Quotidian [T]errors: Hyperbole, Caricature, Deformation and Other Catalysts of Invention.
Despite its traditional classification as a minor discipline, or as a degeneration of true artistic expression, caricature has been of special interest to artists and has recently been reevaluated by historians of modern art. Ernst Hans Josef Gombrich, following in the footsteps of Ernst Kris and ea...
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Facultad de Arquitectura, Universidad Nacional Autónoma de México
2018
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oai:ojs.pkp.sfu.ca:article-648302021-04-14T21:26:52Z Quotidian [T]errors: Hyperbole, Caricature, Deformation and Other Catalysts of Invention. [T]errores cotidianos. Hipérbole, caricatura, deformación y otros catalizadores de la invención Lus Arana, Luis Miguel satire critique parody humor architecture sátira crítica parodia humor arquitectura Despite its traditional classification as a minor discipline, or as a degeneration of true artistic expression, caricature has been of special interest to artists and has recently been reevaluated by historians of modern art. Ernst Hans Josef Gombrich, following in the footsteps of Ernst Kris and earlier historians, considers caricature to be a paradigmatic example of the prevalence of the recognition of likeness in graphic representation. Furthermore, by distorting reality, caricature has an enormous power as a creative catalyst, whose relevance for architecture has yet to be explored. Pese a su tradicional codificación como disciplina menor, o degeneración de expresiones artísticas verdaderas, la caricatura ha gozado de una especial atención por parte de los artistas, así como de una reivindicación por parte de la moderna historia del arte. Ernst Hans Josef Gombrich, siguiendo los pasos de Ernst Kris y de historiadores anteriores, encontró en la caricatura el ejemplo paradigmático de la prevalencia del reconocimiento frente al parecido en la representación. Pero además, en lo que tiene de deformación de la realidad, la caricatura tiene una poderosa capacidad de catalizador creativo, cuyo interés para la arquitectura está aún por explorar. Facultad de Arquitectura, Universidad Nacional Autónoma de México 2018-05-25 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Investigación application/pdf application/xml https://www.revistas.unam.mx/index.php/bitacora/article/view/64830 10.22201/fa.14058901p.2017.37.64830 Bitacora Arquitectura; No. 37 (2017): Error; 120-135 Bitácora Arquitectura; Núm. 37 (2017): Error; 120-135 2594-0856 1405-8901 10.22201/fa.14058901p.2017.37 spa https://www.revistas.unam.mx/index.php/bitacora/article/view/64830/56980 https://www.revistas.unam.mx/index.php/bitacora/article/view/64830/59657 Derechos de autor 2018 Bitácora arquitectura |
| institution |
Universidad Nacional Autónoma de México |
| collection |
OJS |
| language |
spa |
| format |
Online |
| author |
Lus Arana, Luis Miguel |
| spellingShingle |
Lus Arana, Luis Miguel Quotidian [T]errors: Hyperbole, Caricature, Deformation and Other Catalysts of Invention. |
| author_facet |
Lus Arana, Luis Miguel |
| author_sort |
Lus Arana, Luis Miguel |
| title |
Quotidian [T]errors: Hyperbole, Caricature, Deformation and Other Catalysts of Invention. |
| title_short |
Quotidian [T]errors: Hyperbole, Caricature, Deformation and Other Catalysts of Invention. |
| title_full |
Quotidian [T]errors: Hyperbole, Caricature, Deformation and Other Catalysts of Invention. |
| title_fullStr |
Quotidian [T]errors: Hyperbole, Caricature, Deformation and Other Catalysts of Invention. |
| title_full_unstemmed |
Quotidian [T]errors: Hyperbole, Caricature, Deformation and Other Catalysts of Invention. |
| title_sort |
quotidian [t]errors: hyperbole, caricature, deformation and other catalysts of invention. |
| description |
Despite its traditional classification as a minor discipline, or as a degeneration of true artistic expression, caricature has been of special interest to artists and has recently been reevaluated by historians of modern art. Ernst Hans Josef Gombrich, following in the footsteps of Ernst Kris and earlier historians, considers caricature to be a paradigmatic example of the prevalence of the recognition of likeness in graphic representation. Furthermore, by distorting reality, caricature has an enormous power as a creative catalyst, whose relevance for architecture has yet to be explored. |
| publisher |
Facultad de Arquitectura, Universidad Nacional Autónoma de México |
| publishDate |
2018 |
| url |
https://www.revistas.unam.mx/index.php/bitacora/article/view/64830 |
| work_keys_str_mv |
AT lusaranaluismiguel quotidianterrorshyperbolecaricaturedeformationandothercatalystsofinvention AT lusaranaluismiguel terrorescotidianoshiperbolecaricaturadeformacionyotroscatalizadoresdelainvencion |
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1817362171306180608 |