El Graffiti as an art form and the construction of politics: multiple realms and perceptions. An overview of Bogota

El Graffiti as an art form and the construction of politics: multiple realms and perceptions. An overview of Bogota

The article proposes a meditation on art becoming a space for interaction, creation and transformation of different realms in which politics are a cornerstone in the constitution of subjectivities. Accordingly, it thinks about art as a scenario where all standpoints, perspectives and worldviews can...

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Main Authors: Chacón-Cervera, Juan Camilo, Cuesta, Oscar
Format: Online
Language:spa
Published: UNIVERSIDAD ANTONIO NARIÑO 2013
Online Access:https://revistas.uan.edu.co/index.php/nodo/article/view/85
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spelling oai:ojs.revistas.uan.edu.co:article-852021-02-15T21:10:55Z El Graffiti as an art form and the construction of politics: multiple realms and perceptions. An overview of Bogota El grafiti como expresión artística que construye lo político: pluralidad de mundos y percepciones. Una mirada en Bogotá Chacón-Cervera, Juan Camilo Cuesta, Oscar Arte lo político educación colonialismo socialización memoria Art politics education colonialism socialization memory The article proposes a meditation on art becoming a space for interaction, creation and transformation of different realms in which politics are a cornerstone in the constitution of subjectivities. Accordingly, it thinks about art as a scenario where all standpoints, perspectives and worldviews can converge, and graffiti can come into sight as an expression of politics, mainly, as a point of view repossessing local cultural knowledge out of artworks staged on Bogota’s public space. Finally, it argues if art forms such as graffiti have a chance at socializing and constructing memory as well. El artículo reflexiona sobre la posibilidad del arte como espacio de interacción, creación y trasformación de mundos donde lo político es un eje fundamental en la constitución de subjetividades. Para ello, se analiza el arte como escenario convergente de mundos, perspectivas y cosmovisiones. En este marco, se observará al grafiti como expresión de lo político, especialmente, como una perspectiva que rescata saberes culturales propios desde la puesta de creaciones artísticas en el espacio público de Bogotá. Finalmente, se observan las posibilidades de socialización y edificación de memoria de las expresiones artísticas. UNIVERSIDAD ANTONIO NARIÑO 2013-06-14 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares application/pdf https://revistas.uan.edu.co/index.php/nodo/article/view/85 REVISTA NODO; Vol. 7 Núm. 14 (2013); 65 - 76 2346-092X 1909-3888 spa https://revistas.uan.edu.co/index.php/nodo/article/view/85/67 https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Antonio Nariño
collection OJS
language spa
format Online
author Chacón-Cervera, Juan Camilo
Cuesta, Oscar
spellingShingle Chacón-Cervera, Juan Camilo
Cuesta, Oscar
El Graffiti as an art form and the construction of politics: multiple realms and perceptions. An overview of Bogota
author_facet Chacón-Cervera, Juan Camilo
Cuesta, Oscar
author_sort Chacón-Cervera, Juan Camilo
title El Graffiti as an art form and the construction of politics: multiple realms and perceptions. An overview of Bogota
title_short El Graffiti as an art form and the construction of politics: multiple realms and perceptions. An overview of Bogota
title_full El Graffiti as an art form and the construction of politics: multiple realms and perceptions. An overview of Bogota
title_fullStr El Graffiti as an art form and the construction of politics: multiple realms and perceptions. An overview of Bogota
title_full_unstemmed El Graffiti as an art form and the construction of politics: multiple realms and perceptions. An overview of Bogota
title_sort el graffiti as an art form and the construction of politics: multiple realms and perceptions. an overview of bogota
description The article proposes a meditation on art becoming a space for interaction, creation and transformation of different realms in which politics are a cornerstone in the constitution of subjectivities. Accordingly, it thinks about art as a scenario where all standpoints, perspectives and worldviews can converge, and graffiti can come into sight as an expression of politics, mainly, as a point of view repossessing local cultural knowledge out of artworks staged on Bogota’s public space. Finally, it argues if art forms such as graffiti have a chance at socializing and constructing memory as well.
publisher UNIVERSIDAD ANTONIO NARIÑO
publishDate 2013
url https://revistas.uan.edu.co/index.php/nodo/article/view/85
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