THE ALTARPIECES OF DE LA CANDELARIA IN GUARENAS AND DEL ROSARIO CHAPELS IN SAN JACINTO DE CARACAS CHURCH: A GRAPHIC METHOD TO ESTABLISH THEIR HISTORIC RELATION

THE ALTARPIECES OF DE LA CANDELARIA IN GUARENAS AND DEL ROSARIO CHAPELS IN SAN JACINTO DE CARACAS CHURCH: A GRAPHIC METHOD TO ESTABLISH THEIR HISTORIC RELATION

In order to record and document the Venezuelan cultural heritage and to continue the process of virtual restoration of architectural heritage and disappeared initiated in a previous investigation in 2011, the following work presents an approach to the possible original location of an altarpiece, acc...

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Hoofdauteurs: Dávila Cordido, Mariolly, Marín Castañeda, Orlando, Niño Soto, Alexander, Badillo Jiménez, Walberto
Formaat: Online
Taal:spa
Gepubliceerd in: Universidad Diego Portales 2016
Online toegang:https://www.revista180.udp.cl/index.php/revista180/article/view/320
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spelling oai:ojs.revista180.cl:article-3202017-09-29T18:06:12Z THE ALTARPIECES OF DE LA CANDELARIA IN GUARENAS AND DEL ROSARIO CHAPELS IN SAN JACINTO DE CARACAS CHURCH: A GRAPHIC METHOD TO ESTABLISH THEIR HISTORIC RELATION LOS RETABLOS DE LAS CAPILLAS DE LA CANDELARIA EN GUARENAS Y DEL ROSARIO EN LA IGLESIA DE SAN JACINTO DE CARACAS: UN MÉTODO GRÁFICO PARA ESTABLECER SU RELACIÓN HISTÓRICA Dávila Cordido, Mariolly Marín Castañeda, Orlando Niño Soto, Alexander Badillo Jiménez, Walberto altarpiece; augmented reality; Convent of San Jacinto de Caracas; heritage Convento de San Jacinto de Caracas; patrimonio; realidad In order to record and document the Venezuelan cultural heritage and to continue the process of virtual restoration of architectural heritage and disappeared initiated in a previous investigation in 2011, the following work presents an approach to the possible original location of an altarpiece, according to tradition, it belonged to the Church of the convent of San Jacinto in Caracas in the eighteenth century, through digital techniques currently available. Such altarpiece, located in the late nineteenth century, after the demolition of the convent, in the Chapel of the Candelaria in Guarenas —a village on the outskirts of the capital— is made by combining fragments of three other former altarpieces, the most of whom had originally placed in one of the aisles of the temple disappeared from Caracas. The proposed methodology studies the geometry and shape of the piece to make assumptions about their initial location within the virtual space of the Church of San Jacinto eighteenth century. This process is complemented by checking perspective and digital techniques such as Augmented Reality, allowing us to verification in situ. Con la finalidad de registrar y documentar el patrimonio cultural venezolano y dar continuidad al proceso de restitución virtual de bienes arquitectónicos ya desparecidos se inició una investigación previa en el año 2011. El siguiente trabajo presenta un acercamiento a la posible ubicación original de un retablo que, según la tradición, perteneció a la iglesia del Convento de San Jacinto en Caracas en el siglo XVIII, a través de las técnicas digitales actualmente disponibles. Dicho retablo, emplazado desde finales del siglo XIX, tras la demolición del convento en la Capilla de la Candelaria en Guarenas —un pueblo situado en la periferia de la capital— está conformado por la combinación de los fragmentos de otros tres retablos antiguos, el mayor de los cuales debió ubicarse originalmente en alguna de las naves laterales del desaparecido templo caraqueño. La metodología propuesta estudia la geometría y forma de la pieza para establecer hipótesis acerca de su ubicación inicial dentro del espacio virtual de la Capilla del Rosario de la Iglesia de San Jacinto del siglo XVIII. Este proceso es complementado con la comprobación en perspectiva y técnicas digitales tales como la realidad aumentada, que permiten su verificación in situ.   