Editorial 44

Architecture has become an object to be exhibited. Since the beginning of this century, it has definitively found a place for itself in art museums, galleries and biennales. Nevertheless, this transformation of architecture and its connection to exhibition spaces is not new – it has a long history,...

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Hoofdauteurs: López Uribe, Cristina, del Real, Patricio
Formaat: Online
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Gepubliceerd in: Facultad de Arquitectura, Universidad Nacional Autónoma de México 2020
Online toegang:https://www.revistas.unam.mx/index.php/bitacora/article/view/77146
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spelling oai:ojs.pkp.sfu.ca:article-771462021-03-01T21:39:56Z Editorial 44 Editorial 44 López Uribe, Cristina del Real, Patricio Architecture Architecture has become an object to be exhibited. Since the beginning of this century, it has definitively found a place for itself in art museums, galleries and biennales. Nevertheless, this transformation of architecture and its connection to exhibition spaces is not new – it has a long history, one with ties to the practice and teaching of the discipline. In the early decades of the twentieth century, we can see it begin to be incorporated into the illuminated galleries of art museums, their walls painted a homogenous white; these decisive spaces would construct the dominant aesthetics and ethics of exhibitions, which modify and directly act upon that which they exhibit. La arquitectura se ha convertido en objeto expositivo. Desde principios de este siglo se ha instalado definitivamente en museos de arte, galerías y bienales. No obstante, esta transformación de la arquitectura y su vinculación a los espacios expositivos no es nueva, tiene una larga historia vinculada a la práctica y a la enseñanza de la disciplina. En las primeras décadas del siglo xx, vemos su incorporación en el museo de arte, en sus salas de paredes blancas iluminadas homogéneamente; estos espacios determinantes emergen construyendo una estética y ética expositivas dominantes que modifican y actúan directamente sobre todo lo que se exhibe.En esta Bitácora, hacemos un estudio histórico sobre las exposiciones latinoamericanas desde la región misma y con una mirada que analice con profundidad cada caso, para advertir políticas culturales que actúan en y trascienden los territorios nacionales. Así mismo analizamos exposiciones realizadas en Europa y Norteamérica con el fin de trazar los hilos narrativos que han influenciado la construcción global de aquello a lo que llamamos "exponer arquitectura". Facultad de Arquitectura, Universidad Nacional Autónoma de México 2020-10-07 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf application/xml https://www.revistas.unam.mx/index.php/bitacora/article/view/77146 10.22201/fa.14058901p.2020.44.77146 Bitacora Arquitectura; No. 44 (2020): Architectural Exhibitions; 2-3 Bitácora Arquitectura; Núm. 44 (2020): Exposiciones de Arquitectura; 2-3 2594-0856 1405-8901 10.22201/fa.14058901p.2020.44 spa https://www.revistas.unam.mx/index.php/bitacora/article/view/77146/68251 https://www.revistas.unam.mx/index.php/bitacora/article/view/77146/68528 Derechos de autor 2020 Bitácora Arquitectura
institution Universidad Nacional Autónoma de México
collection OJS
language spa
format Online
author López Uribe, Cristina
del Real, Patricio
spellingShingle López Uribe, Cristina
del Real, Patricio
Editorial 44
author_facet López Uribe, Cristina
del Real, Patricio
author_sort López Uribe, Cristina
title Editorial 44
title_short Editorial 44
title_full Editorial 44
title_fullStr Editorial 44
title_full_unstemmed Editorial 44
title_sort editorial 44
description Architecture has become an object to be exhibited. Since the beginning of this century, it has definitively found a place for itself in art museums, galleries and biennales. Nevertheless, this transformation of architecture and its connection to exhibition spaces is not new – it has a long history, one with ties to the practice and teaching of the discipline. In the early decades of the twentieth century, we can see it begin to be incorporated into the illuminated galleries of art museums, their walls painted a homogenous white; these decisive spaces would construct the dominant aesthetics and ethics of exhibitions, which modify and directly act upon that which they exhibit.
publisher Facultad de Arquitectura, Universidad Nacional Autónoma de México
publishDate 2020
url https://www.revistas.unam.mx/index.php/bitacora/article/view/77146
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