The Jewish Museum in Berlin: The Space, the Happening and the Void
This article studies Daniel Libeskind’s Jewish Museum in Berlin, particularly the Holocaust Tower, in the light of Jean-François Lyotard’s theory of the happening and its dialogue with Edmund Burke’s category of the sublime. It analyzes the effect produced on subjects by certain experiences and thei...
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| フォーマット: | Online |
| 言語: | spa |
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Facultad de Arquitectura, Universidad Nacional Autónoma de México
2018
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| オンライン･アクセス: | https://www.revistas.unam.mx/index.php/bitacora/article/view/67822 |
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| 要約: | This article studies Daniel Libeskind’s Jewish Museum in Berlin, particularly the Holocaust Tower, in the light of Jean-François Lyotard’s theory of the happening and its dialogue with Edmund Burke’s category of the sublime. It analyzes the effect produced on subjects by certain experiences and their political and social implications. |
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