Drawing: A Tool for the Development of Spatial Skills

What is the relationship between thought and the act of drawing? What happenson the cognitive level when we draw? To approach the importance of drawing toarchitectonic education and practice, this article examines some of the cognitivemechanisms associated with the act of drawing, using examples of...

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Príomhúdar: Suter Warnholtz, María
Formáid: Online
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Foilsithe: Facultad de Arquitectura, Universidad Nacional Autónoma de México 2020
Rochtain Ar Líne:https://www.revistas.unam.mx/index.php/bitacora/article/view/72890
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spelling oai:ojs.pkp.sfu.ca:article-728902021-01-28T18:24:17Z Drawing: A Tool for the Development of Spatial Skills Dibujar: una herramienta para el desarrollo de habilidades espaciales Suter Warnholtz, María drawing spatial thinking embodied cognition image schemes dibujar pensamiento espacial cognición corporizada esquemas de imágenes What is the relationship between thought and the act of drawing? What happenson the cognitive level when we draw? To approach the importance of drawing toarchitectonic education and practice, this article examines some of the cognitivemechanisms associated with the act of drawing, using examples of technical drawingsto place special emphasis on what and how certain spatial skills are developed.After considering the idea of drawing as a way of learning and establishing spatialrelationships, it argues that, in architecture, the imagination does not function as aclear visualization, but as a set of multimodal space-time patterns. ¿Cuál es la relación entre el pensamiento y la acción de dibujar? ¿Qué sucede, a escala cognitiva,cuando dibujamos? Para una aproximación a la importancia del dibujo en la enseñanzay la práctica arquitectónica, en este artículo se expone algunos de los mecanismos cognitivosrelacionados con la acción de dibujar, utilizando ejemplos de dibujo técnico para hacerespecial énfasis en qué son y cómo se desarrollan ciertas habilidades espaciales. Después deplantear la idea de dibujar como un medio para aprender a establecer relaciones espaciales,se apela a la imaginería mental en arquitectura, no como una visualización clara, sino comoun conjunto de patrones espacio-temporales multimodales. Facultad de Arquitectura, Universidad Nacional Autónoma de México 2020-03-20 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Investigación application/pdf application/xml https://www.revistas.unam.mx/index.php/bitacora/article/view/72890 10.22201/fa.14058901p.2019.42.72890 Bitacora Arquitectura; No. 42 (2019): Drawing and Architecture; 30-35 Bitácora Arquitectura; Núm. 42 (2019): Dibujo y arquitectura; 30-35 2594-0856 1405-8901 10.22201/fa.14058901p.2019.42 spa https://www.revistas.unam.mx/index.php/bitacora/article/view/72890/66650 https://www.revistas.unam.mx/index.php/bitacora/article/view/72890/67550 Derechos de autor 2020 Bitácora Arquitectura
institution Universidad Nacional Autónoma de México
collection OJS
language spa
format Online
author Suter Warnholtz, María
spellingShingle Suter Warnholtz, María
Drawing: A Tool for the Development of Spatial Skills
author_facet Suter Warnholtz, María
author_sort Suter Warnholtz, María
title Drawing: A Tool for the Development of Spatial Skills
title_short Drawing: A Tool for the Development of Spatial Skills
title_full Drawing: A Tool for the Development of Spatial Skills
title_fullStr Drawing: A Tool for the Development of Spatial Skills
title_full_unstemmed Drawing: A Tool for the Development of Spatial Skills
title_sort drawing: a tool for the development of spatial skills
description What is the relationship between thought and the act of drawing? What happenson the cognitive level when we draw? To approach the importance of drawing toarchitectonic education and practice, this article examines some of the cognitivemechanisms associated with the act of drawing, using examples of technical drawingsto place special emphasis on what and how certain spatial skills are developed.After considering the idea of drawing as a way of learning and establishing spatialrelationships, it argues that, in architecture, the imagination does not function as aclear visualization, but as a set of multimodal space-time patterns.
publisher Facultad de Arquitectura, Universidad Nacional Autónoma de México
publishDate 2020
url https://www.revistas.unam.mx/index.php/bitacora/article/view/72890
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