Burlemarxian Narratives: A Process of International Recognition Through Architecture Exhibitions

The aim of this paper is to discuss the process by which the landscape design of Roberto Burle Marx became known and acknowledged in the hegemonic centers of global culture – the United States and Europe – through architectural exhibitions. For this purpose, it is necessary to understand the differe...

पूर्ण विवरण

में बचाया:
ग्रंथसूची विवरण
मुख्य लेखक: Polizzo, Ana Paula
स्वरूप: Online
भाषा:spa
प्रकाशित: Facultad de Arquitectura, Universidad Nacional Autónoma de México 2020
ऑनलाइन पहुंच:https://www.revistas.unam.mx/index.php/bitacora/article/view/77201
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spelling oai:ojs.pkp.sfu.ca:article-772012020-11-18T17:30:37Z Burlemarxian Narratives: A Process of International Recognition Through Architecture Exhibitions Narrativas burlemarxianas: un proceso de reconocimiento internacional a través de exposiciones de arquitectura Polizzo, Ana Paula Burle Marx Modern architecture Landscape design Architectural exhibitions International recognition Curatorial narratives Burle Marx Arquitectura moderna Paisajismo Brasil Exposiciones de arquitectura Legitimación internacional Narrativas curatoriales The aim of this paper is to discuss the process by which the landscape design of Roberto Burle Marx became known and acknowledged in the hegemonic centers of global culture – the United States and Europe – through architectural exhibitions. For this purpose, it is necessary to understand the different narratives – institutional and curatorial – that molded the foreign vision of his architectural production, which were related to cultural aspirations of both national and international scope. Este artículo busca discutir el proceso de visibilización y legitimación de la obra del paisajista Roberto Burle Marx en los centros hegemónicos de la cultura mundial (Estados Unidos y Europa), a través de exposiciones arquitectónicas. Para ello es necesario comprender los diferentes discursos –ya sean institucionales o curatoriales– que han moldeado la mirada extranjera hacia esta producción, relacionados con aspiraciones culturales de alcance tanto nacional como internacional.  Facultad de Arquitectura, Universidad Nacional Autónoma de México 2020-10-07 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf application/xml https://www.revistas.unam.mx/index.php/bitacora/article/view/77201 10.22201/fa.14058901p.2020.44.77201 Bitacora Arquitectura; No. 44 (2020): Architectural Exhibitions; 146-151 Bitácora Arquitectura; Núm. 44 (2020): Exposiciones de Arquitectura; 146-151 2594-0856 1405-8901 10.22201/fa.14058901p.2020.44 spa https://www.revistas.unam.mx/index.php/bitacora/article/view/77201/68275 https://www.revistas.unam.mx/index.php/bitacora/article/view/77201/68541 Derechos de autor 2020 Bitácora Arquitectura
institution Universidad Nacional Autónoma de México
collection OJS
language spa
format Online
author Polizzo, Ana Paula
spellingShingle Polizzo, Ana Paula
Burlemarxian Narratives: A Process of International Recognition Through Architecture Exhibitions
author_facet Polizzo, Ana Paula
author_sort Polizzo, Ana Paula
title Burlemarxian Narratives: A Process of International Recognition Through Architecture Exhibitions
title_short Burlemarxian Narratives: A Process of International Recognition Through Architecture Exhibitions
title_full Burlemarxian Narratives: A Process of International Recognition Through Architecture Exhibitions
title_fullStr Burlemarxian Narratives: A Process of International Recognition Through Architecture Exhibitions
title_full_unstemmed Burlemarxian Narratives: A Process of International Recognition Through Architecture Exhibitions
title_sort burlemarxian narratives: a process of international recognition through architecture exhibitions
description The aim of this paper is to discuss the process by which the landscape design of Roberto Burle Marx became known and acknowledged in the hegemonic centers of global culture – the United States and Europe – through architectural exhibitions. For this purpose, it is necessary to understand the different narratives – institutional and curatorial – that molded the foreign vision of his architectural production, which were related to cultural aspirations of both national and international scope.
publisher Facultad de Arquitectura, Universidad Nacional Autónoma de México
publishDate 2020
url https://www.revistas.unam.mx/index.php/bitacora/article/view/77201
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AT polizzoanapaula narrativasburlemarxianasunprocesodereconocimientointernacionalatravesdeexposicionesdearquitectura
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