1949: Mexico City Interpreted
In 1949, two events concerning Mexico City and its artistic representation occurred. The first was a contest/exhibition organized by the newspaper Excélsior that called for painters to depict the contemporary city, the second was the publication of a catalog of the exhibition edited by the art criti...
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Facultad de Arquitectura, Universidad Nacional Autónoma de México
2018
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| Online pristup: | https://www.revistas.unam.mx/index.php/bitacora/article/view/64831 |
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oai:ojs.pkp.sfu.ca:article-648312021-04-14T21:26:52Z 1949: Mexico City Interpreted 1949: Ciudad de México interpretada Escudero, Alejandrina Mexico City contest/exhibition catalog painters urban modernization Ciudad de México concurso-exposición álbum pintores modernización urbana In 1949, two events concerning Mexico City and its artistic representation occurred. The first was a contest/exhibition organized by the newspaper Excélsior that called for painters to depict the contemporary city, the second was the publication of a catalog of the exhibition edited by the art critic Jorge Juan Crespo de la Serna that included works by five painters who participated in the contest. This article aims to analyze how these events, which brought together over 250 paintings, addressed all aspects of the city in the mid-20th Century. Durante el año de 1949, se llevaron a cabo dos acontecimientos relacionados con la Ciudad de México y su representación plástica: un concurso-exposición, organizado por el diario capitalino Excélsior, que convocaba a los pintores a interpretar la urbe de su momento; y el álbum editado por el crítico de arte Jorge Juan Crespo de la Serna, en el cual reunía obras de cinco pintores que participaron en dicho concurso. El propósito de este artículo es dar a conocer esos eventos excepcionales, que reunieron más de 250 pinturas y que abordaron todos los aspectos de la urbe de medio siglo xx. Facultad de Arquitectura, Universidad Nacional Autónoma de México 2018-05-25 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Investigación application/pdf application/xml https://www.revistas.unam.mx/index.php/bitacora/article/view/64831 10.22201/fa.14058901p.2017.37.64831 Bitacora Arquitectura; No. 37 (2017): Error; 44-57 Bitácora Arquitectura; Núm. 37 (2017): Error; 44-57 2594-0856 1405-8901 10.22201/fa.14058901p.2017.37 spa https://www.revistas.unam.mx/index.php/bitacora/article/view/64831/56981 https://www.revistas.unam.mx/index.php/bitacora/article/view/64831/59482 Derechos de autor 2018 Bitácora arquitectura |
| institution |
Universidad Nacional Autónoma de México |
| collection |
OJS |
| language |
spa |
| format |
Online |
| author |
Escudero, Alejandrina |
| spellingShingle |
Escudero, Alejandrina 1949: Mexico City Interpreted |
| author_facet |
Escudero, Alejandrina |
| author_sort |
Escudero, Alejandrina |
| title |
1949: Mexico City Interpreted |
| title_short |
1949: Mexico City Interpreted |
| title_full |
1949: Mexico City Interpreted |
| title_fullStr |
1949: Mexico City Interpreted |
| title_full_unstemmed |
1949: Mexico City Interpreted |
| title_sort |
1949: mexico city interpreted |
| description |
In 1949, two events concerning Mexico City and its artistic representation occurred. The first was a contest/exhibition organized by the newspaper Excélsior that called for painters to depict the contemporary city, the second was the publication of a catalog of the exhibition edited by the art critic Jorge Juan Crespo de la Serna that included works by five painters who participated in the contest. This article aims to analyze how these events, which brought together over 250 paintings, addressed all aspects of the city in the mid-20th Century. |
| publisher |
Facultad de Arquitectura, Universidad Nacional Autónoma de México |
| publishDate |
2018 |
| url |
https://www.revistas.unam.mx/index.php/bitacora/article/view/64831 |
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AT escuderoalejandrina 1949mexicocityinterpreted AT escuderoalejandrina 1949ciudaddemexicointerpretada |
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