Archival Impression: (Re)Collecting Gordon Matta-Clark

This article examines the contested relationship between the artist Gordon Matta-Clark, who was educated as an architect, and his father, the Surrealist painter Roberto Matta, with regard to architecture and the archive. It argues that architecture was impressed, archived in Matta-Clark not only by...

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সংরক্ষণ করুন:
গ্রন্থ-পঞ্জীর বিবরন
প্রধান লেখক: López-Dinardi, Marcelo
বিন্যাস: Online
ভাষা:eng
spa
প্রকাশিত: Facultad de Arquitectura, Universidad Nacional Autónoma de México 2020
অনলাইন ব্যবহার করুন:https://www.revistas.unam.mx/index.php/bitacora/article/view/77619
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সংক্ষিপ্ত:This article examines the contested relationship between the artist Gordon Matta-Clark, who was educated as an architect, and his father, the Surrealist painter Roberto Matta, with regard to architecture and the archive. It argues that architecture was impressed, archived in Matta-Clark not only by his father, but also by his destructive drive and the reinscription of his work in his collection at the Canadian Centre for Architecture in Montreal in 2002. It discusses what it means to archive Matta-Clark’s personal architectural dimension, in light of Jacques Derrida’s Archive Fever, and to collect his work in an architecture-centric institution.