HERITAGE AUCTION: VALUE CONSTRUCTION IN THE MODERN RUIN THROUGH A SITE-SPECIFIC INTERVENTION

HERITAGE AUCTION: VALUE CONSTRUCTION IN THE MODERN RUIN THROUGH A SITE-SPECIFIC INTERVENTION

Heritage Auction is a site-specific performatic intervention held at Galería de Intervención Específica Proyecto Pendiente formerly located where popular galleries from the former Teatro Italia, in Providencia, Santiago used to be based. This place is characterized by a 29 degree gradient and its im...

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Hoofdauteurs: Contreras Lorenzini, María José, Ihle, Carolina
Formaat: Online
Taal:spa
Gepubliceerd in: Universidad Diego Portales 2016
Online toegang:https://www.revista180.udp.cl/index.php/revista180/article/view/319
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spelling oai:ojs.revista180.cl:article-3192017-09-29T18:03:44Z HERITAGE AUCTION: VALUE CONSTRUCTION IN THE MODERN RUIN THROUGH A SITE-SPECIFIC INTERVENTION LA SUBASTA PATRIMONIAL: CONSTRUCCIÓN DE VALOR EN LA RUINA MODERNA A TRAVÉS DE UNA INTERVENCIÓN SITIO ESPECÍFICO Contreras Lorenzini, María José Ihle, Carolina heritage; ruin; performance; value Ruina; patrimonio; performance; valor Heritage Auction is a site-specific performatic intervention held at Galería de Intervención Específica Proyecto Pendiente formerly located where popular galleries from the former Teatro Italia, in Providencia, Santiago used to be based. This place is characterized by a 29 degree gradient and its imminent demolition in 2017. This article suggests that this gradient is a modern ruin, which deterioration aesthetics, opposed to the romantic ruin, makes it invisible, dematerialize it and transform it in abstract space available for real-estate speculation. Heritage Auction aimed at recovering the corporeal condition and gradient material to vest it with value, memory and identity and; therefore, constitute what could be regarded, in Riegl terms, as a involuntary monument with heritage value. This Heritage Auction was performed in two phases: first, two space materialities were exhumed/generated (dust extraction, plaster molds, cataloging and land itemization, etc.), to later perform an auction where participants/spectators bided by offering money for the exhumed materialities. The Heritage Auction, a unique project in our country is relevant since it shows how artistic mediation, in this case performatic-like strategies, may be useful to build heritage value for the modern ruin. La Subasta Patrimonial es una intervención performática sitio específico que se llevó a cabo en la Galería de Intervención Específica Proyecto Pendiente que se ubicaba donde se localizaban las galerías populares del ex Teatro Italia, en Providencia, Santiago. Dicho espacio se caracteriza por una pendiente de inclinación de 29 grados y por su inminente demolición el año 2017. El presente artículo propone que la pendiente es una ruina moderna, cuya estética del deterioro, contraria a la de la ruina romántica, la invisibiliza, desmaterializa y transforma en espacio abstracto disponible para la especulación inmobiliaria. La Subasta Patrimonial buscó recuperar la condición corpórea y material de la pendiente para investirla de valor, memoria e identidad y por tanto constituir lo que podría calificarse, en términos de Riegl, como un monumento involuntario con valor patrimonial. La Subasta Patrimonial se realizó en dos fases: primero se exhumaron/generaron materialidades del espacio (extracción de polvo, moldes de yeso, catalogación y particularización de los lotes, etc.), para luego realizar una subasta donde los participantes/ espectadores pujaron, ofreciendo dinero por las materialidades exhumadas. La experiencia de la Subasta Patrimonial, un proyecto único en su tipo en nuestro país, es relevante por cuanto muestra cómo la mediación artística, en este caso estrategias de carácter performático, pueden ser útiles para construir valor patrimonial para la ruina moderna.  Universidad Diego Portales 2016-12-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://www.revista180.udp.cl/index.php/revista180/article/view/319 10.32995/rev180.Num-38.(2016).art-319 Revista 180; Núm. 38 (2016): RUINA Y FUTURO Revista 180; Núm. 38 (2016): RUINA Y FUTURO 0718-669X 0718-2309 spa https://www.revista180.udp.cl/index.php/revista180/article/view/319/306 Copyright (c) 2016 Revista 180 https://creativecommons.org/licenses/by/4.0
institution Universidad Diego Portales
collection OJS
language spa
format Online
author Contreras Lorenzini, María José
Ihle, Carolina
spellingShingle Contreras Lorenzini, María José
Ihle, Carolina
HERITAGE AUCTION: VALUE CONSTRUCTION IN THE MODERN RUIN THROUGH A SITE-SPECIFIC INTERVENTION
author_facet Contreras Lorenzini, María José
Ihle, Carolina
author_sort Contreras Lorenzini, María José
title HERITAGE AUCTION: VALUE CONSTRUCTION IN THE MODERN RUIN THROUGH A SITE-SPECIFIC INTERVENTION
title_short HERITAGE AUCTION: VALUE CONSTRUCTION IN THE MODERN RUIN THROUGH A SITE-SPECIFIC INTERVENTION
title_full HERITAGE AUCTION: VALUE CONSTRUCTION IN THE MODERN RUIN THROUGH A SITE-SPECIFIC INTERVENTION
title_fullStr HERITAGE AUCTION: VALUE CONSTRUCTION IN THE MODERN RUIN THROUGH A SITE-SPECIFIC INTERVENTION
title_full_unstemmed HERITAGE AUCTION: VALUE CONSTRUCTION IN THE MODERN RUIN THROUGH A SITE-SPECIFIC INTERVENTION
title_sort heritage auction: value construction in the modern ruin through a site-specific intervention
description Heritage Auction is a site-specific performatic intervention held at Galería de Intervención Específica Proyecto Pendiente formerly located where popular galleries from the former Teatro Italia, in Providencia, Santiago used to be based. This place is characterized by a 29 degree gradient and its imminent demolition in 2017. This article suggests that this gradient is a modern ruin, which deterioration aesthetics, opposed to the romantic ruin, makes it invisible, dematerialize it and transform it in abstract space available for real-estate speculation. Heritage Auction aimed at recovering the corporeal condition and gradient material to vest it with value, memory and identity and; therefore, constitute what could be regarded, in Riegl terms, as a involuntary monument with heritage value. This Heritage Auction was performed in two phases: first, two space materialities were exhumed/generated (dust extraction, plaster molds, cataloging and land itemization, etc.), to later perform an auction where participants/spectators bided by offering money for the exhumed materialities. The Heritage Auction, a unique project in our country is relevant since it shows how artistic mediation, in this case performatic-like strategies, may be useful to build heritage value for the modern ruin.
publisher Universidad Diego Portales
publishDate 2016
url https://www.revista180.udp.cl/index.php/revista180/article/view/319
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