Negotiating the Status of Architectural Photographs

This article investigates the role architecture has assigned to architectural photographs and the protocols regulating their use through close readings of the correspondence between architects, authors, editors, publishers and photographers. The article thereby traces how, in the first half of the t...

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1. autor: Borree, Sarah
Format: Online
Język:spa
Wydane: Facultad de Arquitectura, Universidad Nacional Autónoma de México 2019
Dostęp online:https://www.revistas.unam.mx/index.php/bitacora/article/view/70674
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spelling oai:ojs.pkp.sfu.ca:article-706742021-01-28T18:19:14Z Negotiating the Status of Architectural Photographs Negociar el estatus de las fotografías arquitectónicas Borree, Sarah Architectural photography Blaue Bücher Lucia Moholy Walter Gropius Walter Müller-Wulckow Karl Robert Langewiesche Sigfried Giedion authorship This article investigates the role architecture has assigned to architectural photographs and the protocols regulating their use through close readings of the correspondence between architects, authors, editors, publishers and photographers. The article thereby traces how, in the first half of the twentieth century, architecture came to appreciate photographs as artifacts with individual qualities, but resisted recognizing their independent agency. It suggests that this act of circumvention was legitimized by disciplinary protocols and has led to a discrepancy between the role assigned to photographs by architecture and their actual role in the production of architectural meaning. Este artículo investiga el rol que la arquitectura asignó a las fotografías arquitectónicas y los protocolos que regularon su uso, a través de la evaluación de la correspondencia entre arquitectos, autores, editores, editoriales y fotógrafos. Se rastrea cómo, en la primera mitad del siglo xx, la disciplina de la arquitectura llegó a apreciar las instantáneas como artefactos con cualidades individuales, pero se resistió a reconocer su capacidad e independencia. Este acto de elusión fue legitimado, a su vez, por protocolos disciplinares que condujeron a desacuerdos entre el rol asignado a la fotografía y su participación de hecho en la producción de significado. Facultad de Arquitectura, Universidad Nacional Autónoma de México 2019-09-13 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Investigación application/pdf application/xml https://www.revistas.unam.mx/index.php/bitacora/article/view/70674 10.22201/fa.14058901p.2019.41.70674 Bitacora Arquitectura; No. 41 (2019): Photography and Architecture; 30-37 Bitácora Arquitectura; Núm. 41 (2019): Fotografía y arquitectura; 30-37 2594-0856 1405-8901 10.22201/fa.14058901p.2019.41 spa https://www.revistas.unam.mx/index.php/bitacora/article/view/70674/62542 https://www.revistas.unam.mx/index.php/bitacora/article/view/70674/67534 Derechos de autor 2019 Bitácora Arquitectura
institution Universidad Nacional Autónoma de México
collection OJS
language spa
format Online
author Borree, Sarah
spellingShingle Borree, Sarah
Negotiating the Status of Architectural Photographs
author_facet Borree, Sarah
author_sort Borree, Sarah
title Negotiating the Status of Architectural Photographs
title_short Negotiating the Status of Architectural Photographs
title_full Negotiating the Status of Architectural Photographs
title_fullStr Negotiating the Status of Architectural Photographs
title_full_unstemmed Negotiating the Status of Architectural Photographs
title_sort negotiating the status of architectural photographs
description This article investigates the role architecture has assigned to architectural photographs and the protocols regulating their use through close readings of the correspondence between architects, authors, editors, publishers and photographers. The article thereby traces how, in the first half of the twentieth century, architecture came to appreciate photographs as artifacts with individual qualities, but resisted recognizing their independent agency. It suggests that this act of circumvention was legitimized by disciplinary protocols and has led to a discrepancy between the role assigned to photographs by architecture and their actual role in the production of architectural meaning.
publisher Facultad de Arquitectura, Universidad Nacional Autónoma de México
publishDate 2019
url https://www.revistas.unam.mx/index.php/bitacora/article/view/70674
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