CORNER-CINEMA: A PROGRAMMATIC HYBRID IN CHILEAN’S URBAN MEMORY
The emblematic palace-cinemas which accompanied the rise of cinematographic exhibition in Chile during the 20th century, reflect a widespread practice codified by a series of exhibition halls that inherit the tradition of a theatrical stylistic architecture. However, this account does not take notic...
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| 第一著者: | Vizcaíno, Marcelo |
|---|---|
| フォーマット: | Online |
| 言語: | spa |
| 出版事項: |
Universidad Diego Portales
2020
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| オンライン・アクセス: | https://www.revista180.udp.cl/index.php/revista180/article/view/746 |
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