The Neorealist City: Territory, Iconography and Maps of Rome in Bicycle Thieves

The Neorealist City: Territory, Iconography and Maps of Rome in Bicycle Thieves

The neorealist city corresponds to the vision of certain Italian directors from the 1940s to the 1960s who explored the changing urban space of Rome. This article analyzes Bicycle Thieves, a 1948 film by Vittorio De Sica. A cartographic analysis of the locations chosen by the director allows for the...

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Hlavní autor: Colella, Federico
Médium: Online
Jazyk:spa
Vydáno: Facultad de Arquitectura, Universidad Nacional Autónoma de México 2019
On-line přístup:https://www.revistas.unam.mx/index.php/bitacora/article/view/69440
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spelling oai:ojs.pkp.sfu.ca:article-694402020-07-29T22:24:49Z The Neorealist City: Territory, Iconography and Maps of Rome in Bicycle Thieves La Ciudad neorrealista. Territorio, iconografía y mapas de la Roma de Ladrones de Bicicletas Colella, Federico neorrealismo ciudad periferia Roma territorio paisaje urbano cartografía Vittorio De Sica The neorealist city corresponds to the vision of certain Italian directors from the 1940s to the 1960s who explored the changing urban space of Rome. This article analyzes Bicycle Thieves, a 1948 film by Vittorio De Sica. A cartographic analysis of the locations chosen by the director allows for the creation of a new symbolic map of the Italian capital that explores its urban periphery, which had never been depicted in film before, thus laying the groundwork for contemporary representations of the everyday landscapes and phenomena of the city La ciudad neorrealista corresponde a la visión propuesta por algunos directores italianos que entre losaños 40 y 60 exploraron el espacio urbano en trasformación de Roma. En el presente trabajo se tomacomo objeto de estudio Ladrones de bicicletas, película de Vittorio De Sica de 1948. El análisis cartográficode los escenarios escogidos por el director permite desarrollar un nuevo mapa e iconografía de la capitalitaliana que tiene como punto de partida la exploración de territorios periféricos -nunca mostrados en lagran pantalla hasta aquel momento, lo cual anticipó la representación de fenómenos y paisajes típicos dela metrópolis contemporánea. Facultad de Arquitectura, Universidad Nacional Autónoma de México 2019-05-08 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Investigación application/pdf application/xml https://www.revistas.unam.mx/index.php/bitacora/article/view/69440 10.22201/fa.14058901p.2019.40.69440 Bitacora Arquitectura; No. 40 (2018): Film and Architecture; 36-47 Bitácora Arquitectura; Núm. 40 (2018): Cine y arquitectura; 36-47 2594-0856 1405-8901 10.22201/fa.14058901p.2019.40 spa https://www.revistas.unam.mx/index.php/bitacora/article/view/69440/61452 https://www.revistas.unam.mx/index.php/bitacora/article/view/69440/67517 Derechos de autor 2019 Bitácora arquitectura
institution Universidad Nacional Autónoma de México
collection OJS
language spa
format Online
author Colella, Federico
spellingShingle Colella, Federico
The Neorealist City: Territory, Iconography and Maps of Rome in Bicycle Thieves
author_facet Colella, Federico
author_sort Colella, Federico
title The Neorealist City: Territory, Iconography and Maps of Rome in Bicycle Thieves
title_short The Neorealist City: Territory, Iconography and Maps of Rome in Bicycle Thieves
title_full The Neorealist City: Territory, Iconography and Maps of Rome in Bicycle Thieves
title_fullStr The Neorealist City: Territory, Iconography and Maps of Rome in Bicycle Thieves
title_full_unstemmed The Neorealist City: Territory, Iconography and Maps of Rome in Bicycle Thieves
title_sort neorealist city: territory, iconography and maps of rome in bicycle thieves
description The neorealist city corresponds to the vision of certain Italian directors from the 1940s to the 1960s who explored the changing urban space of Rome. This article analyzes Bicycle Thieves, a 1948 film by Vittorio De Sica. A cartographic analysis of the locations chosen by the director allows for the creation of a new symbolic map of the Italian capital that explores its urban periphery, which had never been depicted in film before, thus laying the groundwork for contemporary representations of the everyday landscapes and phenomena of the city
publisher Facultad de Arquitectura, Universidad Nacional Autónoma de México
publishDate 2019
url https://www.revistas.unam.mx/index.php/bitacora/article/view/69440
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AT colellafederico laciudadneorrealistaterritorioiconografiaymapasdelaromadeladronesdebicicletas
AT colellafederico neorealistcityterritoryiconographyandmapsofromeinbicyclethieves
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