They accuse: architecture and urban criticism… written by novelists

By comparing two quite opposite descriptions of the same city by different writers, the article begins proposing a reflection about which is the type of narration truly necessary when studying the relationship between the city and literature. Hence, from the purpose of fiction writing in general, un...

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Main Author: Muñoz, Mauricio
Format: Online
Language:spa
Published: UNIVERSIDAD ANTONIO NARIÑO 2012
Online Access:https://revistas.uan.edu.co/index.php/nodo/article/view/69
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spelling oai:ojs.revistas.uan.edu.co:article-692021-02-15T21:02:49Z They accuse: architecture and urban criticism… written by novelists Ellos acusan: crítica arquitectónica y urbana… hecha por novelistas Muñoz, Mauricio Ciudades y pueblos en la literatura Literatura moderna —Historia y crítica Teoría arquitectónica —siglo XX Cities and towns in literature Modern literature —History and criticism Architectural Theory —20th Century By comparing two quite opposite descriptions of the same city by different writers, the article begins proposing a reflection about which is the type of narration truly necessary when studying the relationship between the city and literature. Hence, from the purpose of fiction writing in general, until the need from writers to exercise criticism in the style of the famous I accuse published by Émile Zola, the author points out the differences among those more idyllic texts written by the persons involved in the productin of the city, with those more drastic ones conceived by novelists. Finally, the author concludes that the novel is a place for reflection where the writer reveals his/her critical positions; therefore, he/she deliberately avoids focusing on the qualities of urban experiences to concentrate on the typical conflicts of the city. A partir de la comparación entre dos descripciones casi opuestas de la misma urbe por diferentes escritores, el artículo propone una reflexión sobre cuál es el tipo de narración necesario para los estudios que relacionan la ciudad y la literatura. De este modo, desde la utilidad de los escritos de ficción en general, hasta la obligación de los narradores de ejercer la crítica tal como se entiende desde el famoso Yo acuso de Émile Zola, el autor evidencia las diferencias entre los textos más idílicos de las disciplinas involucradas en la construcción de la ciudad y aquellos más drásticos que desde la literatura intentan captar su vivencia. Finalmente se concluye que la novela es un espacio de reflexión donde el escritor deja visibles sus posiciones críticas, razón por la cual este evita concentrarse en las cualidades propias de la experiencia urbana para dedicarse a los conflictos inherentes a la ciudad. UNIVERSIDAD ANTONIO NARIÑO 2012-05-14 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares application/pdf https://revistas.uan.edu.co/index.php/nodo/article/view/69 REVISTA NODO; Vol. 6 Núm. 12 (2012); 45 - 54 2346-092X 1909-3888 spa https://revistas.uan.edu.co/index.php/nodo/article/view/69/53 https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Antonio Nariño
collection OJS
language spa
format Online
author Muñoz, Mauricio
spellingShingle Muñoz, Mauricio
They accuse: architecture and urban criticism… written by novelists
author_facet Muñoz, Mauricio
author_sort Muñoz, Mauricio
title They accuse: architecture and urban criticism… written by novelists
title_short They accuse: architecture and urban criticism… written by novelists
title_full They accuse: architecture and urban criticism… written by novelists
title_fullStr They accuse: architecture and urban criticism… written by novelists
title_full_unstemmed They accuse: architecture and urban criticism… written by novelists
title_sort they accuse: architecture and urban criticism… written by novelists
description By comparing two quite opposite descriptions of the same city by different writers, the article begins proposing a reflection about which is the type of narration truly necessary when studying the relationship between the city and literature. Hence, from the purpose of fiction writing in general, until the need from writers to exercise criticism in the style of the famous I accuse published by Émile Zola, the author points out the differences among those more idyllic texts written by the persons involved in the productin of the city, with those more drastic ones conceived by novelists. Finally, the author concludes that the novel is a place for reflection where the writer reveals his/her critical positions; therefore, he/she deliberately avoids focusing on the qualities of urban experiences to concentrate on the typical conflicts of the city.
publisher UNIVERSIDAD ANTONIO NARIÑO
publishDate 2012
url https://revistas.uan.edu.co/index.php/nodo/article/view/69
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