Descending to the Monument from Above: Cities at the Beginnings of Films
The beginning of a film is key to understanding its discourse. Opening shots are often visions of a city from the air that then descend to the ground, showing its buildings and most famous monuments. These establishing shots allow visitors to recognize stereotypes of cities and filmmakers to invent...
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Facultad de Arquitectura, Universidad Nacional Autónoma de México
2019
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oai:ojs.pkp.sfu.ca:article-694412020-08-21T16:26:41Z Descending to the Monument from Above: Cities at the Beginnings of Films Desde el cielo y en descenso hasta el monumento. Gorostiza, Jorge ciudad cine monumento vista aérea Nueva York París Berlín Milán The beginning of a film is key to understanding its discourse. Opening shots are often visions of a city from the air that then descend to the ground, showing its buildings and most famous monuments. These establishing shots allow visitors to recognize stereotypes of cities and filmmakers to invent new features, without which these cities cannot be understood. El principio de una película es fundamental para entender todo su argumento. Los planos inicialesde muchas de ellas han sido visiones urbanas, tanto desde el aire, como en descenso hasta llegaral terreno, mostrando sus edificaciones y monumentos más célebres; planos iniciales donde sepueden reconocer estereotipos de ciudades, así como la invención de los cineastas que crea nuevascaracterísticas, sin las cuales ya no podrían comprenderse esas ciudades. Facultad de Arquitectura, Universidad Nacional Autónoma de México 2019-05-08 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Investigación application/pdf application/xml https://www.revistas.unam.mx/index.php/bitacora/article/view/69441 10.22201/fa.14058901p.2019.40.69441 Bitacora Arquitectura; No. 40 (2018): Film and Architecture; 78-85 Bitácora Arquitectura; Núm. 40 (2018): Cine y arquitectura; 78-85 2594-0856 1405-8901 10.22201/fa.14058901p.2019.40 spa https://www.revistas.unam.mx/index.php/bitacora/article/view/69441/61278 https://www.revistas.unam.mx/index.php/bitacora/article/view/69441/67520 Derechos de autor 2019 Bitácora arquitectura |
| institution |
Universidad Nacional Autónoma de México |
| collection |
OJS |
| language |
spa |
| format |
Online |
| author |
Gorostiza, Jorge |
| spellingShingle |
Gorostiza, Jorge Descending to the Monument from Above: Cities at the Beginnings of Films |
| author_facet |
Gorostiza, Jorge |
| author_sort |
Gorostiza, Jorge |
| title |
Descending to the Monument from Above: Cities at the Beginnings of Films |
| title_short |
Descending to the Monument from Above: Cities at the Beginnings of Films |
| title_full |
Descending to the Monument from Above: Cities at the Beginnings of Films |
| title_fullStr |
Descending to the Monument from Above: Cities at the Beginnings of Films |
| title_full_unstemmed |
Descending to the Monument from Above: Cities at the Beginnings of Films |
| title_sort |
descending to the monument from above: cities at the beginnings of films |
| description |
The beginning of a film is key to understanding its discourse. Opening shots are often visions of a city from the air that then descend to the ground, showing its buildings and most famous monuments. These establishing shots allow visitors to recognize stereotypes of cities and filmmakers to invent new features, without which these cities cannot be understood. |
| publisher |
Facultad de Arquitectura, Universidad Nacional Autónoma de México |
| publishDate |
2019 |
| url |
https://www.revistas.unam.mx/index.php/bitacora/article/view/69441 |
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AT gorostizajorge descendingtothemonumentfromabovecitiesatthebeginningsoffilms AT gorostizajorge desdeelcieloyendescensohastaelmonumento |
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