On the Visual Agency of Manufacturing Models
Assuming that rapidly altering agencies and media of digital fabrication are only beginning to resonate in transdiscplinary research, innovation may emerge outside perspectives of efficiency and optimization. With a background of cultural technique research on the construction of drawing and distrib...
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Facultad de Arquitectura, Universidad Nacional Autónoma de México
2021
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oai:ojs.pkp.sfu.ca:article-790282021-05-06T22:48:31Z On the Visual Agency of Manufacturing Models Sobre la capacidad de acción visual de los modelos de fabricación Bauer, Frank image act CAD/CAM digital ontologies vagueness and brilliance physical-digital interferences acto de imagen CAD/CAM ontologías digitales vaguedad y brillantez interferencias físico-digitales Assuming that rapidly altering agencies and media of digital fabrication are only beginning to resonate in transdiscplinary research, innovation may emerge outside perspectives of efficiency and optimization. With a background of cultural technique research on the construction of drawing and distributed authorship, this paper proposes to read manufacturing models through the art historical notion of the ‘image act.’ Approaching the visual agency and suggestive power of this rather disparate topic, it suggests that authors pay renewed attention to the underlying conditions of their practices, corrective relations between the physical and digital and notions of brilliance and uncertainty. This is conceived as a tentative inquiry into the ontological foundation of digital workflows – eventually attempting to shift the discourse on CAD/CAM from ‘possibility’ to ‘constraint’ space. Al asumir que los rápidamente cambiantes acciones y medios de fabricación digital apenas están comenzando a hacerse sentir en las investigaciones transdisciplinarias, la innovación puede surgir fuera de lógicas de eficiencia y optimización. Con el antecedente de una investigación en técnicas culturales sobre la construcción del dibujo y la autoría distribuida, este artículo propone leer los modelos de fabricación a través de la noción de "acto de imagen" proveniente de la historia del arte. A partir de un acercamiento al potencial visual y al poder sugestivo de este tema –bastante dispar–, se sugiere que los autores presten renovada atención a las condiciones subyacentes de sus prácticas, a las relaciones correctivas entre lo físico y lo digital y a las nociones de brillantez e incertidumbre. Esto se concibe como una exploración tentativa sobre la base ontológica de los flujos de trabajo digitales, que eventualmente intenta cambiar el discurso sobre CAD/CAM y llevarlo del espacio de la "posibilidad" al de la "restricción." Facultad de Arquitectura, Universidad Nacional Autónoma de México 2021-04-21 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Investigación application/pdf application/xml https://www.revistas.unam.mx/index.php/bitacora/article/view/79028 10.22201/fa.14058901p.2020.46.79028 Bitacora Arquitectura; No. 46 (2020): Digital Media and Architecture; 130 - 139 Bitácora Arquitectura; Núm. 46 (2020): Medios Digitales y Arquitectura; 130 - 139 2594-0856 1405-8901 10.22201/fa.14058901p.2020.46 eng spa https://www.revistas.unam.mx/index.php/bitacora/article/view/79028/70062 https://www.revistas.unam.mx/index.php/bitacora/article/view/79028/70187 Derechos de autor 2021 Bitácora Arquitectura |
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Universidad Nacional Autónoma de México |
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eng spa |
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Online |
author |
Bauer, Frank |
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Bauer, Frank On the Visual Agency of Manufacturing Models |
author_facet |
Bauer, Frank |
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Bauer, Frank |
title |
On the Visual Agency of Manufacturing Models |
title_short |
On the Visual Agency of Manufacturing Models |
title_full |
On the Visual Agency of Manufacturing Models |
title_fullStr |
On the Visual Agency of Manufacturing Models |
title_full_unstemmed |
On the Visual Agency of Manufacturing Models |
title_sort |
on the visual agency of manufacturing models |
description |
Assuming that rapidly altering agencies and media of digital fabrication are only beginning to resonate in transdiscplinary research, innovation may emerge outside perspectives of efficiency and optimization. With a background of cultural technique research on the construction of drawing and distributed authorship, this paper proposes to read manufacturing models through the art historical notion of the ‘image act.’ Approaching the visual agency and suggestive power of this rather disparate topic, it suggests that authors pay renewed attention to the underlying conditions of their practices, corrective relations between the physical and digital and notions of brilliance and uncertainty. This is conceived as a tentative inquiry into the ontological foundation of digital workflows – eventually attempting to shift the discourse on CAD/CAM from ‘possibility’ to ‘constraint’ space. |
publisher |
Facultad de Arquitectura, Universidad Nacional Autónoma de México |
publishDate |
2021 |
url |
https://www.revistas.unam.mx/index.php/bitacora/article/view/79028 |
work_keys_str_mv |
AT bauerfrank onthevisualagencyofmanufacturingmodels AT bauerfrank sobrelacapacidaddeaccionvisualdelosmodelosdefabricacion |
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