Reinterpreting Rohe: The Peculiar Life of the Barcelona Pavilion
The original Barcelona Pavilion was dismantled in 1930, a few months after its construction, and a replicawas constructed in 1986. Therefore, essentially, the building has lived three lives: first, during the exposition;second, after it was taken apart and a portfolio of photographs was the closest...
Saved in:
| Main Author: | |
|---|---|
| Format: | Online |
| Language: | eng spa |
| Published: |
Facultad de Arquitectura, Universidad Nacional Autónoma de México
2020
|
| Online Access: | https://www.revistas.unam.mx/index.php/bitacora/article/view/72956 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| id |
oai:ojs.pkp.sfu.ca:article-72956 |
|---|---|
| record_format |
ojs |
| spelling |
oai:ojs.pkp.sfu.ca:article-729562020-07-29T23:43:50Z Reinterpreting Rohe: The Peculiar Life of the Barcelona Pavilion Reinterpretando a Rohe: la peculiar vida del pabellón de Barcelona Chatterjee, Madhura Reconstruction of the Barcelona Pavilion Mies van der Rohe Media and Architecture Modern Architecture reconstrucción del Pabellón de Barcelona Mies van der Rohe medios y arquitectura arquitectura moderna The original Barcelona Pavilion was dismantled in 1930, a few months after its construction, and a replicawas constructed in 1986. Therefore, essentially, the building has lived three lives: first, during the exposition;second, after it was taken apart and a portfolio of photographs was the closest substitute of itsreality; finally, after it was reconstructed. This paper argues for the existence of a fourth life of the pavilionin print, created by the numerous critical interpretations of it. It analyzes how such articles contributedto its parallel life in media and its reputation as an icon of modern architecture. El Pabellón de Barcelona original fue desmantelado en 1930, seis meses después de su construcción y se construyó una réplica en 1986. Por lo tanto, esencialmente, el edificio ha vivido tres vidas: en primer lugar, durante la exposición, en segundo lugar, después de que se desmontara y un portafolio de fotografías fuera el sustituto más cercano de la realidad y, finalmente, después de que se reconstruyera. Este trabajo argumenta la existencia de una cuarta vida del pabellón, impresa, creada por las numerosas interpretaciones críticas que de ella se hacen. Este ensayo analiza cómo estos artículos contribuyeron a su vida paralela en los medios de comunicación y a su reputación como icono de la arquitectura moderna. Facultad de Arquitectura, Universidad Nacional Autónoma de México 2020-03-13 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Investigación application/pdf application/xml https://www.revistas.unam.mx/index.php/bitacora/article/view/72956 10.22201/fa.14058901p.2020.43.72956 Bitacora Arquitectura; No. 43 (2019): Print Media and Architecture; 126-139 Bitácora Arquitectura; Núm. 43 (2019): Medios impresos y arquitectura; 126-139 2594-0856 1405-8901 10.22201/fa.14058901p.2020.43 eng spa https://www.revistas.unam.mx/index.php/bitacora/article/view/72956/67039 https://www.revistas.unam.mx/index.php/bitacora/article/view/72956/67572 Derechos de autor 2020 Bitácora Arquitectura |
| institution |
Universidad Nacional Autónoma de México |
| collection |
OJS |
| language |
eng spa |
| format |
Online |
| author |
Chatterjee, Madhura |
| spellingShingle |
Chatterjee, Madhura Reinterpreting Rohe: The Peculiar Life of the Barcelona Pavilion |
| author_facet |
Chatterjee, Madhura |
| author_sort |
Chatterjee, Madhura |
| title |
Reinterpreting Rohe: The Peculiar Life of the Barcelona Pavilion |
| title_short |
Reinterpreting Rohe: The Peculiar Life of the Barcelona Pavilion |
| title_full |
Reinterpreting Rohe: The Peculiar Life of the Barcelona Pavilion |
| title_fullStr |
Reinterpreting Rohe: The Peculiar Life of the Barcelona Pavilion |
| title_full_unstemmed |
Reinterpreting Rohe: The Peculiar Life of the Barcelona Pavilion |
| title_sort |
reinterpreting rohe: the peculiar life of the barcelona pavilion |
| description |
The original Barcelona Pavilion was dismantled in 1930, a few months after its construction, and a replicawas constructed in 1986. Therefore, essentially, the building has lived three lives: first, during the exposition;second, after it was taken apart and a portfolio of photographs was the closest substitute of itsreality; finally, after it was reconstructed. This paper argues for the existence of a fourth life of the pavilionin print, created by the numerous critical interpretations of it. It analyzes how such articles contributedto its parallel life in media and its reputation as an icon of modern architecture. |
| publisher |
Facultad de Arquitectura, Universidad Nacional Autónoma de México |
| publishDate |
2020 |
| url |
https://www.revistas.unam.mx/index.php/bitacora/article/view/72956 |
| work_keys_str_mv |
AT chatterjeemadhura reinterpretingrohethepeculiarlifeofthebarcelonapavilion AT chatterjeemadhura reinterpretandoarohelapeculiarvidadelpabellondebarcelona |
| _version_ |
1817362190279114752 |