City, art, bodies: Resignifications of film space in Ema (Pablo Larraín, 2019)
This work proposes a study of the film Ema (Pablo Larraín, 2020), in which the relationship between location (showing the city of Valparaíso, building interiors) and film space (managing the narrative point of view, staging work) is explicitly connected. To this end, we will use a methodology of ana...
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Universidad Diego Portales
2021
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oai:ojs.revista180.cl:article-8082021-07-29T19:49:58Z City, art, bodies: Resignifications of film space in Ema (Pablo Larraín, 2019) La ciudad, el arte, los cuerpos: resignificaciones del espacio fílmico en Ema (Pablo Larraín, 2019) Rodríguez Serrano, Aarón body; Ema; film space; Pablo Larraín; Valparaíso Arte, análisis fílmico, análisis espacial cuerpo; Ema; espacio fílmico; Pablo Larraín; Valparaíso This work proposes a study of the film Ema (Pablo Larraín, 2020), in which the relationship between location (showing the city of Valparaíso, building interiors) and film space (managing the narrative point of view, staging work) is explicitly connected. To this end, we will use a methodology of analysis of discourse eminently spatial such as the proposed by Català Domènech (2019), which places the focus on space as a generator of significant elements. We will apply it to two specific fields of the film: the display of artistic activities—performance in opposition to urban art—and the narration of the affective life of the protagonists—break of the shot/reverse shot codes as a synonym of the new family models. We will show that the emancipatory content and social problems of the film are directly connected to its use of space, and specifically, to the relationships established between the uses of the protagonist's body (linked to jouissance, art, motherhood and destruction) and the mechanisms of staging. El presente trabajo propone un estudio de la película Ema (Pablo Larraín, 2020), en la que se conecte de manera explícita la relación entre localización (mostración de la ciudad de Valparaíso, construcción de interiores) y espacio fílmico (gestión del punto de vista narrativo, trabajo de puesta en escena). Para ello, utilizaremos una metodología de análisis del discurso eminentemente espacial como la propuesta por Català Domènech (2019), que pone el foco en el espacio como generador de elementos significantes. La aplicaremos a dos campos concretos de la película: la mostración de actividades artísticas –performance frente a arte urbano– y a la narración de la vida afectiva de los protagonistas –ruptura de los códigos de plano/contraplano como sinónimo de los nuevos modelos familiares. Mostraremos que el contenido emancipador y la problemática social de la película están directamente conectados con su uso del espacio, y más concretamente, con las relaciones que se establecen entre los usos del cuerpo de la protagonista (vinculados con el goce, el arte, la maternidad y la destrucción) y los mecanismos de puesta en escena. Universidad Diego Portales Universitat Jaume I y Ministerio de Educación -a partir de dos proyectos competitivos dirigidos por el Dr. Javier Marzal Felici 2021-07-29 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://www.revista180.udp.cl/index.php/revista180/article/view/808 10.32995/rev180.Num-47.(2021).art-808 Revista 180; Núm. 47 (2021) Revista 180; Núm. 47 (2021) 0718-669X 0718-2309 spa https://www.revista180.udp.cl/index.php/revista180/article/view/808/467 https://www.revista180.udp.cl/index.php/revista180/article/downloadSuppFile/808/1800 https://www.revista180.udp.cl/index.php/revista180/article/downloadSuppFile/808/1801 https://www.revista180.udp.cl/index.php/revista180/article/downloadSuppFile/808/1802 https://www.revista180.udp.cl/index.php/revista180/article/downloadSuppFile/808/1803 https://www.revista180.udp.cl/index.php/revista180/article/downloadSuppFile/808/1804 https://www.revista180.udp.cl/index.php/revista180/article/downloadSuppFile/808/1805 https://www.revista180.udp.cl/index.php/revista180/article/downloadSuppFile/808/1806 https://www.revista180.udp.cl/index.php/revista180/article/downloadSuppFile/808/1807 https://www.revista180.udp.cl/index.php/revista180/article/downloadSuppFile/808/1808 https://www.revista180.udp.cl/index.php/revista180/article/downloadSuppFile/808/1809 https://www.revista180.udp.cl/index.php/revista180/article/downloadSuppFile/808/1818 Copyright (c) 2021 Revista 180 https://creativecommons.org/licenses/by/4.0 |
| institution |
Universidad Diego Portales |
| collection |
OJS |
| language |
spa |
| format |
Online |
| author |
Rodríguez Serrano, Aarón |
| spellingShingle |
Rodríguez Serrano, Aarón City, art, bodies: Resignifications of film space in Ema (Pablo Larraín, 2019) |
| author_facet |
Rodríguez Serrano, Aarón |
| author_sort |
Rodríguez Serrano, Aarón |
| title |
City, art, bodies: Resignifications of film space in Ema (Pablo Larraín, 2019) |
| title_short |
City, art, bodies: Resignifications of film space in Ema (Pablo Larraín, 2019) |
| title_full |
City, art, bodies: Resignifications of film space in Ema (Pablo Larraín, 2019) |
| title_fullStr |
City, art, bodies: Resignifications of film space in Ema (Pablo Larraín, 2019) |
| title_full_unstemmed |
City, art, bodies: Resignifications of film space in Ema (Pablo Larraín, 2019) |
| title_sort |
city, art, bodies: resignifications of film space in ema (pablo larraín, 2019) |
| description |
This work proposes a study of the film Ema (Pablo Larraín, 2020), in which the relationship between location (showing the city of Valparaíso, building interiors) and film space (managing the narrative point of view, staging work) is explicitly connected. To this end, we will use a methodology of analysis of discourse eminently spatial such as the proposed by Català Domènech (2019), which places the focus on space as a generator of significant elements. We will apply it to two specific fields of the film: the display of artistic activities—performance in opposition to urban art—and the narration of the affective life of the protagonists—break of the shot/reverse shot codes as a synonym of the new family models. We will show that the emancipatory content and social problems of the film are directly connected to its use of space, and specifically, to the relationships established between the uses of the protagonist's body (linked to jouissance, art, motherhood and destruction) and the mechanisms of staging. |
| publisher |
Universidad Diego Portales |
| publishDate |
2021 |
| url |
https://www.revista180.udp.cl/index.php/revista180/article/view/808 |
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