Burlemarxian Narratives: A Process of International Recognition Through Architecture Exhibitions
The aim of this paper is to discuss the process by which the landscape design of Roberto Burle Marx became known and acknowledged in the hegemonic centers of global culture – the United States and Europe – through architectural exhibitions. For this purpose, it is necessary to understand the differe...
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Facultad de Arquitectura, Universidad Nacional Autónoma de México
2020
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| Rochtain Ar Líne: | https://www.revistas.unam.mx/index.php/bitacora/article/view/77201 |
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oai:ojs.pkp.sfu.ca:article-772012020-11-18T17:30:37Z Burlemarxian Narratives: A Process of International Recognition Through Architecture Exhibitions Narrativas burlemarxianas: un proceso de reconocimiento internacional a través de exposiciones de arquitectura Polizzo, Ana Paula Burle Marx Modern architecture Landscape design Architectural exhibitions International recognition Curatorial narratives Burle Marx Arquitectura moderna Paisajismo Brasil Exposiciones de arquitectura Legitimación internacional Narrativas curatoriales The aim of this paper is to discuss the process by which the landscape design of Roberto Burle Marx became known and acknowledged in the hegemonic centers of global culture – the United States and Europe – through architectural exhibitions. For this purpose, it is necessary to understand the different narratives – institutional and curatorial – that molded the foreign vision of his architectural production, which were related to cultural aspirations of both national and international scope. Este artículo busca discutir el proceso de visibilización y legitimación de la obra del paisajista Roberto Burle Marx en los centros hegemónicos de la cultura mundial (Estados Unidos y Europa), a través de exposiciones arquitectónicas. Para ello es necesario comprender los diferentes discursos –ya sean institucionales o curatoriales– que han moldeado la mirada extranjera hacia esta producción, relacionados con aspiraciones culturales de alcance tanto nacional como internacional. Facultad de Arquitectura, Universidad Nacional Autónoma de México 2020-10-07 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf application/xml https://www.revistas.unam.mx/index.php/bitacora/article/view/77201 10.22201/fa.14058901p.2020.44.77201 Bitacora Arquitectura; No. 44 (2020): Architectural Exhibitions; 146-151 Bitácora Arquitectura; Núm. 44 (2020): Exposiciones de Arquitectura; 146-151 2594-0856 1405-8901 10.22201/fa.14058901p.2020.44 spa https://www.revistas.unam.mx/index.php/bitacora/article/view/77201/68275 https://www.revistas.unam.mx/index.php/bitacora/article/view/77201/68541 Derechos de autor 2020 Bitácora Arquitectura |
| institution |
Universidad Nacional Autónoma de México |
| collection |
OJS |
| language |
spa |
| format |
Online |
| author |
Polizzo, Ana Paula |
| spellingShingle |
Polizzo, Ana Paula Burlemarxian Narratives: A Process of International Recognition Through Architecture Exhibitions |
| author_facet |
Polizzo, Ana Paula |
| author_sort |
Polizzo, Ana Paula |
| title |
Burlemarxian Narratives: A Process of International Recognition Through Architecture Exhibitions |
| title_short |
Burlemarxian Narratives: A Process of International Recognition Through Architecture Exhibitions |
| title_full |
Burlemarxian Narratives: A Process of International Recognition Through Architecture Exhibitions |
| title_fullStr |
Burlemarxian Narratives: A Process of International Recognition Through Architecture Exhibitions |
| title_full_unstemmed |
Burlemarxian Narratives: A Process of International Recognition Through Architecture Exhibitions |
| title_sort |
burlemarxian narratives: a process of international recognition through architecture exhibitions |
| description |
The aim of this paper is to discuss the process by which the landscape design of Roberto Burle Marx became known and acknowledged in the hegemonic centers of global culture – the United States and Europe – through architectural exhibitions. For this purpose, it is necessary to understand the different narratives – institutional and curatorial – that molded the foreign vision of his architectural production, which were related to cultural aspirations of both national and international scope. |
| publisher |
Facultad de Arquitectura, Universidad Nacional Autónoma de México |
| publishDate |
2020 |
| url |
https://www.revistas.unam.mx/index.php/bitacora/article/view/77201 |
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