errors: Hyperbole, Caricature, Deformation and Other Catalysts of Invention.
Despite its traditional classification as a minor discipline, or as a degeneration of true artistic expression, caricature has been of special interest to artists and has recently been reevaluated by historians of modern art. Ernst Hans Josef Gombrich, following in the footsteps of Ernst Kris and ea...
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| フォーマット: | Online |
| 言語: | spa |
| 出版事項: |
Facultad de Arquitectura, Universidad Nacional Autónoma de México
2018
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| オンライン･アクセス: | https://www.revistas.unam.mx/index.php/bitacora/article/view/64830 |
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| 要約: | Despite its traditional classification as a minor discipline, or as a degeneration of true artistic expression, caricature has been of special interest to artists and has recently been reevaluated by historians of modern art. Ernst Hans Josef Gombrich, following in the footsteps of Ernst Kris and earlier historians, considers caricature to be a paradigmatic example of the prevalence of the recognition of likeness in graphic representation. Furthermore, by distorting reality, caricature has an enormous power as a creative catalyst, whose relevance for architecture has yet to be explored. |
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