Modernity, dwelling and photorealism: A proposal of interpretation the work of Richard Estes

Fifty years after the first solo exhibition by photorealist painter Richard Estes at the Allan Stone Gallery, New York, this text proposes a reading based on the representation of the city, the installation of the concept of modernity and its critical scope.The introduction develops a bibliographica...

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Auteurs principaux:	Vera Manriquez, Rodrigo, Perelli Soto, Bruno
Format:	Online
Langue:	spa
Publié:	Universidad Diego Portales 2018
Accès en ligne:	https://www.revista180.udp.cl/index.php/revista180/article/view/523
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spelling	oai:ojs.revista180.cl:article-5232018-11-20T14:17:36Z Modernity, dwelling and photorealism: A proposal of interpretation the work of Richard Estes Modernidad, habitar y fotorrealidad: una propuesta de lectura a la obra de Richard Estes. Vera Manriquez, Rodrigo Perelli Soto, Bruno modernity; modern city; photorealism; Richard Estes Arte, arquitectura, fotografía Ciudad moderna; fotorrealismo; modernidad; Richard Estes Fifty years after the first solo exhibition by photorealist painter Richard Estes at the Allan Stone Gallery, New York, this text proposes a reading based on the representation of the city, the installation of the concept of modernity and its critical scope.The introduction develops a bibliographical discussion based on the precepts of Charles Baudelaire and his vision of the modern city mediated by painting. In addition, the critic of the German philosopher Georg Simmel to the processes of modernization of Berlin at the beginning of the XX century and its incidence in the social life.From this perspective, the work of Richard Estes is analyzed emphasizing the idea of an uprooted dwelling of the illusory city present in his pictorial proposal: The photographic frames, the technical virtuosity in the translation of the materials and the representation of the uninhabited city, are developed in a reading of the artist's work.The most relevant conclusions highlight the coincidences of the critical tradition of modernity developed in Europe towards the end of the nineteenth and the beginning of the twentieth, this time in a late-modern context expressed in the painting of Richard Estes. A cincuenta años de la primera exposición individual del pintor fotorrealista Richard Estes en la Allan Stone Gallery, Nueva York, el presente texto propone una lectura a partir de la representación de la ciudad, la instalación del concepto de modernidad y sus alcances críticos.La introducción desarrolla una discusión bibliográfica fundamentada en los preceptos de Charles Baudelaire y su visión de la ciudad moderna mediada por la pintura, además de la crítica del filósofo alemán Georg Simmel a los procesos de modernización de Berlín a principios del siglo XX y su incidencia en la vida social.Desde esta perspectiva, se analiza la obra de Richard Estes enfatizando la idea de un habitar desarraigado de la ciudad ilusoria presente en su propuesta pictórica. Los encuadres fotográficos, el virtuosismo técnico en la traducción de los materiales y la representación de la urbe deshabitada, son trabajados en una lectura de la obra del artista.Las conclusiones más relevantes, apuntan a la coincidencia de la tradición crítica de la modernidad desarrollada en Europa hacia finales del XIX y principios del XX, esta vez en un contexto tardomoderno expresado en la pintura de Richard Estes. Universidad Diego Portales 2018-11-20 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://www.revista180.udp.cl/index.php/revista180/article/view/523 10.32995/rev180.Num-41.(2018).art-523 Revista 180; Núm. 41 (2018) Revista 180; Núm. 41 (2018) 0718-669X 0718-2309 spa https://www.revista180.udp.cl/index.php/revista180/article/view/523/380 https://www.revista180.udp.cl/index.php/revista180/article/downloadSuppFile/523/767 https://www.revista180.udp.cl/index.php/revista180/article/downloadSuppFile/523/768 https://www.revista180.udp.cl/index.php/revista180/article/downloadSuppFile/523/769 https://www.revista180.udp.cl/index.php/revista180/article/downloadSuppFile/523/770 https://www.revista180.udp.cl/index.php/revista180/article/downloadSuppFile/523/771 https://www.revista180.udp.cl/index.php/revista180/article/downloadSuppFile/523/772 Copyright (c) 2018 Revista 180 https://creativecommons.org/licenses/by/4.0
institution	Universidad Diego Portales
collection	OJS
language	spa
format	Online
author	Vera Manriquez, Rodrigo Perelli Soto, Bruno
spellingShingle	Vera Manriquez, Rodrigo Perelli Soto, Bruno Modernity, dwelling and photorealism: A proposal of interpretation the work of Richard Estes
author_facet	Vera Manriquez, Rodrigo Perelli Soto, Bruno
author_sort	Vera Manriquez, Rodrigo
title	Modernity, dwelling and photorealism: A proposal of interpretation the work of Richard Estes
title_short	Modernity, dwelling and photorealism: A proposal of interpretation the work of Richard Estes
title_full	Modernity, dwelling and photorealism: A proposal of interpretation the work of Richard Estes
title_fullStr	Modernity, dwelling and photorealism: A proposal of interpretation the work of Richard Estes
title_full_unstemmed	Modernity, dwelling and photorealism: A proposal of interpretation the work of Richard Estes
title_sort	modernity, dwelling and photorealism: a proposal of interpretation the work of richard estes
description	Fifty years after the first solo exhibition by photorealist painter Richard Estes at the Allan Stone Gallery, New York, this text proposes a reading based on the representation of the city, the installation of the concept of modernity and its critical scope.The introduction develops a bibliographical discussion based on the precepts of Charles Baudelaire and his vision of the modern city mediated by painting. In addition, the critic of the German philosopher Georg Simmel to the processes of modernization of Berlin at the beginning of the XX century and its incidence in the social life.From this perspective, the work of Richard Estes is analyzed emphasizing the idea of an uprooted dwelling of the illusory city present in his pictorial proposal: The photographic frames, the technical virtuosity in the translation of the materials and the representation of the uninhabited city, are developed in a reading of the artist's work.The most relevant conclusions highlight the coincidences of the critical tradition of modernity developed in Europe towards the end of the nineteenth and the beginning of the twentieth, this time in a late-modern context expressed in the painting of Richard Estes.
publisher	Universidad Diego Portales
publishDate	2018
url	https://www.revista180.udp.cl/index.php/revista180/article/view/523
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Modernity, dwelling and photorealism: A proposal of interpretation the work of Richard Estes

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