Universidad Diego Portales 2016-12-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://www.revista180.udp.cl/index.php/revista180/article/view/320 10.32995/rev180.Num-38.(2016).art-320 Revista 180; Núm. 38 (2016): RUINA Y FUTURO Revista 180; Núm. 38 (2016): RUINA Y FUTURO 0718-669X 0718-2309 spa https://www.revista180.udp.cl/index.php/revista180/article/view/320/307 Copyright (c) 2016 Revista 180 https://creativecommons.org/licenses/by/4.0
institution Universidad Diego Portales
collection OJS
language spa
format Online
author Dávila Cordido, Mariolly
Marín Castañeda, Orlando
Niño Soto, Alexander
Badillo Jiménez, Walberto
spellingShingle Dávila Cordido, Mariolly
Marín Castañeda, Orlando
Niño Soto, Alexander
Badillo Jiménez, Walberto
THE ALTARPIECES OF DE LA CANDELARIA IN GUARENAS AND DEL ROSARIO CHAPELS IN SAN JACINTO DE CARACAS CHURCH: A GRAPHIC METHOD TO ESTABLISH THEIR HISTORIC RELATION
author_facet Dávila Cordido, Mariolly
Marín Castañeda, Orlando
Niño Soto, Alexander
Badillo Jiménez, Walberto
author_sort Dávila Cordido, Mariolly
title THE ALTARPIECES OF DE LA CANDELARIA IN GUARENAS AND DEL ROSARIO CHAPELS IN SAN JACINTO DE CARACAS CHURCH: A GRAPHIC METHOD TO ESTABLISH THEIR HISTORIC RELATION
title_short THE ALTARPIECES OF DE LA CANDELARIA IN GUARENAS AND DEL ROSARIO CHAPELS IN SAN JACINTO DE CARACAS CHURCH: A GRAPHIC METHOD TO ESTABLISH THEIR HISTORIC RELATION
title_full THE ALTARPIECES OF DE LA CANDELARIA IN GUARENAS AND DEL ROSARIO CHAPELS IN SAN JACINTO DE CARACAS CHURCH: A GRAPHIC METHOD TO ESTABLISH THEIR HISTORIC RELATION
title_fullStr THE ALTARPIECES OF DE LA CANDELARIA IN GUARENAS AND DEL ROSARIO CHAPELS IN SAN JACINTO DE CARACAS CHURCH: A GRAPHIC METHOD TO ESTABLISH THEIR HISTORIC RELATION
title_full_unstemmed THE ALTARPIECES OF DE LA CANDELARIA IN GUARENAS AND DEL ROSARIO CHAPELS IN SAN JACINTO DE CARACAS CHURCH: A GRAPHIC METHOD TO ESTABLISH THEIR HISTORIC RELATION
title_sort altarpieces of de la candelaria in guarenas and del rosario chapels in san jacinto de caracas church: a graphic method to establish their historic relation
description In order to record and document the Venezuelan cultural heritage and to continue the process of virtual restoration of architectural heritage and disappeared initiated in a previous investigation in 2011, the following work presents an approach to the possible original location of an altarpiece, according to tradition, it belonged to the Church of the convent of San Jacinto in Caracas in the eighteenth century, through digital techniques currently available. Such altarpiece, located in the late nineteenth century, after the demolition of the convent, in the Chapel of the Candelaria in Guarenas —a village on the outskirts of the capital— is made by combining fragments of three other former altarpieces, the most of whom had originally placed in one of the aisles of the temple disappeared from Caracas. The proposed methodology studies the geometry and shape of the piece to make assumptions about their initial location within the virtual space of the Church of San Jacinto eighteenth century. This process is complemented by checking perspective and digital techniques such as Augmented Reality, allowing us to verification in situ.
publisher Universidad Diego Portales
publishDate 2016
url https://www.revista180.udp.cl/index.php/revista180/article/view/320
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