Exhibition Space as Experience: Frederick Kiesler’s Surrealist Room in Art of This Century, 1942

Exhibition Space as Experience: Frederick Kiesler’s Surrealist Room in Art of This Century, 1942

Exhibition spaces act as places for artistic and architectural experimentation. Their capacity to directly interact with the spectator has led to interventions such as the Surrealist Room of the Art of This Century Gallery (Frederick Kiesler, New York, 1942), which are designed to be a space for the...

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1. Verfasser: Paz-Agras, Luz
Format: Online
Sprache:spa
Veröffentlicht: Facultad de Arquitectura, Universidad Nacional Autónoma de México 2018
Online Zugang:https://www.revistas.unam.mx/index.php/bitacora/article/view/67821
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spelling oai:ojs.pkp.sfu.ca:article-678212021-01-27T17:44:12Z Exhibition Space as Experience: Frederick Kiesler’s Surrealist Room in Art of This Century, 1942 El espacio expositivo como experiencia: La Sala Surrealista de Art of This Century de Frederick Kiesler, 1942 Paz-Agras, Luz espacio expositivo Frederick Kiesler Art of This Century surrealismo fenómeno austríaco arquitectura fenomenológica arquitectura de la experiencia Exhibition Space Frederick Kiesler Art of This Century Surrealism Austrian Phenomenon Phenomenological Architecture Architecture of Experience Exhibition spaces act as places for artistic and architectural experimentation. Their capacity to directly interact with the spectator has led to interventions such as the Surrealist Room of the Art of This Century Gallery (Frederick Kiesler, New York, 1942), which are designed to be a space for the senses. The design of this space stimulated the senses through an architecture that interacted with the human body, becoming a precedent for later architectonic designs. El espacio expositivo actúa como lugar de experimentación artística y arquitectónica. Su capacidad para la interacción directa con el espectador lleva a que propuestas como la Sala surrealista de la galería Art of This Century (Frederick Kiesler, Nueva York, 1942) se plantee como un espacio de los sentidos. La propuesta se convierte en un potenciador de estímulos con una arquitectura que interacciona con el cuerpo humano y actúa como un precedente para propuestas arquitectónicas posteriores Facultad de Arquitectura, Universidad Nacional Autónoma de México 2018-12-17 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Investigación application/pdf application/xml https://www.revistas.unam.mx/index.php/bitacora/article/view/67821 10.22201/fa.14058901p.2018.39.67821 Bitacora Arquitectura; No. 39 (2018): Senses; 76-85 Bitácora Arquitectura; Núm. 39 (2018): Sentidos; 76-85 2594-0856 1405-8901 10.22201/fa.14058901p.2018.39 spa https://www.revistas.unam.mx/index.php/bitacora/article/view/67821/60313 https://www.revistas.unam.mx/index.php/bitacora/article/view/67821/67503 Derechos de autor 2018 Bitácora arquitectura
institution Universidad Nacional Autónoma de México
collection OJS
language spa
format Online
author Paz-Agras, Luz
spellingShingle Paz-Agras, Luz
Exhibition Space as Experience: Frederick Kiesler’s Surrealist Room in Art of This Century, 1942
author_facet Paz-Agras, Luz
author_sort Paz-Agras, Luz
title Exhibition Space as Experience: Frederick Kiesler’s Surrealist Room in Art of This Century, 1942
title_short Exhibition Space as Experience: Frederick Kiesler’s Surrealist Room in Art of This Century, 1942
title_full Exhibition Space as Experience: Frederick Kiesler’s Surrealist Room in Art of This Century, 1942
title_fullStr Exhibition Space as Experience: Frederick Kiesler’s Surrealist Room in Art of This Century, 1942
title_full_unstemmed Exhibition Space as Experience: Frederick Kiesler’s Surrealist Room in Art of This Century, 1942
title_sort exhibition space as experience: frederick kiesler’s surrealist room in art of this century, 1942
description Exhibition spaces act as places for artistic and architectural experimentation. Their capacity to directly interact with the spectator has led to interventions such as the Surrealist Room of the Art of This Century Gallery (Frederick Kiesler, New York, 1942), which are designed to be a space for the senses. The design of this space stimulated the senses through an architecture that interacted with the human body, becoming a precedent for later architectonic designs.
publisher Facultad de Arquitectura, Universidad Nacional Autónoma de México
publishDate 2018
url https://www.revistas.unam.mx/index.php/bitacora/article/view/67821
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AT pazagrasluz elespacioexpositivocomoexperiencialasalasurrealistadeartofthiscenturydefrederickkiesler1942
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