Poetics of Archive as Urban Practices: Three Research Gestures in the Archive of the Photo-Documentation Laboratory Sylvio de Vasconcellos

Poetics of Archive as Urban Practices: Three Research Gestures in the Archive of the Photo-Documentation Laboratory Sylvio de Vasconcellos

This article presents three research gestures (enlarging, dismantling and diverting) undertaken at the photographic archive of the Sylvio de Vasconcellos Photo-Documentation Laboratory, in order to highlight aspects that have established a field of debate regarding city, technique and everyday life....

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Príomhúdar: Mortimer, Junia Cambraia
Formáid: Online
Teanga:por
eng
Foilsithe: ANPUR 2020
Rochtain Ar Líne:https://rbeur.anpur.org.br/rbeur/article/view/6376
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spelling oai:ojs.rbeur.anpur.org.br:article-63762020-12-08T23:30:48Z Poetics of Archive as Urban Practices: Three Research Gestures in the Archive of the Photo-Documentation Laboratory Sylvio de Vasconcellos Poéticas de arquivo como práticas urbanas: três gestos de pesquisa no arquivo do Laboratório de Fotodocumentação Sylvio de Vasconcellos Mortimer, Junia Cambraia Arquivo Fotografia Cidade Técnica Cotidiano Desmontar Desviar Archive Photography City Technique Everyday Life Dismantle Divert This article presents three research gestures (enlarging, dismantling and diverting) undertaken at the photographic archive of the Sylvio de Vasconcellos Photo-Documentation Laboratory, in order to highlight aspects that have established a field of debate regarding city, technique and everyday life. This was engaged upon with sources from the Photo-Documentation Service in the School of Architecture at the Universidade Federal de Minas Gerais, chiefly from the years 1954 to 1964. The research gestures, as poetics, experimented with ways of “making the archive speak”. They also provoked sounds when they brought into discussion the ordinary life captured through photography, and the implications of this technical mediation in the practice of the city and in constructing representations and discourses. By penetrating the devices of the patrimonial archive and focusing on the historical plot surrounding the vernacular, these gestures have glimpsed critical updates of what was discarded, and are also urban practices to the extent that they establish other ways with which to see the city (or un-see it, in the terms of Manoel de Barros and Rita Velloso). Este texto apresenta três gestos de pesquisa (ampliar, desmontar e desviar) que realizamos no arquivo fotográfico do Laboratório de Fotodocumentação Sylvio de Vasconcellos, a fim de evidenciar aspectos que instituem um campo de debates em torno da cidade, da técnica e do cotidiano. Operamos com fontes provenientes do Serviço de Fotodocumentação da Escola de Arquitetura da Universidade Federal de Minas Gerais, majoritariamente dos anos de 1954 a 1964. Os gestos de pesquisa, enquanto poéticas, experimentam modos de “fazer o arquivo falar”. E provocam ruídos quando colocam em discussão a vida ordinária capturada por meio da fotografia e as implicações dessa mediação técnica na prática da cidade e na construção de representações e discursos. Ao perfurarem o dispositivo do arquivo patrimonial e incidirem na trama histórica em torno do popular, esses gestos vislumbram atualizações críticas em torno do descarte e são também práticas urbanas na medida em que instauram outros modos de ver a cidade (ou des-vê-la, nos termos de Manoel de Barros e Rita Velloso). ANPUR 2020-12-08 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf application/pdf https://rbeur.anpur.org.br/rbeur/article/view/6376 10.22296/2317-1529.rbeur.202039pt Revista Brasileira de Estudos Urbanos e Regionais; v. 22 (2020): January-December Revista Brasileira de Estudos Urbanos e Regionais; v. 22 (2020): Janeiro-Dezembro 2317-1529 1517-4115 10.22296/2317-1529.RBEUR por eng https://rbeur.anpur.org.br/rbeur/article/view/6376/5340 https://rbeur.anpur.org.br/rbeur/article/view/6376/5341
institution Associação Nacional de Pós-Graduação e Pesquisa em Planejamento Urbano e Regional (ANPUR)
collection OJS
language por
eng
format Online
author Mortimer, Junia Cambraia
spellingShingle Mortimer, Junia Cambraia
Poetics of Archive as Urban Practices: Three Research Gestures in the Archive of the Photo-Documentation Laboratory Sylvio de Vasconcellos
author_facet Mortimer, Junia Cambraia
author_sort Mortimer, Junia Cambraia
title Poetics of Archive as Urban Practices: Three Research Gestures in the Archive of the Photo-Documentation Laboratory Sylvio de Vasconcellos
title_short Poetics of Archive as Urban Practices: Three Research Gestures in the Archive of the Photo-Documentation Laboratory Sylvio de Vasconcellos
title_full Poetics of Archive as Urban Practices: Three Research Gestures in the Archive of the Photo-Documentation Laboratory Sylvio de Vasconcellos
title_fullStr Poetics of Archive as Urban Practices: Three Research Gestures in the Archive of the Photo-Documentation Laboratory Sylvio de Vasconcellos
title_full_unstemmed Poetics of Archive as Urban Practices: Three Research Gestures in the Archive of the Photo-Documentation Laboratory Sylvio de Vasconcellos
title_sort poetics of archive as urban practices: three research gestures in the archive of the photo-documentation laboratory sylvio de vasconcellos
description This article presents three research gestures (enlarging, dismantling and diverting) undertaken at the photographic archive of the Sylvio de Vasconcellos Photo-Documentation Laboratory, in order to highlight aspects that have established a field of debate regarding city, technique and everyday life. This was engaged upon with sources from the Photo-Documentation Service in the School of Architecture at the Universidade Federal de Minas Gerais, chiefly from the years 1954 to 1964. The research gestures, as poetics, experimented with ways of “making the archive speak”. They also provoked sounds when they brought into discussion the ordinary life captured through photography, and the implications of this technical mediation in the practice of the city and in constructing representations and discourses. By penetrating the devices of the patrimonial archive and focusing on the historical plot surrounding the vernacular, these gestures have glimpsed critical updates of what was discarded, and are also urban practices to the extent that they establish other ways with which to see the city (or un-see it, in the terms of Manoel de Barros and Rita Velloso).
publisher ANPUR
publishDate 2020
url https://rbeur.anpur.org.br/rbeur/article/view/6376
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