UNTITLED CUTTING: LOOKING FOR MATTA-CLARK AT THE FINE ARTS…
The work of Gordon Matta-Clark has generated a growing interest in art and architecture and recently in our country because of its Chilean heritage. This article is an ongoing research that reviews bibliographical sources, photographs and the circumstances of an intervention carried out at the Natio...
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| フォーマット: | Online |
| 言語: | spa |
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Universidad Diego Portales
2017
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| オンライン･アクセス: | https://www.revista180.udp.cl/index.php/revista180/article/view/351 |
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| 要約: | The work of Gordon Matta-Clark has generated a growing interest in art and architecture and recently in our country because of its Chilean heritage. This article is an ongoing research that reviews bibliographical sources, photographs and the circumstances of an intervention carried out at the National Museum of Fine Arts in Santiago of Chile in 1971, and provides details of a work diffused in time and space, but still present in the museum. An intervention that is made in the context of a trip to South America, whose original purpose was to find his father, the painter Roberto Matta, and develop a strategic forum of artists in Chile, within the framework of the first year of the government of Salvador Allende. A first “architectural cut” into the fabric of a building and a seminal work in search of a “new light” in the heart of the building. A play misplaced in the history of architecture and art in Chile. A work difficult to trace, disseminated through stories, different names and photographs in black and white, manipulated and without narrative logic and dispersed incatalogs and national and international publications. |
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