The Neorealist City: Territory, Iconography and Maps of Rome in Bicycle Thieves
The neorealist city corresponds to the vision of certain Italian directors from the 1940s to the 1960s who explored the changing urban space of Rome. This article analyzes Bicycle Thieves, a 1948 film by Vittorio De Sica. A cartographic analysis of the locations chosen by the director allows for the...
Saved in:
Main Author: | Colella, Federico |
---|---|
Format: | Online |
Language: | spa |
Published: |
Facultad de Arquitectura, Universidad Nacional Autónoma de México
2019
|
Online Access: | https://www.revistas.unam.mx/index.php/bitacora/article/view/69440 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
The landscape of horizontal habitats : the Tuscolano unit in Rome and the village of entrevías in Madrid.
by: Colella-Castro, Federico
Published: (2016) -
Rome: An Architecture of Memory
by: Brinkman-Clark, William
Published: (2019) -
The Landscape of Entrevías Environmental and Territorial Structures in Francisco J. Sáenz’s "New Town"
by: Colella, Federico
Published: (2016) -
Non-motorized urban transport: the potential of bicycle in Temuco
by: Eltit Neumann, Verónica Xaviera
Published: (2011) -
Territoriality in the migration process: an approach to proximity mapping
by: Preciado trujillo, Edison Andres
Published: (2017)