Visual constructions: crossed views from architect and photographer Luis Barragán versus Armando Salas Portugal, José Antonio Coderch versus Frances Català-Roca
At the beginning of the 20th Century, photography-as well as other arts-evolved its techniques and compositions, and became one of the main tools to understand an architectural work: both for the design analysis and its dissemination. Moreover, it has played an important role in the interpretation o...
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Universidad Diego Portales
2019
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oai:ojs.revista180.cl:article-639 |
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Universidad Diego Portales |
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Online |
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Rueda Velázquez, Claudia De Rentería Cano, Isabela Martínez Duran, Anna |
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Rueda Velázquez, Claudia De Rentería Cano, Isabela Martínez Duran, Anna Visual constructions: crossed views from architect and photographer Luis Barragán versus Armando Salas Portugal, José Antonio Coderch versus Frances Català-Roca |
| author_facet |
Rueda Velázquez, Claudia De Rentería Cano, Isabela Martínez Duran, Anna |
| author_sort |
Rueda Velázquez, Claudia |
| title |
Visual constructions: crossed views from architect and photographer Luis Barragán versus Armando Salas Portugal, José Antonio Coderch versus Frances Català-Roca |
| title_short |
Visual constructions: crossed views from architect and photographer Luis Barragán versus Armando Salas Portugal, José Antonio Coderch versus Frances Català-Roca |
| title_full |
Visual constructions: crossed views from architect and photographer Luis Barragán versus Armando Salas Portugal, José Antonio Coderch versus Frances Català-Roca |
| title_fullStr |
Visual constructions: crossed views from architect and photographer Luis Barragán versus Armando Salas Portugal, José Antonio Coderch versus Frances Català-Roca |
| title_full_unstemmed |
Visual constructions: crossed views from architect and photographer Luis Barragán versus Armando Salas Portugal, José Antonio Coderch versus Frances Català-Roca |
| title_sort |
visual constructions: crossed views from architect and photographer luis barragán versus armando salas portugal, josé antonio coderch versus frances català-roca |
| description |
At the beginning of the 20th Century, photography-as well as other arts-evolved its techniques and compositions, and became one of the main tools to understand an architectural work: both for the design analysis and its dissemination. Moreover, it has played an important role in the interpretation of modernism. This fact allows us to ask the following question: What are the links between architectural conception and its representation? What are the formal mechanisms the photographer uses to represent a specific architecture? This paper tries to show the role of photography in the visual construction of the space at the design process, and in the other hand, to analyse how photography interprets the design, recognize the construction of its form—of a space that respond to an intentional search for a visual experience—and how this is represented and transmitted. Between both disciplines there is a mutual influence that links the construction of a place and the visual field that represents it. These issues are addressed through the analysis of the parallel experiences of two architects: Luis Barragán and Jose Antonio Coderch, with two photographers: Armando Salas Portugal and Francesc Català–Roca, with whom they interchanged professional experiences, in which common ground and contrasts arise related to their culture and their way of looking. |
| publisher |
Universidad Diego Portales |
| publishDate |
2019 |
| url |
https://www.revista180.udp.cl/index.php/revista180/article/view/639 |
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oai:ojs.revista180.cl:article-6392019-12-19T14:56:46Z Visual constructions: crossed views from architect and photographer Luis Barragán versus Armando Salas Portugal, José Antonio Coderch versus Frances Català-Roca Construcciones visuales: miradas cruzadas. Luis Barragán versus Armando Salas Portugal, José Antonio Coderch versus Francesc Català Roca Rueda Velázquez, Claudia De Rentería Cano, Isabela Martínez Duran, Anna Barragán; Català-Roca; Coderch; photography; Salas-Portugal Arquitectura, fotografía Barragán, Coderch, Catalá-Roca, Salas-Portugal, Fotografía At the beginning of the 20th Century, photography-as well as other arts-evolved its techniques and compositions, and became one of the main tools to understand an architectural work: both for the design analysis and its dissemination. Moreover, it has played an important role in the interpretation of modernism. This fact allows us to ask the following question: What are the links between architectural conception and its representation? What are the formal mechanisms the photographer uses to represent a specific architecture? This paper tries to show the role of photography in the visual construction of the space at the design process, and in the other hand, to analyse how photography interprets the design, recognize the construction of its form—of a space that respond to an intentional search for a visual experience—and how this is represented and transmitted. Between both disciplines there is a mutual influence that links the construction of a place and the visual field that represents it. These issues are addressed through the analysis of the parallel experiences of two architects: Luis Barragán and Jose Antonio Coderch, with two photographers: Armando Salas Portugal and Francesc Català–Roca, with whom they interchanged professional experiences, in which common ground and contrasts arise related to their culture and their way of looking. A principios del siglo XX la fotografía evoluciona en la técnica y en la composición al igual que otras artes, y se transforma en una de las principales herramientas para comprender una obra de arquitectura: tanto para el análisis de proyecto como para la difusión de la obra. Así mismo se ha hecho servir para la interpretación y el análisis de la modernidad. Ello permite plantearse las siguientes cuestiones: ¿qué relaciones surgen entre la arquitectura, su concepción y su representación? ¿cuáles son los mecánicos formales de los que se sirve el fotógrafo para representar una obra determinada? En este escrito, se intenta, por un lado, poner de manifiesto el papel que tiene la fotografía en la construcción visual del espacio a través del ejercicio del proyecto, y por otro, se analiza cómo las fotografías de las obras de estos arquitectos interpretan el proyecto, lo reconocen en la construcción de una forma –de un espacio vinculado a una intención visual– lo representan y lo difunden. Entre ambas disciplinas hay una influencia mutua, que vincula la construcción de un lugar y el campo visual que lo representa. Estas cuestiones se plantean a través del análisis de las experiencias paralelas de dos arquitectos, Luis Barragán y José Antonio Coderch, con dos fotógrafos, Armando Salas Portugal y Francesc Català–Roca, con los que entrecruzaron experiencias profesionales. En ellas aparecen lugares comunes y contrastes, que tienen relación con su cultura y su manera de mirar. Universidad Diego Portales 2019-12-19 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://www.revista180.udp.cl/index.php/revista180/article/view/639 10.32995/rev180.Num-44.(2019).art-639 Revista 180; Núm. 44 (2019) Revista 180; Núm. 44 (2019) 0718-669X 0718-2309 spa https://www.revista180.udp.cl/index.php/revista180/article/view/639/427 https://www.revista180.udp.cl/index.php/revista180/article/downloadSuppFile/639/1121 https://www.revista180.udp.cl/index.php/revista180/article/downloadSuppFile/639/1122 https://www.revista180.udp.cl/index.php/revista180/article/downloadSuppFile/639/1123 https://www.revista180.udp.cl/index.php/revista180/article/downloadSuppFile/639/1124 https://www.revista180.udp.cl/index.php/revista180/article/downloadSuppFile/639/1125 https://www.revista180.udp.cl/index.php/revista180/article/downloadSuppFile/639/1126 https://www.revista180.udp.cl/index.php/revista180/article/downloadSuppFile/639/1127 Copyright (c) 2019 Revista 180 https://creativecommons.org/licenses/by/4.0 |