The Neorealist City: Territory, Iconography and Maps of Rome in Bicycle Thieves

The Neorealist City: Territory, Iconography and Maps of Rome in Bicycle Thieves

The neorealist city corresponds to the vision of certain Italian directors from the 1940s to the 1960s who explored the changing urban space of Rome. This article analyzes Bicycle Thieves, a 1948 film by Vittorio De Sica. A cartographic analysis of the locations chosen by the director allows for the...

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書誌詳細
第一著者:	Colella, Federico
フォーマット:	Online
言語:	spa
出版事項:	Facultad de Arquitectura, Universidad Nacional Autónoma de México 2019
オンライン･アクセス:	https://www.revistas.unam.mx/index.php/bitacora/article/view/69440
タグ:	タグ追加タグなし, このレコードへの初めてのタグを付けませんか!

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