ARCHITECTURE DISAPPEARS: SPECULATIONS ON SPATIAL REGISTRATION IN CONTEMPORARY CHILEAN FILMS

ARCHITECTURE DISAPPEARS: SPECULATIONS ON SPATIAL REGISTRATION IN CONTEMPORARY CHILEAN FILMS

This article reflects on the presence of architectural spaces in Chilean cinema’s commercial releases over the past 50 years. A paradigmatic group of films from the analyzed period witnesses a process where references to architecture reduce, ceasing to be considered as key features within local fict...

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Asıl Yazarlar: Vizcaíno, Marcelo, Robledo Karapas, Javiera, Martin Martínez, Fernanda
Materyal Türü: Online
Dil:spa
Baskı/Yayın Bilgisi: Universidad Diego Portales 2017
Online Erişim:https://www.revista180.udp.cl/index.php/revista180/article/view/337
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id oai:ojs.revista180.cl:article-337
record_format ojs
institution Universidad Diego Portales
collection OJS
language spa
format Online
author Vizcaíno, Marcelo
Robledo Karapas, Javiera
Martin Martínez, Fernanda
spellingShingle Vizcaíno, Marcelo
Robledo Karapas, Javiera
Martin Martínez, Fernanda
ARCHITECTURE DISAPPEARS: SPECULATIONS ON SPATIAL REGISTRATION IN CONTEMPORARY CHILEAN FILMS
author_facet Vizcaíno, Marcelo
Robledo Karapas, Javiera
Martin Martínez, Fernanda
author_sort Vizcaíno, Marcelo
title ARCHITECTURE DISAPPEARS: SPECULATIONS ON SPATIAL REGISTRATION IN CONTEMPORARY CHILEAN FILMS
title_short ARCHITECTURE DISAPPEARS: SPECULATIONS ON SPATIAL REGISTRATION IN CONTEMPORARY CHILEAN FILMS
title_full ARCHITECTURE DISAPPEARS: SPECULATIONS ON SPATIAL REGISTRATION IN CONTEMPORARY CHILEAN FILMS
title_fullStr ARCHITECTURE DISAPPEARS: SPECULATIONS ON SPATIAL REGISTRATION IN CONTEMPORARY CHILEAN FILMS
title_full_unstemmed ARCHITECTURE DISAPPEARS: SPECULATIONS ON SPATIAL REGISTRATION IN CONTEMPORARY CHILEAN FILMS
title_sort architecture disappears: speculations on spatial registration in contemporary chilean films
description This article reflects on the presence of architectural spaces in Chilean cinema’s commercial releases over the past 50 years. A paradigmatic group of films from the analyzed period witnesses a process where references to architecture reduce, ceasing to be considered as key features within local fictions. The methodology involved the study of a series of films released under democratic governments, which include two generations of filmmakers, in order to identify variables and categories referred to the architectural elements that are shown. After detecting such parameters, these were used to examine the cinematic narrative of local productions and its relationship with architecture, offering an interpretativeapproach regarding the role played by the elements that shape the vision of architectural spaces within the film’s plot. Thus, the study reveals a gradual process where these architectural traces begin to fade. As Chilean productions’ releases increase since 2000, instead, we can see an atmospheric representation of habitable spheres that are more difficult to identify. In turn, it is possible to read this factor as a symptom of the current urban condition, confirming that thecinematographic art maintains its validity as a denouncer of Chile’s s urban problematics and its social dynamics.
publisher Universidad Diego Portales
publishDate 2017
url https://www.revista180.udp.cl/index.php/revista180/article/view/337
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spelling oai:ojs.revista180.cl:article-3372017-12-22T13:31:42Z ARCHITECTURE DISAPPEARS: SPECULATIONS ON SPATIAL REGISTRATION IN CONTEMPORARY CHILEAN FILMS LA ARQUITECTURA DESAPARECE CONJETURAS SOBRE EL REGISTRO ESPACIAL EN EL CINE CHILENO CONTEMPORÁNEO Vizcaíno, Marcelo Robledo Karapas, Javiera Martin Martínez, Fernanda architecture; atmosphere; built space; Santiago Arquitectura, Cine, Paisaje, arquitectura; atmósfera; espacio construido; Santiago This article reflects on the presence of architectural spaces in Chilean cinema’s commercial releases over the past 50 years. A paradigmatic group of films from the analyzed period witnesses a process where references to architecture reduce, ceasing to be considered as key features within local fictions. The methodology involved the study of a series of films released under democratic governments, which include two generations of filmmakers, in order to identify variables and categories referred to the architectural elements that are shown. After detecting such parameters, these were used to examine the cinematic narrative of local productions and its relationship with architecture, offering an interpretativeapproach regarding the role played by the elements that shape the vision of architectural spaces within the film’s plot. Thus, the study reveals a gradual process where these architectural traces begin to fade. As Chilean productions’ releases increase since 2000, instead, we can see an atmospheric representation of habitable spheres that are more difficult to identify. In turn, it is possible to read this factor as a symptom of the current urban condition, confirming that thecinematographic art maintains its validity as a denouncer of Chile’s s urban problematics and its social dynamics. Este artículo plantea una reflexión acerca de la presencia de los espacios arquitectónicos en el cine chileno y sus estrenos comerciales en los últimos 50 años. Un grupo paradigmático de films del período analizado da testimonio de un proceso donde las referencias de la arquitectura reducen su presencia, dejando de considerarse elementos protagónicos de las ficciones locales. La metodología consistió en estudiar películas estrenadas bajo del gobierno democrático, que incluyen a dos generaciones de realizadores, con el fin de identificar variables y categorías referidas a los elementos arquitectónicos proyectados. Acto seguido, con dichos parámetros ya detectados, se revisó la narrativa cinematográfica de las producciones locales y su relación con la arquitectura, con el objetivo de ofrecer una aproximación interpretativa del papel que tuvieron los elementos que conforman la visión de los espacios arquitectónicos en sus tramas. De esta forma, la investigación revela un proceso de paulatino reduccionismo de esos rastros arquitectónicos, que disminuyen su presencia en favor de una representación atmosférica de ámbitos habitables más difíciles de identificar, según aumentan ciertos estrenos de las producciones locales a partir del año 2000. A su vez, es posible leer este factor como un síntoma de la condición urbana actual, confirmando que el arte cinematográfico mantiene su vigencia como denunciante de las problemáticas urbanas de Chile originadas por sus dinámicas sociales. Universidad Diego Portales 2017-08-21 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://www.revista180.udp.cl/index.php/revista180/article/view/337 10.32995/rev180.Num-39.(2017).art-337 Revista 180; Núm. 39 (2017) Revista 180; Núm. 39 (2017) 0718-669X 0718-2309 spa https://www.revista180.udp.cl/index.php/revista180/article/view/337/313 https://www.revista180.udp.cl/index.php/revista180/article/downloadSuppFile/337/28 https://www.revista180.udp.cl/index.php/revista180/article/downloadSuppFile/337/29 https://www.revista180.udp.cl/index.php/revista180/article/downloadSuppFile/337/30 https://www.revista180.udp.cl/index.php/revista180/article/downloadSuppFile/337/32 https://www.revista180.udp.cl/index.php/revista180/article/downloadSuppFile/337/33 https://www.revista180.udp.cl/index.php/revista180/article/downloadSuppFile/337/34 Copyright (c) 2017 Revista 180 https://creativecommons.org/licenses/by/4.0

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