A concept map for urban art
By means of various art references and conceptual meditations, the author clarifies how the coexistence of tangible objects and ephemeral artistic actions within public space of contemporary cities can produce a field of multiple possibilities. Since the wide range of artworks present today in urban...
সংরক্ষণ করুন:
| প্রধান লেখক: | |
|---|---|
| বিন্যাস: | Online |
| ভাষা: | spa |
| প্রকাশিত: |
UNIVERSIDAD ANTONIO NARIÑO
2011
|
| অনলাইন ব্যবহার করুন: | https://revistas.uan.edu.co/index.php/nodo/article/view/381 |
| ট্যাগগুলো: |
ট্যাগ যুক্ত করুন
কোনো ট্যাগ নেই, প্রথমজন হিসাবে ট্যাগ করুন!
|
| id |
oai:ojs.revistas.uan.edu.co:article-381 |
|---|---|
| record_format |
ojs |
| spelling |
oai:ojs.revistas.uan.edu.co:article-3812021-02-15T20:58:43Z A concept map for urban art Un mapa conceptual para el arte urbano Herrera-Zárate, Álvaro Ricardo Cuidad arte monumentos esculturas intervenciones proyectos comunitarios City art monuments sculptures interventions community art projects By means of various art references and conceptual meditations, the author clarifies how the coexistence of tangible objects and ephemeral artistic actions within public space of contemporary cities can produce a field of multiple possibilities. Since the wide range of artworks present today in urban contexts include those with a commemorative or historical character, the ones more interested in aesthetics, the temporal interventions dealing with imprints and markings on the territory, and those of an anthropological approach based on human groups, the article proposes a four-concept structure to organize art manifestations from which it is possible to map them like monuments, sculptures, interventions, and community projects. As a conclusion, the concept map sketched in the article allows for an extensive and clear vision or urban art and its current possibilities; a map that could (and should) be crossed horizontally, given that a site-specific art intervention can become such an emblematic object like a national monument. La coexistencia de objetos sólidos y acciones artísticas efímeras o temporales, en los espacios públicos de las ciudades contemporáneas, genera un campo de múltiples posibilidades que el autor clarifica a partir de referentes artísticos y reflexiones conceptuales. El amplio panorama de obras artísticas urbanas presentes en las ciudades incluye las de carácter histórico o conmemorativo, las de carácter estético o plástico, las intervenciones temporales que se relacionan con huellas y sutiles marcas en el territorio, y los proyectos de corte antropológico que se basan en grupos humanos. El artículo propone una estructura de cuatro conceptos para ubicar esas manifestaciones, a partir de la cual se puede realizar un mapeo de las mismas: monumentos, esculturas, intervenciones y proyectos comunitarios. Se concluye que la elaboración del mapa conceptual, esbozado en el artículo, permite una visión amplia y clara del arte urbano y sus actuales posibilidades, que pueden y deben ser cruzadas horizontalmente, pues una intervención en un sitio específico puede llegar a convertirse en algo tan emblemático como un monumento nacional. UNIVERSIDAD ANTONIO NARIÑO 2011-12-14 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares application/pdf https://revistas.uan.edu.co/index.php/nodo/article/view/381 REVISTA NODO; Vol. 6 Núm. 11 (2011); 7 - 22 2346-092X 1909-3888 spa https://revistas.uan.edu.co/index.php/nodo/article/view/381/319 https://creativecommons.org/licenses/by-nc-sa/4.0 |
| institution |
Universidad Antonio Nariño |
| collection |
OJS |
| language |
spa |
| format |
Online |
| author |
Herrera-Zárate, Álvaro Ricardo |
| spellingShingle |
Herrera-Zárate, Álvaro Ricardo A concept map for urban art |
| author_facet |
Herrera-Zárate, Álvaro Ricardo |
| author_sort |
Herrera-Zárate, Álvaro Ricardo |
| title |
A concept map for urban art |
| title_short |
A concept map for urban art |
| title_full |
A concept map for urban art |
| title_fullStr |
A concept map for urban art |
| title_full_unstemmed |
A concept map for urban art |
| title_sort |
concept map for urban art |
| description |
By means of various art references and conceptual meditations, the author clarifies how the coexistence of tangible objects and ephemeral artistic actions within public space of contemporary cities can produce a field of multiple possibilities. Since the wide range of artworks present today in urban contexts include those with a commemorative or historical character, the ones more interested in aesthetics, the temporal interventions dealing with imprints and markings on the territory, and those of an anthropological approach based on human groups, the article proposes a four-concept structure to organize art manifestations from which it is possible to map them like monuments, sculptures, interventions, and community projects. As a conclusion, the concept map sketched in the article allows for an extensive and clear vision or urban art and its current possibilities; a map that could (and should) be crossed horizontally, given that a site-specific art intervention can become such an emblematic object like a national monument. |
| publisher |
UNIVERSIDAD ANTONIO NARIÑO |
| publishDate |
2011 |
| url |
https://revistas.uan.edu.co/index.php/nodo/article/view/381 |
| work_keys_str_mv |
AT herrerazaratealvaroricardo aconceptmapforurbanart AT herrerazaratealvaroricardo unmapaconceptualparaelarteurbano AT herrerazaratealvaroricardo conceptmapforurbanart |
| _version_ |
1709640640182091776 |