Archival Impression: (Re)Collecting Gordon Matta-Clark

This article examines the contested relationship between the artist Gordon Matta-Clark, who was educated as an architect, and his father, the Surrealist painter Roberto Matta, with regard to architecture and the archive. It argues that architecture was impressed, archived in Matta-Clark not only by...

Cur síos iomlán

Saved in:
Sonraí Bibleagrafaíochta
Príomhúdar: López-Dinardi, Marcelo
Formáid: Online
Teanga:eng
spa
Foilsithe: Facultad de Arquitectura, Universidad Nacional Autónoma de México 2020
Rochtain Ar Líne:https://www.revistas.unam.mx/index.php/bitacora/article/view/77619
Clibeanna: Cuir Clib Leis
Gan Chlibeanna, Bí ar an gcéad duine leis an taifead seo a chlibeáil!
Cur Síos
Achoimre:This article examines the contested relationship between the artist Gordon Matta-Clark, who was educated as an architect, and his father, the Surrealist painter Roberto Matta, with regard to architecture and the archive. It argues that architecture was impressed, archived in Matta-Clark not only by his father, but also by his destructive drive and the reinscription of his work in his collection at the Canadian Centre for Architecture in Montreal in 2002. It discusses what it means to archive Matta-Clark’s personal architectural dimension, in light of Jacques Derrida’s Archive Fever, and to collect his work in an architecture-centric institution.