The visible presence of the camera in the Latin American documentary

The visible presence of the camera in the Latin American documentary

Starting with A Man with a Movie Camera (Vertov, 1929), the visible presence of the camera within the film, points to the self-reflexive irruption of the cinematographic device. In Vertov's film, this presence signals a reflection at the same time technical, aesthetic and political on the condi...

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書誌詳細
第一著者:	de los Ríos, Valeria
フォーマット:	Online
言語:	spa
出版事項:	Universidad Diego Portales 2019
オンライン･アクセス:	https://www.revista180.udp.cl/index.php/revista180/article/view/569
タグ:	タグ追加タグなし, このレコードへの初めてのタグを付けませんか!

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